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Journal Article
Theater (1981) 13 (1): 83–88.
Published: 01 February 1981
...
From June 6 through June 15, 1981, committed to the concept of emancipatory
Meinhof’s the Grips Theater of West Berlin was the theater, and it did provide insights into re-
venue of the Second International cent...
Journal Article
Theater (1979) 11 (1): 85–97.
Published: 01 February 1979
... in
tional Children’s and Youth Theater which children could make more social use
Festival, bringing together some of the best of their imagination. From 1969-1971,
ensembles from Europe and Canada. Grips...
Journal Article
Theater (1977) 9 (1): 93.
Published: 01 February 1977
... In 1968 the Grips Theater of West Berlin began developing an "emancipa-
tory children's theater." A group of cabaret actors, writers, educators and
social workers wrote and performed...
Journal Article
Theater (2003) 33 (2): 3–25.
Published: 01 May 2003
...Jack Zipes © 2003 by Yale School of Drama/Yale Repertory Theatre 2003 Thomas Ahrens and
Regine Seidler in
Grips Theatre’s
Melodys Ring , Berlin,
2000. Photo: David
Baltzer
Jack Zipes
Political Children’s Theater
in the Age of Globalization
Thirty years ago I went...
Journal Article
Theater (1991) 22 (3): 86–90.
Published: 01 November 1991
... himself. Leopold moves from
myself into? Less than a year my ears and besides, I am the tragic to the absurd as he speaks
ago I was strong and healthy, depressed my soul is in the in fragments and manages full
confident, tireless, impassioned. grip of a kind of apathy I spend...
Journal Article
Theater (2012) 42 (2): 7–25.
Published: 01 May 2012
...: “As soon as there is a power relation, there is a possibility of
resistance. We can never be ensnared by power: we can always modify its grip in deter-
minate conditions and according to a precise strategy.”6 Foucault never assumes that
nothing qualifies as resistance except a reversal of the dynamic...
Journal Article
Theater (2014) 44 (3): 66–73.
Published: 01 November 2014
... at the
Studio Museum in Harlem — traces of a body in pain. In November 2013 artist Tameka
Norris, decked out in a deep red jumpsuit complemented by matching bangles and
coifed Afro, stood barefoot solemnly gazing at an awaiting crowd by a knife gripped
between her lips. Exercising her teeth and tongue...
Journal Article
Theater (1975) 6 (2): 9–17.
Published: 01 May 1975
...,
and who maintains his silence in spite of his growing agony. A gripping duet
for one voice.
If this scene does not succeed, because the Marenka is busy not with Jenik
but with herself and, misled by the faulty German translation, performs this
aria with a display...
Journal Article
Theater (1984) 15 (3): 61–65.
Published: 01 November 1984
... with four doors and sionary and gripping. The full-bloodedness
Torvald, and is spurned into a balletic an atticful of furniture and knicknacks. Bar- of this performance feels precisely true to the
posture like that of a rejected suppliant; us- recca takes this formula, then reduces and play’s...
Journal Article
Theater (2017) 47 (2): 100–107.
Published: 01 May 2017
...-
gests that instead of attempting to solidify a media specificity for theater, we should be
thinking about the ways “theatrical strategies modify the grip of mass cultural forma-
tions.”6 Bay-Cheng takes up this challenge to consider theater “as a form of media” in
her book with Jennifer Parker...
Journal Article
Theater (1968) 1 (1): 114–115.
Published: 01 February 1968
...
that make Cleopatra, the Queen of on inside it-toes flashing by and grip•
Egypt, one of history's all-time great ping the stage floor as though they were
actresses: a figure of wide enough fingers, thigh muscles rippling, stomach
human power to appeal to such a heaving...
Journal Article
Theater (1993) 24 (3): 86–87.
Published: 01 November 1993
...-
mate, ironic portrait of a marriage in Betting melon gripped by the eponymous hero
on the Dust Commander to the operatic becomes both blessing and curse. This word
grandeur of The Death of the Last Black Man in and imageplay, at once joyously anarchic...
Journal Article
Theater (1974) 5 (3): 79–86.
Published: 01 November 1974
...," that "suffering of the soul" which psy-
chologists have labeled "melancholia" and which St. John of the
Cross calls the "dark night of the soul." During such periods
individuals are gripped by the chthonic powers living within...
Journal Article
Theater (1978) 9 (2): 152–153.
Published: 01 May 1978
... the end of
the play, the Slave appears to describe
Oedipus’ blinding:
his fingers had stabbed deep into his
sockets he hooked them gripping the
eyeballs and he tugged twisting and
dragging with all his strength till they
gave way and he flung them from him...
Journal Article
Theater (1988) 19 (3): 69–70.
Published: 01 November 1988
... MAN . . . You get up knowing whatever your
troubles is you can get a grip on them
MARGARET E. GLOVER ’causethe blues...
Journal Article
Theater (1993) 24 (1): 5–6.
Published: 01 February 1993
... between crit-
are a sign of hope. Any theater that wants to shake ical language and criticism’s ends.
the grip of America’s dominant modes of percep- Stage language and the language of staging
tion should take courage: a new, even...
Journal Article
Theater (2009) 39 (3): 11–23.
Published: 01 November 2009
... to a cheap romance novel that finds its bombastic end in Hollywood films.
Once such a shadow of true drama is established, no one sheds a tear when such a prod-
uct of decay becomes evening entertainment.
Believability
To ask the question another way: what makes theater such a gripping event...
Journal Article
Theater (2014) 44 (1): 67–77.
Published: 01 February 2014
... community of gifted
Asian artists: fellow scholarship holders from Tokyo, Taipei, Shanghai, Jakarta, Hong
Kong, Manila. This should have been splendid, but one big problem remained: their
minds had been gripped by the big bad monster of Western cultural hegemony. “Every-
body was turned towards New...
Journal Article
Theater (1999) 29 (3): 1–6.
Published: 01 November 1999
... could be done. Dystopia is
not very glamorous. The illustrations in this issue would never grip us so powerhlly if
they were merely dystopian- there’s a thrill to the Last Judgment that’s absent in Brave
New World or 1984 or in a play like R. U.R., however much more plausible they are.
Dystopia...
Journal Article
Theater (1978) 10 (1): 63–65.
Published: 01 February 1978
..., then, is a result of his the manner in which Besson coordinated
Hamlet's oedipal desires. Her rigidity was a efforts to come to grips with and account spatial, verbal and gestural information.
mark of her own sexual repression. Her for all these conflicts and contradictions.
sternness and self...