... SAVRAN Alfred died onMonday at midnight. I buried him yesterday. . . . I lifted him, turned finish choreographing six dances based him, covered him. I was left all day with the impression of his limbs, cold and on Flaubert and LeCompte to begin stifJ at the end of myfingers. He...

... laboring at his typewriter in The Temptation of St. Antony, a stage adaptation of Gustave Flaubert’s 1874 novel. The production, created and premiered in 2015 by the Los Angeles company Four Larks, was revived in 2016 and continues the ensemble’s engagement with mythic and modernist source material...

... story by Flaubert. Ideally, before each performance, the audience should be presented with and asked to read the stories that will be the material of that evening's performance, since Story Thea- tre does not present or illustrate this material so much as "do things with it," a "re-seeing...

... of this departure far away from me, separately define the stylistic palimpsest of her entire oeuvre. from your death (Pause)You were able to do that Yet Durasian Bovarizing is more immediate. While even just once one time you were able to Flaubert gave his Grande Bourgeoise...

... reversal, is it gratuitous or is it Flaubert? works in Artex (“the convenient art substitute, Artex”) wishes The Ridiculous Theatrical Company in Sheridan Square has to make a portrait of her. Her gruff pleasure at being included received much critical attention in recent years, yet a hesitancy...

... a fully functioning, one-­bedroom ranch house, Roland Barthes coined the term reality effects to designed by scenic artist Marsha Ginsberg, and describe Flaubert’s addiction to domestic objects. gives them a forty-­five-­minute “realist play” by Specifically, Barthes views Flaubert’s pianos...

... manner on any available matter. In this instance, Story Theatre consciously left the realm of the brief folk tale and myth and chose two longer tales by Isaac Bashevis Singer (Gimpel the Fool) and Gustave Flaubert (St. Julian). There are special problems involved in applying Story Theatre...

... fanatical devotion to a craft such as can be across some brandy casks and began con- seen, for instance, in France (in the work of ducting some sort of trade in public, the Van Gogh, Flaubert, Gauguin, Maupas...

..., and encased in its be performed. The Group’s next project in- white hair; she simply sits, watching Leary’s adapted pseudo-Spanish dance, locates the volves an adaptation of Flaubert’s The Temp- attempts at justification. Group’s aesthetic and moral concerns in one tation of St. Anthony...

... have little identity or exposition other than what is revealed in their actions within the circumstances of a scene. Kott began life in a state of existential nausea, identifyingwith the characters of Flaubert and Gide, and in the midst of World War I1 became the Shakespearean political actor...

..., and Flaubert, without releasing any• thing like the flood of disapprobation which greeted Wilde's work. But the Salome of 1892 was radically different from its predecessors in mood and theme. Wilde asserted, "the originality which we ask from the artist is originality of treatment, not of subject...

... Eugene Onegin by Pushkin, Maxim Gorki’s Childhood, Flaubert. I read again Gorki. I contemplated the elements of Gwen- dolyn Brooks’s Maude Martha. The place was Chicago. The heroine Black, like myself, was troubled over religion’s place in society, skin and hair. She felt excluded. I called my...

... approach for someone, from? who is a genuinely scrupulous writer — like Jelinek, William S. Burroughs, Flaubert. I think it might have something to do...

... that, in formal terms, is not about life but rather, in Flaubert’s words, “about nothing but itself.” These images-parts of the human body, light, dark- ness, sound, silence-appear to us as flat, opaque, nonreferential, defiant of interpretation, and void of meaning. They are simply and completely present...

... on Hedda Gabler "Portrait of the Dramatist as a Young site of his wife's house which had been destroyed by fire. Their Woman." "Madame Bovary - c'est moi," Flaubert once wrote, twin sons died a few months after that fire, and Solness's wife...

...: Flaubert ROBERT: By the way I paid Pension Tschitschikoff KARL: Never for the obituary notice do you remember ROBERT: Voltaire KARL: You did on Kurfuerstendanim KARL...

... of the artist vanishing completely. a couple days’ gestation time, does that still That sort of Flaubert idea, can you write it so feel right to you? thoroughly that the author’s sort of just gone. I wouldn’t leave...