... 5/2/01 10:50 AM Page 35 Thomas Irmer Collateral Damage on the German Mind, or, How Young German Directors Became More Involved with the Issue of War During the Gulf War the old means...

.... Photo: Dieter Wuschanski. 10-The30.3-Levitz.ak 96-105 10/18/00 11:31 AM Page 97 Tamara Levitz Either a German or a Jew The German Reception of Kurt Weill’s Der Weg der Verheißung We...

...Gitta Honegger Copyright © Theater 1994 1994 This German Language.. . An Interview with Elfriede Jelinek Gitta Honegger On a home movie screen a middle-aged woman carrying a suitcase wanders along a mountain path. Hannah Arendt...

... of society to television and the play” instead of the more correct “learningplay,” movies. This theater also allows for the per- will hopefully help to liberate this theater form spectives of the excluded, the speechless, and from the stigma of a dry, German theater ped- the silenced, who no longer...

... of The Eternal Road at the Manhattan Opera House. Photo: Edward Steichen. Courtesy of Michael Wager. 09-The30.3-Kowalke al.ak 82-95 10/18/00 11:30 AM Page 83 The Eternal Road and Kurt Weill’s German, Jewish, and American...

...Bettina Brandl-Risi Yale School of Drama/Yale Repertory Theatre 2007 Christoph Schlingensief’s Kunst und Gemüse, A. Hipler, Berlin, 2004. Photo: David Baltzer Bettina Brandl-Risi The New Virtuosity Outperforming and Imperfection on the German Stage Here’s the problem: How...

...John Rouse Copyright © THEATER 1984 1984 THEATER IN BERLIN Robert Wilson, Texts and History: CIVIL wars, German Part John Rouse On March 28, 1984 the Olympic Arts events...

...Sue-Ellen Case Copyright © THEATER 1984 1984 THEATER IN SEATTLE The German Festival Sue-Ellen Case In the Fall of 1983, The Intiman Theater blishment...

... York: Mitchell Kennerley, 1912), 177. 2. Ibid., 71. 3. Ibid., 19. 4. Percy MacKaye, Preface to Caliban by the Yellow Sands (New York: Doubleday, Page and Company, 1916), xii. Theater 42:3  doi 10.1215/01610775-1815419 © 2013 by Anne Erbe Facing the German Theater...

.... Wirth , Andrzej . “Wilsons Weg in die alte neue Oper.” Theater heute , January, 1985 , p. 16 -18. TO THE PICTURES“ - WILSON & GERMAN THEATER CRITICISM...

...Joel Schechter Copyright © Yale/Theatre 1977 1977 Heiner Muller and Other East German Dramaturgs By Joel Schechter Heiner Miiller, one of East Germany’s most Few of the dramaturgs whom Miiller has met important playwrights, is also a dramaturgat the in East Germany...

...Michael Thalheimer In this interview, theater scholar Jonathan Kalb and acclaimed German director Michael Thalheimer discuss Thalheimer's radically stripped-down approach to canonical dramatic texts, with reference to several recent productions, including Liliom , The Oresteia , Emilia Galotti...

...Steve Moore; Carlos Treviño In this interview, theater scholar Jonathan Kalb and acclaimed German director Michael Thalheimer discuss Thalheimer's radically stripped-down approach to canonical dramatic texts, with reference to several recent productions, including Liliom , The Oresteia , Emilia...

...Bernd Stegemann Ten years after the original German-language publication of Hans-Thies Lehmann's Postdramatic Theater —a book that altered the critical discourse about contemporary theater practice—Bernd Stegemann weighs the ramifications of Lehmann's book as European theater artists struggle...

...Gitta Honegger For my meeting with Franz Xaver Kroetz I had to travel from Bochum, where his new play Furcht und Hoffnung der BRD (Fear and Hope of the German Federal Republic) was in rehearsal, to Munich, where he was rehearsing the title role of Büchner's Woyzeck, for a production...

... Deutschland 2—Berlin Back Up (2002), which restages a German parliamentary debate. She discusses the role of participation and spectatorship in such reenactments, arguing that these performance pieces embody new ways of thinking about history and politics. © 2010 by Yale School of Drama/Yale Repertory...

...Nick Salvato Nick Salvato examines the collision between “old” and “new” media staged by the actorless performance piece Bonanza , produced by German multimedia collective Berlin. © 2012 by Nick Salvato 2012 Berlin’s Bonanza, Marseille, 2010. Courtesy of Berlin Nick Salvato The New...

...Laurens De Vos Laurens De Vos examines the ways in which director Milo Rau incorporates the poetic and aesthetic techniques of alienation theorized and pioneered by German director Bertolt Brecht for purposes similar to but distinct from Brecht’s. Like Brecht, De Vos argues, Rau exploits...

...James Leverett Shakespeare on the German Stage: The Twentieth Century by Wilhelm Hortmann 1998: Cambridge University Press © 2000 by Yale School of Drama/Yale Repertory Theatre 2000 Books James Leverett some justification for Hauptmann’s claim...

..., for the is terrified by another approaching him as his best of German dramatists have consistently doppelganger.” With this grammar of adverbs followed his lead and have sought to realize his and conjunctions, the playwright insists that all moral mission. Despite repeated periods of acting (and all...