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Theater (1983) 14 (2): 84–85.
Published: 01 May 1983
... his heart at the pianist’s feet. A dialogue ensues, until the violinist’s heart is ripped cold-bloodily from his body. The Bochum ensemble produced all these plays under the title, “Our World Muller’s short play appeared to be the theater’s concluding remarks on the theme...
Theater (1976) 7 (3): 1urang_innaurato–35-durang_innaurato.
Published: 01 November 1976
... bathed my feet SCENE 2 in it. It was quite warm. (A basically empty stage with perhaps What sort of God, if there is a God, would some Victorian furniture. Lights up on bring these diverse characters together? CONSTANCE...
Theater (1969) 2 (1): 132–138.
Published: 01 February 1969
... new way, as you see in Grotowski's work. intense outfit, they go eighty feet in You see these very developed people. I the air. I really didn't understand it. saw them in Paris- they were doing The I had something towards it but I think Constant Prince. I saw...
Theater (1976) 7 (3): 1nnaurato–20-innaurato.
Published: 01 November 1976
... speaks slowly, not very hair is greasy and full of tangles. intently.) His parents are seen as they were when he BENNO: was nine or ten. His father is in his early And there were weeds, feet and bugs. There thirties...
Theater (1968) 1 (2): 69–71.
Published: 01 May 1968
... best pipe and your comfy slippers. I think everybody should take their pipe and slippers when they go. (Waving them in front of him) I'll just put them here at your feet. (Sam makes a mumbling sound) Oh, well, maybe you want the pipe closer. I'll put it here beside you. You can...
Theater (1969) 2 (2): 69–71.
Published: 01 May 1969
...) Let's see. Here's your best pipe and your comfy slippers. I think everybody should take their pipe and slippers when they go. (Waving them in front of him) I'll just put them here at your feet. (Sam makes a mumbling sound) Oh, well, maybe you want the pipe closer. I'll put it here...
Theater (2004) 34 (1): 67–123.
Published: 01 February 2004
... horse. Rolling underneath Achilles’ feet. Antilochus, go see what you can do Achilles then, to show his thanks, would like To try and talk him out of his mad frenzy. To do the same to her, but she, hugging diomedes Kings, let us once more calmly...
Theater (1985) 16 (2): 92–96.
Published: 01 May 1985
... told us about the pants and “dance” their feet. The picture is actress responding to the composition of the banality of drug-related, euphoric wisdom, one of funny limb-to-body distortion, as the piece, to the theatrical fact of the perfor- creates a conflicted and, at the same time, men’s...
Theater (1990) 21 (3): 81–94.
Published: 01 November 1990
..., - sweetheart. aint seen you since. cut my bed in 2 from double tuh BLACK MAN: SWEET-HEART. LOTS OF GREASE AND LOTS OF single. Cut off thuh bed-foot where BLACK WOMAN: Hen!! PORK: In the future when they came your feets had rested. Told me tuh do BLACK MAN...
Theater (1979) 10 (2): 137–141.
Published: 01 May 1979
... and initiated beyond the limits of the ship. The semi• indifferent, almost Apollonian; the rising into the hard life on a man-of-war), the circular main deck, which is elevated form shot through with a zinc white shaft ship's watch is changed and the Bosun about four feet off the stage proper, rises...
Theater (1981) 12 (3): 22–30.
Published: 01 November 1981
... LIKE BOB TELSON WHO UNDERSTANDS SOUL . THE WING BETTER BE ABOUT TWENTY SIX SISTER SUZIE MUSIC IN SISTER SUZIE WORDS IN- FEET LONG WITH A JET ENGINE THAT REFLECTS A STINCTIVELY . AND CAN RENDER IT WITH LASER BEAM THROUGH DRY ICE EXHAUST FUMES...
Theater (1985) 17 (1): 63–65.
Published: 01 February 1985
... opens the 1985 edition of the the rings twenty feet above the circus floor, unnatural skill com- Big Apple Circus, dazzles audiences with an unusual combination of plements natural beauty. For a moment, she just hangs there, a body daring, strength and beauty. In spotlight, she enters...
Theater (1995) 25 (3): 96–98.
Published: 01 November 1995
... dance” in which Antinova moved an insightful assessment of American theater everything but her feet. It was, she admits, “a today. preposterous dance,” but, luckily, “the artists America is plagued by “geezer theater.” adored its self-referential ironies.” She...
Theater (2000) 30 (2): 113–127.
Published: 01 May 2000
... To these feet of clay in the sterile sand down, I feel sick, I’m going to throw up, I need We are descended still to the company of medical assistance, oh, this is too much, I frauds...
Theater (1984) 15 (3): 77–80.
Published: 01 November 1984
.... By the end of the redemption: the tribulations of Israel in the playwright. first act, many of these same people were on Egypt, the suffering and passion of Christ, their feet, cheering, clapping their hands, the continuing hope...
Theater (1985) 16 (3): 85–89.
Published: 01 November 1985
...- individual hand-to-hand battle vignettes. to form a cohesive and compelling produc- mitting Amazons to keep the men they have Performance Space and Performance. tion that stirs the mind and heart. Such is the conquered, and to “remain their master to The audience was seated eight feet up in a new...
Theater (2007) 37 (3): 49–71.
Published: 01 November 2007
... wings. A heavy recording of anonymous, frenzied voices. bat hanging feet down, forgotten by its owner While the Scout recites the last part for whom it witnesses the first fires. Chains of of the phrase, from the left side of the stage fire. Each spark igniting the one that follows another...
Theater (1994) 25 (1): 106–109.
Published: 01 February 1994
...Shawn-Marie Garrett Copyright © Theater 1994 1994 MCKINLEY/CUMMINGS/GARRETT It is the head and upper torso, more than and Moustique face upstage reaching for home 20 feet high, of a black man. At first, its colossal with outstretched arms...
Theater (1986) 18 (1): 56–59.
Published: 01 February 1986
... presence within the visual deconstructs the drawing in the act of images: A boy with his feet encased in architecture of his events. describing it, moving out into a series cardboard box ‘kothurnai” awkwardly Wilson has retained his often-stated of images and fragmentary narratives...
Theater (2000) 30 (3): 119–123.
Published: 01 November 2000
... that complete mountain, rising from twelve “the building’s steel girders happened not to run feet below the orchestra level to some in the direction . . . he had assumed they thirty feet above it, which could be would.” So what else can an innocent visionary...