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Journal Article
Theater (1973) 4 (1): 133–141.
Published: 01 February 1973
...Tristan Tzara Copyright © by yale/theatre 1973 1973 THE FIRST CELESTIAL ADVENTURE
OF MR. EXCEDRIN, FIRE EXTINGUISHER
Tristan Tzara
MR. BLUEBLUE penetrate the desert
hollow out your path howling...
Journal Article
Theater (1978) 10 (1): 8–14.
Published: 01 February 1978
...Laurence Shyer Copyright © THEATER 1978 1978 Arriving at the New Theatre in style: from a 1910 advertisement.
B
America's First Literary Manager:
John Corbin at the New Theatre
Laurence...
Journal Article
Theater (2016) 46 (3): 63–81.
Published: 01 November 2016
...André M. Zachery © 2016 by André M. Zachery 2016
André M. Zachery
Artist’s Journal
Futurity and the Containment of Blackness
in Twenty-First- Century Performance
The term Afrofuturism was coined by Mark Dery in his 1994 Flame Wars chapter “Black
to the Future.”1...
Journal Article
Theater (2007) 37 (2): 102–109.
Published: 01 May 2007
...Marina Kotzamani Yale School of Drama/Yale Repertory Theatre 2007 Red: An Exhibition of Theater Costumes from the Eighteenth to the Twenty-First Century
curated by Christian Lacroix
Palais Garnier, Paris
October 2005 - January 2006 P roductions
Marina Kotzamani
Red...
Journal Article
Theater (2008) 38 (3): 23–37.
Published: 01 November 2008
... Felton-Dansky
Controlling the Twenty-First Century
Suppressed Theater and Global Change
I.
On the evening of Saturday, December 19, 2004, the Birmingham Repertory Theatre,
in Birmingham, England, planned to open a world premiere: Behzti (Dishonor), by
a young Sikh playwright named...
Journal Article
Theater (1981) 12 (3): 51–52.
Published: 01 November 1981
...David Mamet Copyright © THEATER 1981 1981 The proclamation and repetition of We discard our first principles the mo-
First first principles is a constant feature of life in ment they cause us...
Journal Article
Theater (1983) 15 (1): 87–91.
Published: 01 February 1983
...Scott T. Cummings Copyright © THEATER 1983 1983 THEATER IN’ CONEY ELAN
The First Annual
Mermaid Parade
Scott T. Cummings
Life stops for a parade. Instead of cars, the
street is filled with people, dressed...
Journal Article
Theater (1978) 9 (2): 5–6.
Published: 01 May 1978
...Joel Schechter; Colette Brooks Copyright © THEATER 1978 1978 “Who’s on First”:
Contemporary American Playwriting
From the Editors
Perhaps the Great American Play will be written this year; Ever since O’Neill, “great” serious...
Journal Article
Theater (2001) 31 (1): 51–69.
Published: 01 February 2001
...!
Some Notes on French Combatant Trench Scripts
of the First World War
I
Before we raise the curtain, which is noticeable by its absence . . .
—Marcel Astruc and Léon Bruele. Songs! Armaments...
Journal Article
Theater (2004) 34 (3): 5–17.
Published: 01 November 2004
...Allen J. Kuharski © 2004 by Yale School of Drama/Yale Repertory Theatre 2004
Allen J. Kuharski
Improvisation with a Corpse
The Theater of Witold Gombrowicz Enters the Twenty-First Century
The totality of Witold Gombrowicz’s life and theatrical work can be grasped only
through...
Journal Article
Theater (2006) 36 (1): 5–25.
Published: 01 February 2006
...John Freedman © 2006 by Yale School of Drama/Yale Repertory Theatre 2006 Lost in the Stars,
directed by Grigory
Dityatkovsky, St.
Petersburg, 1999.
Photo: Yuri Belinsky
John Freedman
Russian Theater in the
Twenty-First Century
A Critic’s Journal...
Journal Article
Theater (1998) 28 (3): 89–91.
Published: 01 November 1998
Journal Article
Theater (2019) 49 (3): 5–19.
Published: 01 November 2019
... Sack First- Person Plural The Selected Essays of Nicola Gunn (2010 19) Nicola Gunn is a rst- person artist. In her works she directs herself, unreservedly, using direct language to recount stories she has lived, with impressive attention to detail. She turns onlookers into accomplices to her...
Journal Article
Theater (1976) 7 (2): 45–53.
Published: 01 May 1976
... this spring in the first Are You On, Masters of Culture?” I needed
issue of the English language edition of no other explanations. Nor is there any need
Kontinent, to be published by Doubleday. to speak about that out-and-out phony...
Journal Article
Theater (1979) 10 (3): 33–39.
Published: 01 November 1979
... in 1971, and the British director Michael Langham succeeded him. Under his artistic direction, the Guthrie Theater stabilized and flourished. When Langham announced he would resign at the end of the 1977 season, an international search for his successor commenced. For the first time during the Guthrie's...
Journal Article
Theater (1990) 21 (1_and_2): 120–123.
Published: 01 February 1990
... the focus was to be on Hirsch's own adaptation of the classic Yiddish play The Dybbuk, and the students would find themselves called to a consideration of the spiritual side of human life. For this first two-hour session John Hirsch talked about his life in art; it was one of the things he did best. What...
Journal Article
Theater (1985) 16 (2): 58–61.
Published: 01 May 1985
... role in both, as chief writer on Steeltown, and as an important contributor to script revisions on 1985. Holden first began working with the Mime Troup in 1967 when her adaptation of Goldoni's L'amante militaire was performed over fifty times in the parks of San Francisco, and she was one...
Journal Article
Theater (1978) 10 (1): 31–36.
Published: 01 February 1978
... been chiefly responsible for this development and during the 1975–1976 season he first officially assumed the title. What follows is an edited record of an interview conducted in February 1978. Copyright © THEATER 1978 1978 Dramaturgy at A.C.T.:
An Interview...
Journal Article
Theater (2012) 42 (2): 27–41.
Published: 01 May 2012
...Sarah Bay-Cheng In her essay-manifesto, Sarah Bay-Cheng outlines principles for a new historiography of performance taking into account the multiple layers of mediation that surround any experience of live art in the twenty-first century. © 2012 by Sarah Bay-Cheng 2012 Balkan Baroque, created...
Journal Article
Theater (1989) 20 (3): 46–49.
Published: 01 November 1989
... the theatrical motif to examine three separate issues. The first concerns Stalin's chameleon-like behavior towards all who came into contact with him. He goes on to describe the masterful staging of the Moscow Purge Trials during which virtually all the key actors - the defendants, witnesses, prosecutor, judge...
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