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gambaro

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Journal Article
Theater (1990) 21 (3): 34–38.
Published: 01 November 1990
...Marguerite Feitlowitz Copyright © THEATER 1990 1990 ITHE THEATER OF GRISELDA GAMBARO MARGUERITE FEITLOWITZ “Life here is surreat...
Journal Article
Theater (1990) 21 (3): 4–5.
Published: 01 November 1990
... the of Griselda Gambaro, Joshua Sobol, playwriting stars of tomorrow, nor do and Heiner Miiller. Muller’s fellow we mean to offer anything like a German, Georg Seidel, stretches our comprehensive survey of a crowded...
Journal Article
Theater (1990) 21 (3): 95.
Published: 01 November 1990
... is Literary Manager for River Arts member of BACA Downtown’s New Works project and New Repertory in Woodstock, New York. She has translated the Dramatists. plays of Griselda Gambaro and Liliane Atlan. Marc Robinson, guest editor of this issue...
Journal Article
Theater (1990) 21 (3): 95.
Published: 01 November 1990
... is Literary Manager for River Arts member of BACA Downtown’s New Works project and New Repertory in Woodstock, New York. She has translated the Dramatists. plays of Griselda Gambaro and Liliane Atlan. Marc Robinson, guest editor of this issue...
Journal Article
Theater (1991) 22 (1): 93–94.
Published: 01 February 1991
..., Marguerite, CRISIS, TERROR, Lone, BERGMAN AND THE ACTORS LAUGH (essay), Numbers 1 and 2, pp. 34 - DISAPPEARANCE: THE THEATER OF (interview),Numbers 1 and 2, pp. 74 - 80. 37. GRISELDA GAMBARO (essay), Number 3...
Journal Article
Theater (1980) 12 (1): 38–45.
Published: 01 February 1980
..., Osvaldo Dragiin and Griselda Bernstein, wife of Leonard Bernstein, Nathaniel Rock, attorney, Gambaro of Argentina, and Victoria Santa Cruz of Peni. In 197 1 and Pottlitzer who served as director until 1979. She continues to Brazil’s contemporary composer and singer Gilbert0 Gil was In- serve...
Journal Article
Theater (2002) 32 (1): 33–47.
Published: 01 February 2002
.... The adaptations reveal, among other things, how the issue of mother- hood becomes much more central in these non-Western productions than in European ones, an observation that prompts the authors to conclude the chapter with another kind of adaptation—Argentinean playwright Griselda Gambaro’s Antígona Furiosa...