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figaro

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Journal Article
Theater (1982) 14 (1): 79–86.
Published: 01 February 1982
...Rustom Bharucha Copyright © THEATER 1982 1982 The Back of the Book Figaro (Robert Dorfman) and Count Almaviva (David Warrilow, right) in 7% Mamige of Figam at the Guthrie Theater, July 1982...
Journal Article
Theater (1969) 2 (2): 116–123.
Published: 01 May 1969
... such a the playwright's words). Mr. Foster con- man could have created Figaro; perhaps tributes to the group's work in the most Mr. Foster is not aware of its revolution- grudging fashion: a few good lines here ary significance. There is a direct line and there, occasionally a nice stage image...
Journal Article
Theater (1968) 1 (2): 116–123.
Published: 01 May 1968
.... we are already past the consideration of Beaumarchais is presented as a royalist production as merely a presentation of• toady with no explanation of how such a the playwright's words). Mr. Foster con• man could have created Figaro; perhaps tributes to the group's work...
Journal Article
Theater (1983) 15 (1): 93.
Published: 01 February 1983
....” Vol. 14, no. 2, p. 27. ” (Review), Vol. 14, no. 3, p. 72. Bharucha, Rustom. “No More Spectacles: Serban’s Figaro” (Review), Vol...
Journal Article
Theater (2012) 42 (3): 1–2.
Published: 01 November 2012
... police checking on demonstrators outside the theater, while agitators inside interrupted the show. According to Le Figaro, a handful of Islamic fundamentalists also joined the 1,500 demonstrators to “defend the honor of the Prophet Issa [ Jesus In Milan the media circus was accompanied...
Journal Article
Theater (2012) 42 (3): 3.
Published: 01 November 2012
... by the Parisian police checking on demonstrators outside the theater, while agitators inside interrupted the show. According to Le Figaro, a handful of Islamic fundamentalists also joined the 1,500 demonstrators to “defend the honor of the Prophet Issa [ Jesus In Milan the media circus was accompanied...
Journal Article
Theater (2007) 37 (2): 102–109.
Published: 01 May 2007
... for characters from the great opera classics, such as Verdi’s La Traviata, Puccini’s Turandot, Bizet’s Carmen, and Mozart’s The Marriage of Figaro; for dramatis personae of well-known classical French theater, including Molière’s La Malade imaginaire, Racine’s Phaedra, and Corneille’s L’Illusion...
Journal Article
Theater (2007) 37 (2): 110–116.
Published: 01 May 2007
... the costumes stole the show. There were costumes for characters from the great opera classics, such as Verdi’s La Traviata, Puccini’s Turandot, Bizet’s Carmen, and Mozart’s The Marriage of Figaro; for dramatis personae of well-known classical French theater, including Molière’s La Malade...
Journal Article
Theater (1986) 17 (3): 38–42.
Published: 01 November 1986
..., The Marriage Of Figaro, jungle Of Cities, II Campiello, and Don juan for such theaters as Arena Stage, the Guthrie, and the Goodman. A former Literary Manager of the BAM...
Journal Article
Theater (1991) 22 (2): 5–13.
Published: 01 May 1991
... into the new Soviet life through a whole series life, disorganization, material deprivations, etc. But there of productions - from Pugachoushchina and Days of the were also problems of a completely different order, much Tw;bins to The Marriage of Figaro and Amred Train 14-69. more substantial ones...
Journal Article
Theater (1973) 5 (1): 66–107.
Published: 01 February 1973
... am Romain de Jaival from Le Figaro. VENTROUX: Oh yes. Of course. (to Victor, standing in the doorway) What are you waiting for? VETOR...
Journal Article
Theater (1990) 21 (1_and_2): 10–16.
Published: 01 February 1990
... as their Muse. These embraced a half-dozen inter- positive way of thinking of revolution as a worthwhile endeavor. pretations of The Mariage of Figaro - notably the inaugural These productions contended the notion of meaningful change directorial effort of Antoine Vitez as new head of the Comkdie...
Journal Article
Theater (1992) 23 (3): 52–61.
Published: 01 November 1992
... role in The Doctor in Spite of Himsetf slapstick was often lacking, the timing rarely in danger of and in The Maniage of Figaro.) They were clearly delighted splitting a second. For example, a series of windmill slaps to be working with Fo. Fontana even argued that "the involving five actors...
Journal Article
Theater (2008) 38 (2): 9–29.
Published: 01 May 2008
..., and one single color for costumes in each play. Così fan tutte, Don Giovanni, and The Marriage of Figaro became, on his stage, live, human dramas full of playfulness, imagination, and vigorous interaction among the actors. Kovalik brings operas close to his audience, placing the stage in the midst...
Journal Article
Theater (2002) 32 (1): 1–21.
Published: 01 February 2002
... and reexamine them in live discussions. J. H. up front 7 David Herskovits, Artistic Director Target Margin Theater, New York City We re doing a comedy, The Marriage of Figaro, by Beaumarchais. I have spent much time since September 11 asking what it means to do this play now. It reminds you of the core...
Journal Article
Theater (2007) 37 (1): 9–37.
Published: 01 February 2007
.... Instead of playing the recitative sections of Mozart’s Le Nozze di Figaro in the accepted professional manner on standard key- board instruments, Kienberger chooses to be a dilettante and play the accompaniment on such nonstandard instruments as partially filled beer bottles. His performance...