...Joseph Roach © 2012 by Joseph Roach 2012 Joseph Roach A Feeling for Risk Notes on Kinesthetic Empathy and the World Performance Project Discovering as if for the first time that earthquakes thrill the senses and startle the mind, the Eastern seaboard got all shook up...

...Jennifer Buckley In this article, Jennifer Buckley investigates digital durational performances like Forced Entertainment's 12 a.m.: Awake & Looking Down and questions if and how media can feel like live theater and create community. She also discusses how social media platforms like Twitter...

... durational performance St. Ann’s Warehouse New York Live Arts Jennifer Krasinski “Everything You’re Feeling Is Appropriate” A 24-Decade History of Popular Music Taylor Mac St. Ann's Warehouse, Brooklyn October 2016 “Just 245 songs to go!” announced the resplendent Taylor Mac...

...Milo Rau; Karin Barton © 2019 by Milo Rau. Translation © 2021 by Karin Barton 2021 Milo Rau s General Assembly, Schaubühne am Lehniner Platz, Berlin, 2017. Courtesy of iipm Milo Rau Translated by Karin Barton The Histor ic al Feel ing Excerpts In 2017, Milo Rau was a guest lecturer...

..., London, 2003. Photo: Hugo Glendinning Up Front Digital Feelings Miriam Felton-Dansky­ and Jacob Gallagher-­Ross Like its predecessor, the 2012 “Digital Dramaturgies” issue (Theater 42, no. 2), this spe- cial issue of Theater focuses on new forms of performance arising in response...

... overcomes virtuosity, and so full of feelings that his performance might only point to them, like mathematicians indicating proofs just beyond their capacity. Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 Robert Wilson Einstein on the Beach archive gesture materialism...

...Mikhail Shvidkoi; Vladimir Klimenko, translated by The young playwrights who will share their concerns and hopes with you have thus far not established a foothold in all Soviet theaters. Perhaps in the bottom of their souls they envy or feel anger against playwrights from the older generation...

... and at home, diminish greatly. While Edgar's wife begins to take on increased responsibility in her own job, moving her work to a more career-oriented position, he feels further emasculated by what he interprets as a challenge to his situation. Likewise, Hermann finds his musculinity and sense of self...

... trite concision by allowing for conscious, thought-provoking iterations. The narratives of black suffering and black death in America are not neat, and the way we recount them, Carpenter argues, should never be allowed to feel fluent or stress free. Hooded stutter dysfluency police violence...

... to the immediate landscape where he is ments, he feels, involves becoming aware of rforming. The full attention of the mind and one’s own mortality: /%y should be awake in that very space and in that very time...

... of rotting leaves in the garden as much as I feel the cold in my joints. Everything that is animate or seemingly inanimate is expressing a narrative, and through meditation I can actually be witness to and work with these narratives as a coconspirator. It is this carefully cultivated patience that allows me...

..., Stephen M. Eckert, Philip Gates, Rachel Karp, Sara Lyons, Kevin Ramser, Sylvie Sherman, and Adam Thompson Note from the Creators Character actions, feelings, and fears are generated via simple grammar templates Each...

... was no longer limited to characters — it was extended to the audience members themselves. It solved some of the personal embarrassment I often feel when dealing with my own fictional, dramatic narratives. “Why is that man dressed up in costume pretending like the rest of us don’t exist?” Plays...

.... I’m going to tell actor 1 But to be honest, I have been feeling, you what kind of secret it is. especially these days, that perhaps what I said actor 1 I really hope that my way of life...

... can feel the production of Iuanou, his role as Artistic Director of the Hamlet motif. “Do you think that a man is as simple as a Moscow Art Theater, and Soviet theater’s changes under flute that you can play on?” Ivanov was even nicknamed a glasnost’. I gave a list of questions to Smeliansky...

... time, ternal trip which you are feeling with say certain words through somebody else everybody around you like somebody's in a script, even though that's happening, nose is in your ear and you're breathing I can set up a dynamic in movement. I can with them and they're touching parts of 133...

... count. The truth is that sometimes I feel that I m a sexual object for others. Here and in other plays where there are many gays, they make jokes all the time. Besides, the play begins with me: the first thing they see is my ass. A lot of deconstruction, but in the end, if you have a good back, you go...

... and white, she’s “We may never be able to heal,” she says. “You affected, too. I wonder if I were a Martian, look so young.” I let her touch my hand and would I feel it. I swear it’s in the air, the terror. notice the exquisite way her checked blouse...

... the alley-­ oop? Mimi Lien I ll try. I feel like there are so many people in this room who can answer and contribute to this. I m a big believer in experience and experiential cues, so I would say that theater design is about curating and juxtaposing visual and sensory cues that are designed to make you...

..., however. Let us talk about your solitude, then. This is recidivism, if we stop at this tone: I am not sure. Complaints? Yes, complaints that come out of me at various times. Sometimes I feel the need to reveal to the actors my plans to leave them. In Paris they were taken aback by my...