...Gitta Honegger Copyright © THEATER 1986 1986 Form as Torture: Found Meanings Between Bausch and Kantor artist enters Kantor’s stage about two thirds...

...David Lang; Mac Wellman © 2000 by Yale School of Drama/Yale Repertory Theatre 2000 The30.2-04 Munk.ak 5/24/00 1:58 PM Page 34 The Difficulty of Defending a Form David Lang and Mac Wellman, Interviewed by Erika Munk...

... of the artists and Victoria Miro Madison Moore Nightlife as Form I. Too Late Nobody wants to arrive on time to a party. You always want to be a little bit late — not too late, fashionably late, just as long as you’re not the first one to arrive. The room hasn’t had time to warm up. People...

...Bernard Dort; Christopher Ostergren, translated by Copyright 1968 by yale/theatre 1968 Epic Form in Brecht's Theatre by Bernard Dort It is in considering the Brechtian playas a new conflicts; but the principal conflict whole which includes the written text...

...Bernard Dort Copyright 1968 by yale/theatre 1969 Epic Form in Brecht's Theatre by Bernard Dort It is in considering the Brechtian play as a new conflicts; but the principal conflict whole which includes the written text, around which the work revolves must...

...Soukaina Aboulaoula; Art Labor; Tara Fatehi; Helia Hamedani; Rah Naqvi; Chidumaga Uzoma Orji Tara Fatehi s What to do with this politicized body? And with all these bodies on the street?, Per°Form Open Academy of Arts and Activations, 72-1­ 3, Singapore, 2023. Photo: T:>Works Forum Selections from...

... of identity. Yale School of Drama/Yale Repertory Theatre 2008 BLACKland, directed by Árpád Schilling, Krétakör, Budapest, 2004. Photo: Mátyás Erdély Andrea Tompa Hungarian and Independent New Artists Bring New Forms of Existence At the turn of the millennium, Hungarian independent...

...John H. Muse This article surveys the new forms of drama, performance, and spectatorship created by artists making use of the real-time microblogging website Twitter—as either a forum for performance in itself, or way to extend the boundaries of a more conventionally theatrical performance. He goes...

... of a dynamic engagement with existing communities and publics. He calls for a recentering on minoritarian forms, a shift that would embody a new ethics and reflect new American demographic and cultural realities. © 2017 by Thomas F. DeFranz 2017 performance curation black arts movement...

... of the Ceaucescu regime, as well as efforts of Romanian artists to create new forms and engage in the world theater scene. © 2009 by Yale School of Drama/Yale Repertory Theatre 2009 Plasticine, directed by Radu Afrim, Toma Caragiu Theater, Ploiesti, 2006. Courtesy of Toma Caragiu Theater Marian...

... for funding and support to express new visions. He argues that Lehmann's aesthetic analysis has taken a prescriptive turn in the theater world and hinders artists from using the theater's most engaging forms: characters and narrative fictions. © 2009 by Yale School of Drama/Yale Repertory Theatre 2009...

... of overwhelming irrationality. She concludes by meditating on the potential power of the digital sublime in art to resist contemporary forms of stuplimity, especially in politics, that threaten to psychic health, public discourse, and civilization at large. Copyright © 2018 Yale School of Drama/Yale Repertory...

... of their ambiguities—soaked in the aesthetics of folklore, kitsch, and spectacle. Tompa suggests that “less hierarchical forms of performance, such as postdramatic theater” hold the potential to upset these dominant single narratives with multiviewpoint art, including “forum theater, reenactment, and documentary plays...

... of Myself , Piece for Person and Ghetto Blaster , and Green Screen , Sack identifies the ways in which Gunn’s work speaks to both a contemporary moment in theater and the history of performance art, acknowledging the different baggage of the forms she references while coyly and fluently crossing between...

...Gordon Rogoff Theater magazine founding editor Gordon Rogoff puts the history of the American theater over the last five decades under a critical retrospective lens, examining how shifting political, social, and economic conditions have shaped theater as both industry and art form. Rogoff ’s essay...

...Miriam Felton-Dansky Miriam Felton-Dansky offers an introduction to the writer Sylvan Oswald and proposes that his work High Winds expands the boundaries of dramatic art by reshaping the form and the architectonics of trans storytelling. According to Felton-Dansky, “Changing the format...

... to contemporary political circumstances and eventually found acceptance in the high-brow, avant garde cultural milieu. This cowritten, copresented article works to trouble that narrative by taking up the forms of queer and trans cocreated performance associated with underground queer spaces that have been...

...Anna Augustynowicz © 2004 by Yale School of Drama/Yale Repertory Theatre 2004 Anna Augustynowicz A Facelift for the Soul On Directing Gombrowicz Translated by Mal´gorzata Semil In his theories of “form,” Gombrowicz sought to describe the standardized social struc- tures...

... that its performance forms have certain dis- tinctive (often, it is claimed, unique) features that are in fact found quite commonly. Historians of European theatre have perhaps been the worst offenders, blithely 11 “Scholars immersed in a particular culture have...

..., infinitely suggestive but immaterial; hidden beneath the prose is a “fragile, fluctuating center which forms never reach,” a center It is difficult, if not impossible, to conceive of two figures more...