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feeling

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Journal Article
Theater (2017) 47 (3): 5–11.
Published: 01 November 2017
... durational performance St. Ann’s Warehouse New York Live Arts Jennifer Krasinski “Everything You’re Feeling Is Appropriate” A 24-Decade History of Popular Music Taylor Mac St. Ann's Warehouse, Brooklyn October 2016 “Just 245 songs to go!” announced the resplendent Taylor Mac...
Journal Article
Theater (2021) 51 (2): 24–37.
Published: 01 May 2021
...Milo Rau; Karin Barton © 2019 by Milo Rau. Translation © 2021 by Karin Barton 2021 Milo Rau s General Assembly, Schaubühne am Lehniner Platz, Berlin, 2017. Courtesy of iipm Milo Rau Translated by Karin Barton The Histor ic al Feel ing Excerpts In 2017, Milo Rau was a guest lecturer...
Journal Article
Theater (2012) 42 (1): 7–9.
Published: 01 February 2012
...Joseph Roach © 2012 by Joseph Roach 2012 Joseph Roach A Feeling for Risk Notes on Kinesthetic Empathy and the World Performance Project Discovering as if for the first time that earthquakes thrill the senses and startle the mind, the Eastern seaboard got all shook up...
Journal Article
Theater (2016) 46 (2): 35–53.
Published: 01 May 2016
...Jennifer Buckley In this article, Jennifer Buckley investigates digital durational performances like Forced Entertainment's 12 a.m.: Awake & Looking Down and questions if and how media can feel like live theater and create community. She also discusses how social media platforms like Twitter...
Journal Article
Theater (2018) 48 (2): 125–149.
Published: 01 May 2018
... overcomes virtuosity, and so full of feelings that his performance might only point to them, like mathematicians indicating proofs just beyond their capacity. Robert Wilson Einstein on the Beach archive gesture materialism emotionality mathematics hands performance opera Copyright © 2018...
Journal Article
Theater (2016) 46 (2): 1–5.
Published: 01 May 2016
..., London, 2003. Photo: Hugo Glendinning Up Front Digital Feelings Miriam Felton-Dansky­ and Jacob Gallagher-­Ross Like its predecessor, the 2012 “Digital Dramaturgies” issue (Theater 42, no. 2), this spe- cial issue of Theater focuses on new forms of performance arising in response...
Journal Article
Theater (2019) 49 (2): 62–75.
Published: 01 May 2019
... trite concision by allowing for conscious, thought-provoking iterations. The narratives of black suffering and black death in America are not neat, and the way we recount them, Carpenter argues, should never be allowed to feel fluent or stress free. Hooded stutter dysfluency police violence...
Journal Article
Theater (1984) 15 (3): 32–36.
Published: 01 November 1984
... and at home, diminish greatly. While Edgar's wife begins to take on increased responsibility in her own job, moving her work to a more career-oriented position, he feels further emasculated by what he interprets as a challenge to his situation. Likewise, Hermann finds his musculinity and sense of self...
Journal Article
Theater (1989) 20 (3): 13–17.
Published: 01 November 1989
...Mikhail Shvidkoi; Vladimir Klimenko, translated by The young playwrights who will share their concerns and hopes with you have thus far not established a foothold in all Soviet theaters. Perhaps in the bottom of their souls they envy or feel anger against playwrights from the older generation...
Journal Article
Theater (1977) 8 (2_and_3): 112–133.
Published: 01 May 1977
... to the immediate landscape where he is ments, he feels, involves becoming aware of rforming. The full attention of the mind and one’s own mortality: /%y should be awake in that very space and in that very time...
Journal Article
Theater (2022) 52 (2): 49–53.
Published: 01 May 2022
... me, not just in my lungs. I am awake to the smell of rotting leaves in the garden as much as I feel the cold in my joints. Everything that is animate or seemingly inanimate is expressing a narrative, and through meditation I can actually be witness to and work with these narratives as a coconspirator...
Journal Article
Theater (2018) 48 (1): 33–53.
Published: 01 February 2018
... Ramser, Sylvie Sherman, and Adam Thompson Note from the Creators Character actions, feelings, and fears are generated via simple grammar templates Each of the five scenes in Opacity is structured that are populated with vocabulary...
Journal Article
Theater (2012) 42 (3): 43–47.
Published: 01 November 2012
... was no longer limited to characters — it was extended to the audience members themselves. It solved some of the personal embarrassment I often feel when dealing with my own fictional, dramatic narratives. “Why is that man dressed up in costume pretending like the rest of us don’t exist?” Plays...
Journal Article
Theater (2013) 43 (1): 109–125.
Published: 01 February 2013
.... I’m going to tell actor 1 But to be honest, I have been feeling, you what kind of secret it is. especially these days, that perhaps what I said actor 1 I really hope that my way of life...
Journal Article
Theater (1991) 22 (2): 28–32.
Published: 01 May 1991
... can feel the production of Iuanou, his role as Artistic Director of the Hamlet motif. “Do you think that a man is as simple as a Moscow Art Theater, and Soviet theater’s changes under flute that you can play on?” Ivanov was even nicknamed a glasnost’. I gave a list of questions to Smeliansky...
Journal Article
Theater (1969) 2 (1): 132–138.
Published: 01 February 1969
... time, ternal trip which you are feeling with say certain words through somebody else everybody around you like somebody's in a script, even though that's happening, nose is in your ear and you're breathing I can set up a dynamic in movement. I can with them and they're touching parts of 133...
Journal Article
Theater (1993) 24 (2): 88–98.
Published: 01 May 1993
... and white, she’s “We may never be able to heal,” she says. “You affected, too. I wonder if I were a Martian, look so young.” I let her touch my hand and would I feel it. I swear it’s in the air, the terror. notice the exquisite way her checked blouse...
Journal Article
Theater (2012) 41 (3): 37–67.
Published: 01 November 2012
..., however. Let us talk about your solitude, then. This is recidivism, if we stop at this tone: I am not sure. Complaints? Yes, complaints that come out of me at various times. Sometimes I feel the need to reveal to the actors my plans to leave them. In Paris they were taken aback by my...
Journal Article
Theater (2000) 30 (2): 34–43.
Published: 01 May 2000
... turn into anticipate the different ways in which music complete folk songs. Wozzeck is a perfect might or might not participate in what you were libretto because it doesn’t tell you what to feel. doing...
Journal Article
Theater (2017) 47 (2): 35–45.
Published: 01 May 2017
... killer feeling haunted constantly Convention (2015), was a collaboration with by the voices of victims. Ventriloquy helped Germany’s Puppentheater Halle and is a warped create this paranormal feeling. It is this mes- fictional recreation of an actual ventriloquist con- merizing auditory magical...