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Theater (1983) 14 (3): 77–82.
Published: 01 November 1983
... William Kleb came through with vitality and immediacy ~~ for a present-day American audience. Shepard’s Fool for hue, Sam Shepard’s...
Theater (1979) 10 (2): 12–46.
Published: 01 May 1979
.... It says here you at• Fool A ptimary investigation, followed later by a tempted to pass yourself off twice as a Police Officer I major inquiry, was held by the court, which surgeon, once as a captain in the Rifle Corps, Police...
Theater (1972) 3 (3): 68–82.
Published: 01 November 1972
... support and destroy the of Tieck and Brentan myth of happiness, and his creation of u nconventiona I characters, particu larly Leonce in his role as fool. The second, and more important ex- planation behind Leonce and Lena's...
Theater (1971) 3 (2): 59–65.
Published: 01 May 1971
... manner on any available matter. In this instance, Story Theatre consciously left the realm of the brief folk tale and myth and chose two longer tales by Isaac Bashevis Singer (Gimpel the Fool) and Gustave Flaubert (St. Julian). There are special problems involved in applying Story Theatre...
Theater (1983) 14 (2): 55–62.
Published: 01 May 1983
... and marred an driven along the road to his harrowing otherwise cleanly non-representational Damascus. directorial concept. Enraged by his 56 climbers, pedants, fools, bullies, sadists, and gangsters of all shades.” Egk‘s score, austerely...
Theater (1970) 3 (1_Film): 50–59.
Published: 01 November 1970
....) ions at 640 or 1240 on your dial. (Pound- ing on the door.) We need a place. FIRST HOLY MAN: You a fool, little (Unplugs T. V.) mother, a fool. You gottah get you'se'f...
Theater (1990) 21 (3): 66–72.
Published: 01 November 1990
...- have asked, “Oh, did you flnd this ence. Like Dilbert, his characters old play?” I try to fool people 66 sometimes, like with that one, or the one I’m working on she really was born in Ireland. She was a con artist. And now, which was inspired...
Theater (1988) 19 (3): 72–76.
Published: 01 November 1988
... into an intellectual striptease that mirrors the structure of a Congressional investi- gation by peeling away layers of illusion while stopping short of full disclosure. We know we shouldn’t trust them, but they manage to fool us all the same. In the age of Ronald Reagan, Ed Meese and Oliver North, Penn...
Theater (1986) 17 (3): 5–6.
Published: 01 November 1986
... to convert individual directors to my point of view while we worked You, of course, enjoy the privilege of fools together in the production process, but I was already beginning to otherwise we'd have already liquidated you become weary of the burden. Why, I asked myself...
Theater (1991) 22 (1): 75–78.
Published: 01 February 1991
...?) scripted (Frank Rich, New York Perhaps the production alerted In the new equation, Elva/ Times, January 26). You may have some to the simple fact that Edmund, whose black mother was read of Lear’s fool, a six-foot young...
Theater (1973) 5 (1): 119–130.
Published: 01 February 1973
... there. (they are on the store counter. The Jester takes the J & S: And play the fool. two balls and five apples, dramatically prepares to juggle them all, throws Treas: But in the end, them in the air...
Theater (1993) 24 (1): 93–105.
Published: 01 February 1993
... with appropriate luggage mountains. Afterwards a seagull. cuts across the square as if on their assigned route, right Someone with a blind man’s glasses feels his way in behind them a fool who apes them, grimacing, kissing 95 without a cane, he wanders about, then stops as if lost...
Theater (1985) 16 (2): 66.
Published: 01 May 1985
...-As-Paranoid. Certainly Signor Fo does. He that producers (directors, actors) make every effort to please the gives himself the self-glorifying, self-pitying role of the Wise Fool. “bourgeoisie”? In short, nothing gets to Broadway without being This means he is always right, and everyone else...
Theater (1986) 18 (1): 74–90.
Published: 01 February 1986
... quotes is nearly the same.: Methought I was - there is no man can tell what. Methought I was - and methought I had - but man is Where is the wise? where is the scribe? where is the but a patched fool if he will offer to say what...
Theater (1986) 17 (2): 69–74.
Published: 01 May 1986
..., rather Eddie in Shepard’s earlier Fool f07 Love. more. I’m not leaving this room.” But, when than her physical presence, which he senses. The opening sequence is played on an he finds that Frankie has gone in search of Frankie’s confusion introduces one of the elevated platform stretching across...
Theater (1978) 9 (2): 122–124.
Published: 01 May 1978
..., for Old Man: No. You can’t fool me, old friend. there’s something I want to tell you. I want Felice: There is a gentleman outside. I know - and I’m not afraid. you both to listen to me very carefully, and not interrupt. It will be hard to tell you...
Theater (2000) 30 (1): 49–55.
Published: 01 February 2000
..., his pursuit makes him a fool. If the “real” Minetti did not “resist the classics,” his per- formances redefined them. He avidly pioneered the work of the most difficult play- wrights: Pinter, Beckett, Genet, Bernhard. Although on stage he thrived...
Theater (1968) 1 (3): 32–40.
Published: 01 November 1968
... life. Can I make my own life? Of course no t, you fool. A we ll planned life is pitiful. Doesn't it seem richer if th e firmament puts its silvery hand s in it ? In your life. (He puts his hand to his ear) What? (He listens) Not modern? Mo . . . dern? . .. Y...
Theater (2007) 37 (1): 1–7.
Published: 01 February 2007
... is never right. Never I tell you! That’s one of these lies in society that one free and intelligent man cannot help rebelling against. Who are these people that make up the biggest portion of the population — the intelligent ones or the fools? I think we can agree it’s the fools...
Theater (1986) 17 (3): 100–103.
Published: 01 November 1986
... to be lowered over the stage and then raised. Appropriately, the character of the fool - a performer by profession - initiated the per• formance, and the powers of Illyria took over. In addition to the air of festivity, Lamos' interpretation depicted well the artificialities of the Illyrian elite...