Search Results for faust

...Cyrus Hamlin © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Cyrus Hamlin Faust in Performance: Peter Stein’s Production of Goethe’s Faust, Parts 1 and 2 So in this narrow house of boarded space Creation’s fullest circle go to pace, And walk with leisured speed...

... , Faust I , Faust II , and Lulu . Yale School of Drama/Yale Repertory Theatre 2009 Interviewed and translated by Jonathan Kalb Nothing to Do with Patience Michael Thalheimer Interviewed and translated by Jonathan Kalb Michael Thalheimer’s rise to the top ranks of the show...

... Galotti , Faust I , Faust II , and Lulu . Yale School of Drama/Yale Repertory Theatre 2008 Not Clown, Off Center, Austin, Texas, 2004. Pictured: Robert Pierson as Doctor (top) and Rommel Sulit as Sam. Photo: Kenneth B. Gall Steve Moore and Carlos Treviño Not Clown Characters...

...Andrea Tompa Critic Andrea Tompa discusses the work of Romanian director Silviu Purc rete in the context of contemporary Romanian theater. She gives particular attention to his productions Pantagruel's Cousin and Faust , and examines Purc rete's approach and influence with regard to his...

... - The Damnation of Faust RONNIE & THE POMONAS - You Can Help Yourself THE FOUR SARGENTS - Hubba Hubba RAMSEY LEWIS...

... premiered at the Katona József Theatre in the spring of 2015, Hungarian director Árpád Schilling creates an utterly apolitical version of Goethe’s dramatic work Faust, staging both parts over two evenings. Yet, it is only apoliti- cal at first sight. His protagonist Faust is performed by Gábor Máté...

.... Last at his desk and stage spiritual wrestling matches with the material, year his collaboration with director Claus Peymann on a new version of write analyses, develop concepts. Nothing would be more boring Faust won both men extensive praise in Theater heute, the journal where this interview first...

... reflects on the complex cultural connotations of the term marathon , both as an advertising strategy and as a communal event. © 2011 by Jonathan Kalb 2011 Faust I + II, directed by Peter Stein, Hanover, World Expo, 2000. Photo: Ruth Walz Jonathan Kalb What Is Theater’s Outer Limit...

.... lodes of metal, steam.” One Borges line left out might well sum up Searching past history and literature for such collisions bet- the scene: “I saw the coupling of love and the modification of ween science and delusion, the play turns back to Goethe’s Faust, death;” throughout...

... projects set to work on canonical material like Ibsen’s tragedy and then the Faust myth via Goethe and John Jesurun in Imperial Motel (Faust) and Jump Cut (Faust) from 1996 to 1998. Subsequent projects departed from these preexisting texts to mine the histo...

.... that preach tolerance between cultures and see part Games for Faust, 18 The second was when we became affiliated of their mission to be a bridge between them; then directed by Volodymyr 19 with a university and a new wave of students...

... and translator for the dramaturg and translator living in New York. Royal Court and has translated many Russian He is currently translating Goethe’s Faust, plays, including Vassily Sigarev’s Black Milk the second installment of which (Faust in and Plasticine as well as Terrorism and Playing Love...

... is in Goethe’s Fuust - in the scene where Faust signs in blood his contract with Mephistopheles. The devil in the Dead End...

..., That my best student should feel himself attracted to my worst is quite incomprehensible to me. For all his talk of the inevitability of selfishness, Melchior is troubled when he comes across examples of it, for instance, Faust’s abandonment of 66 Gretchen...

.... His repertory of roles included countless classics until in 1957 he was cast as Hamm in the German-language premiere of Endgame, and he became hooked on Beckett. He Minetti as Faust played Krapp twice in very different productions. He played Pozzo in a production...

... remember the severe simplicity of this room and the closing scene of Faust’s descent into hell, with the song of mortal terror that turned into a furioso of shrill screams requiring no translation. I also remember the pastor talking about the play on the way home, saying how this theater would...

.... by Bernd Heinrich Wilhelm von Kleist, jacob gallagher-­ross is a dfa candidate Frank Wedekind, Hans Henny Jahnn, and in the department of dramaturgy and Bertolt Brecht. His translation of Goethe’s dramatic criticism at Yale School of Drama, Faust was produced in New York by Target...

... as managing Shakespeare Festival. He is currently director of Cornerstone Theater Company, translating Goethe’s Faust for Target Margin associate producing director of the Acting Theatre in New York. In addition to his Kleist Company, and artistic director of Great Lakes translations, he has also...

..., Machiavelli’s background Havel reworks Faust: argues against the presumption that political science demands the regulari- Henry Foustka is a scientist frustrated nature can be mastered rather than zation of human experience, making it by the demands of a dubious objectivi- obeyed. Science...

... nuclear ter- aleph and vy exegesis on Goethe’s Faust were ceivcd a similar response in Toronto, Canada, rorists called world leaders, ruho are holding en- developed ly the performers as spin-oJs of ex- though this time the audience seemed better in- tire nations hostage. We infonn ourselves...