... Copyright © Theater 1997 1997 WERE w o LVE S, FRACTALS, AND FORBIDDENKNOWLEDGE Mac WeZZman, Interviewed by Shawn-Marie Garrett GARRETT How many plays have you written? and consciously set...

... Copyright © Theater 1997 1997 Photo by Annemarie Poyo. A WORLDOF AMUSEMENTAND PITY Wole Soy inka, Interviewed by Olesegun Ojewuyi and Shawn-Mane Garrett The opening lines of the title song...

...Shawn-Marie Garrett Copyright © Theater 1994 1994 MCKINLEY/CUMMINGS/GARRETT It is the head and upper torso, more than and Moustique face upstage reaching for home 20 feet high, of a black man. At first, its colossal with outstretched arms...

...Shawn-Marie Garrett Performing America: Cultural Nationalism in American Theater Edited by Jeffrey D. Mason and J. Ellen Gainor 1999: University of Michigan Press © 2000 by Yale School of Drama/Yale Repertory Theatre 2000...

...Shawn-Marie Garrett © 2001 by Yale School of Drama/Yale Repertory Theatre 2001 04-Garrett 5/21/01 3:20 PM Page 44 04-Garrett 5/21/01 3:20 PM Page 45 Shawn-Marie Garrett The Awkward Age New York’s New Experimental Theater...

...Shawn-Marie Garrett © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Shawn-Marie Garrett Return of the Repressed I had to confront / again & again / those moments that had left me with little more than fury n homicidal desires. in spell #7 i included a prologue...

...Shawn-Marie Garrett Essays, Mainly Shakespearean Anne Barton, 1994: Cambridge University Press The Stage and Social Struggle in Early Modern England Jean E. Howard, 1994: Routledge Copyright © Theater 1994 1994 Productions...

...Shawn-Marie Garrett Eleanora Antinova Plays by Eleanor Antin Copyright © Theater 1995 1995 GARRETT and the Theater,” which he presented in when Vera Petrovna, then eight months preg- Minneapolis in 1985? Wellman has written nant, could no longer dance. In her just-pub...

...Shawn-Marie Garrett Copyright © Theater 1997 1997 SHAWN-MARIEGARRETT DUMMIEDDOWN: Pearls for Pigs AT THE HARTFORDSTAGE Richard Foreman’s omnipresence in his own theater...

...Marvin Carlson; John Heilpern; Christopher Shinn; Alisa Solomon; Kelly Stuart Yale School of Drama/Yale Repertory Theatre 2007 Compiled, introduced, and moderated by Shawn-Marie Garrett Barnard College panel discussion, 2006, from left to right: Shawn-Marie Garrett, Christopher...

... to McGuinness], no. 3,110. Scenarios nos. I-Z,IZI. Bentley, Eric, [in “Utopia Forum nos. 1~2,184. Garrett, Shawn-Marie, “The Business of Ideals: Rocco Landesman, Interviewed by Shawn-Marie Bh ar u ch a, Ru s t o m...

... Avenues Towards the Heart of no. I, 91-93. a Mystery,” nos. 2-3, 60-63. Garrett, Shawn-Marie, “Werewolves, Fractals, and Rabetz, Samantha Rachel, “Putting It in Context,” H.R. Forbidden...

...-18. 30,” no. I, 23-34. Foreman, Richard, Pearlsfor Pigs, no. I, 35-57. Brizzell, Cindy, Christopher de Haan, and Rebecca Ann Rug, “Moving Forward, Garrett, Shawn-Marie, “Dummied Down: Looking Back,” no. 3,71-78. Pearlsfor...

... advisory board    James Bundy, Victoria Nolan, Catherine Sheehy contributing editors    Una Chaudhuri, Liz Diamond, Elinor Fuchs,   Shawn-Marie Garrett, Gitta Honegger, Jonathan Kalb, Nina Kiràly,   Dragan Klaic´, Renate Klett, James Leverett, Mark Lord, Charles McNulty,   Joseph Roach, Marc Robinson...

..., especially when into the stage floor, it pulls the drape tight into the promises of racial justice and African a momentary tent which then falls away from nationalism remain largely unfulfilled. Jones’s the mound to reveal its hidden form. MCKINLEY/CUMMINGS/GARRETT...

... provides a Why doesn’t The Bad Infinity contain a complete sense of Susannah’s unusual journey better introduction to Wellman’s work than into adulthood. They also mark a shift in “Poisonous Tomatoes: A Statement on Logic GARRETT and the Theater,” which he presented in when Vera Petrovna...

... it, such historical contradictions and ambiguities turn out to be at the heart of this issue of Theater, in Shawn-Marie Garrett’s essay about minstrelsy and Rebecca Rugg’s about American musicals, indeed in Mac Wellman’s visions of Antigone, as much as in the Stein forum. Stein might not like my reasons...

..., the Playwrzght by John Lahr, Methuen, New York, 1983 (cloth) Joe Giannetti 68 $15.95. Cynthia Goodman 89 The Cubist Theatre by J. Garrett Glover, UMI Research Press, Ann Ar- Eiisabeth Hausmann 56 bor, MI, 1983 (cloth) $39.95...