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Theater (2008) 38 (1): 142–147.
Published: 01 February 2008
... 141 orenstein Jacob Gallagher-Ross Ghost Map OFF Stage: The East Village Fragments Peculiar Works Project New York, June 2007 The off-off Broadway movement was a serendipitous accident of geography. In 1960s Greenwich Village, an entire generation of rebellious artists found...
Theater (1989) 20 (2): 36–38.
Published: 01 May 1989
...F.G. Waxman Copyright © THEATER 1989 1989 THE THEATER OF BENAZIR BHUTTO: A GHOST IN THE MACHINE...
Theater (1974) 5 (3): 95–102.
Published: 01 November 1974
...Stephen R. Lawson Copyright © by yale/theater 1974 1974 Strindberg's Dream Play and Ghost Sonata by Stephen R. Lawson During Strindberg's "Inferno" years in Paris...
Theater (1976) 8 (1): 35–37.
Published: 01 February 1976
...David F. Beer Copyright © by yale/theatre 1976 1976 Notes on an Amharic Political Ghost-Play David E Beer Summoning up the ghosts of national heroes is a popular motif in Ethiopia’s ancient theatrical and literary history, and is part of the allegorical tradition of the coun...
Theater (1993) 24 (3): 37–48.
Published: 01 November 1993
...Xerxes Mehta Copyright © Theater 1993 1993 Ghosts Xerxes Mehta The prescriptiveness of Beckett’s stage directions, especially in the short plays he wrote towards the end of his life, appears to leave the director with little to do...
Theater (2005) 35 (2): 31–67.
Published: 01 May 2005
...Kevin Oakes © 2005 by Yale School of Drama/Yale Repertory Theatre 2005 Jessa Santens as Chloe and Elizabeth Bullard as Amber in Th e Vomit Talk of Ghosts, directed by Rob Melrose, the Cutting Ball, San Francisco, 2003. Photo: Rob Melrose Kevin Oakes The Vomit Talk...
Theater (2010) 40 (2): 133–146.
Published: 01 May 2010
... by Kathleen Cioffi 132 Stephen Nunns The Ghosts of Wrocław: Grotowski’s Local Legacies It is June 2009. Jarosław Fret, director of the Grotowski Institute and founding director of Teatr zar, the in-house company at the institute, is sitting with a group of American graduate students...
Theater (1980) 11 (2): 35–53.
Published: 01 May 1980
..., the and the action confined to one bourgeois parlor. past impinges upon the present, demanding of each new genera• This new bourgeois drama found its model, strangely enough, tion reparations for the sins of its forefathers. The ghost of in Greek tragedy, whose prologues recall the past...
Theater (1999) 29 (3): 100–114.
Published: 01 November 1999
... of the capitalist present by holding a match to a handful of torn pound notes and announcing in both bitter irony and groggy hope, “I am going to be fucked, happy, and free 1’2 All of this disrupting of time, conjuring of ghosts, agonizing, violating of sancti- ties, exposing of wounds...
Theater (2023) 53 (2): 26–51.
Published: 01 May 2023
... at gertrudis, then at the rest of the troupe. He puts his right hand on his chest and composes himself. He becomes prince hamlet. Black out. Sc ene 2 The Ghost Nighttime. The actors become guards, using flashlights to light the stage. © 2023 by Chela De Ferrari. All rights reserved. No part of this play may...
Theater (1979) 10 (3): 92–94.
Published: 01 November 1979
... sen- sibly and pragmatically by Claudius, 2. W. Sb.LerpuR comes Hamlet from the remote Wit- .. Shakespeare tenberg; he talks with ghosts in the middle...
Theater (1990) 21 (3): 30–33.
Published: 01 November 1990
..., waiting; and waiting; until someone recently dead characters of another play, Ghosts, are spotted performers on the horizon, running rapidly toward astonished that words fail to link them with the living. them. The actors were - well, nuns. Habits flapping like Although he scored his first major...
Theater (1984) 16 (1): 61–67.
Published: 01 February 1984
... used, a rape and deconsecration ghosts. In its particular context this is the of the “wahre Geist”of Shakespeare’s drama. space of an aesthetic tradition in German It is to be expected that the invisible “Geist” cultural life reaching back to Goethe’s time, in Shakespeare’s drama will continue...
Theater (1978) 9 (3): 25–29.
Published: 01 November 1978
... years. Most recently, Mr. Serban has served as Associate Artistic Director of the Yale Repertory Theatre, where he directed The Ghost Sonata (1977) and Sgnarelle; An Evening of Moliere Farces (1978). In May 1978 he directed his first American play, Sam Shepards Mad Dog Blues, on a beach...
Theater (1990) 21 (1_and_2): 52–67.
Published: 01 February 1990
... Sequel the waters suddenly turnin upside down and floating GHOST OF SAKKO: Whyareyacryin on top of itself 01: Dontwannasay where the sky used to be the means GHOST OF SAKKO: Justsayit flowin by 01: Dontwanna Its...
Theater (1979) 11 (1): 4–63.
Published: 01 February 1979
.... After that came Damascur, Saga of tain of Strindberg’s plays - Persona and The Stronger, A Passion the Folkungs, and The Ghost Sonata. It is the sort of thing you never and The Ghost Sonata, Wild Strawbemes and A Dream Play, forget and never leave behind, especially if you happen...
Theater (1981) 12 (3): 53–65.
Published: 01 November 1981
.... ghost thus lurking within Shepard’s drama A common misconception has it that Shepard has always shown an innovative does not serve fully to circumscribe that Shepard’s plays are poems divided among sense of anarchic humor, and in his recent drama;- nor, of course, do Shepard’s plays...
Theater (2012) 42 (3): 11–29.
Published: 01 November 2012
... staging the plays of 12 the total radical fiction Ibsen in 2006 with the goal of presenting the author’s complete works. Their efforts so Vinge and Müller’s Ghosts, Black Box...
Theater (1976) 8 (1): 72–73.
Published: 01 February 1976
... was what I wanted all along: the cool torpor, mud closing my mouth and eyes. Doctor: Children, be glad! I know those answers. Soon my voice alone will be heard in the land. Marie’s Ghost: Savior, savior, spare my soul! I’ll wash...
Theater (1988) 19 (3): 35–68.
Published: 01 November 1988
... that truck. He might have stole Ghosts of the Yellow Dog pushed him in. that truck. BERNEICE: I don’t want to hear that BOY WILLIE: We ain’t stole that truck. nonsense...