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gozzi
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Journal Article
Theater (1988) 20 (1): 38–41.
Published: 01 February 1988
...
or hired to be, language is a hefty con- experiment, Gozzi continued to give Sacchi canouaccio ver-
sions of the scenes in which the actor’s favored role, that of
sideration, but one of several, fore- ”Yuffaldino,appears...
Journal Article
Theater (1988) 20 (1): 29–37.
Published: 01 February 1988
...Mead Hunter Copyright © THEATER 1988 1988 NOT EXACTLY DISNEY:
GOZZI’S THE BLUE MONSTER
MEAD HUNTER
I. Carlo who?
on’t...
Journal Article
Theater (2006) 36 (1): 109–115.
Published: 01 February 2006
...
st. petersburg’s new wave
the title About Turandot. Prac-
tically the entire production
is a series of lazzi about three
eunuchs telling Gozzi’s famous
fable while constantly interrupt-
ing each other.
This Turandot depicts a
Babylonian assortment of people...
Journal Article
Theater (1990) 21 (1_and_2): 124–125.
Published: 01 February 1990
..., No. 3, p. 4..
XX, No. 3, p. 46. XX, No. 1, p. 29. Senelick, Laurence, “Changing Sex in
Bermel, Albert, “Gozzi in the Main- King, W.D., “Good and ‘B-A-D-D-D-D’ Public: Female Impersonation as Perfor-
stream” (essay),Vol. XX, No. 1, p. 38...
Journal Article
Theater (2009) 39 (1): 1–5.
Published: 01 February 2009
..., and maintains a large
repertory of Weil’s productions. These include world drama by Shakespeare and Gozzi,
Brecht and Albee, as well as decidedly local work: self-written or commissioned plays
about present-day and historic Central Asia. Of the four performances I was able to
see on a recent visit...
Journal Article
Theater (2006) 36 (1): 5–25.
Published: 01 February 2006
... but underappreciated productions, Strindberg’s A Dream Play
at the Et Cetera Theater and Gozzi’s The King Stag at the Vakhtangov Theater.
15
freedman
2002 – 2003
September 29. Ivan Vyrypaev’s Oxygen opens at Teatr.doc. This is the first...
Journal Article
Theater (1974) 5 (2): 94–119.
Published: 01 May 1974
... of achievement. More than
that, with the minor exceptions of Goldoni and Gozzi in the
eighteenth century the Italian stage had never had a master, a maker
of models or paradigms for successors to draw upon or fruitfully
reject. Pirandello would have had to go back to the high era of the
commedia...
Journal Article
Theater (2008) 38 (3): 39–65.
Published: 01 November 2008
... who spent time with
Weil in Tashkent. “He just seemed to ignore realities,” said Jenkins, “and it worked.”
In recent years, as the government denounced “foreign” entertainment, Ilkhom
defiantly staged Brecht, Gozzi, Steinbeck, and Albee. In productions such as Pushkin’s
Imitation...