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Theater (1 November 1991) 22 (3): 54–57.
Published: 01 November 1991
...Catherine Sheehy Copyright © THEATER 1991 1991 FILLING THE BILL: A DRAMKRITICAL PIECE ABOUT AN EVENING OF BECKETT AT CENTER STAGE CATH E R I N E SHEEHY...
Theater (1 May 1978) 9 (2): 66–78.
Published: 01 May 1978
...Adrienne Kennedy Copyright © THEATER 1978 1978 An Evening with Dead Essex Adrienne Kennedy An Evening with Dead Essex wasfirst performed in November, 1973 at Scene: the American Place Theatre in New York. The production was directed...
Theater (1 November 1999) 29 (3): 100–114.
Published: 01 November 1999
..., even of those who would accomplish it. Past traces deter them: in retrospect, all social Utopias since Plato’s merge in a dismal resemblance to what they were devised against. The leap into the future, clean over the conditions of the present, lands in the past. -Theodor W. Adorno, “Messages in...
Theater (1 November 2000) 30 (3): 63–75.
Published: 01 November 2000
... centered on a cantata of the privations of tyranny (identified as War, Inflation, Hunger, and Disease) and also shows our two protagonists, having served their prison sentences, growing fat on war profits, even while Mattes’s family...
Theater (1 May 1981) 12 (2): 66–71.
Published: 01 May 1981
... creations. Our stage has nowhere to put him. ventions. He satirized even the political causes he and his audience Modern productions have tried to force him into preexisting supported. His flamboyant wordplay was a conscious weapon categories with which our stage is comfortable. But...
Theater (1 February 1981) 13 (1): 72–76.
Published: 01 February 1981
.... time, we are invited to see the limits of the An example is the story of The Talisman, a comic form Nestroy adopted, even while borrowed plot which is based on a we experience - and enjoy - that form...
Theater (1 November 1983) 14 (3): 63–66.
Published: 01 November 1983
... strained or even unusual directorial vision. envision an interesting production in which The staging is simple, as is the design, which Hamlet is imagined to be a woman, some- unintrusively suggests a 19th-century Euro...
Theater (1 November 1984) 15 (3): 61–65.
Published: 01 November 1984
... upon me, for the ~ lirst time. A new poet to whom we shall go by path Preston, AIT has realized a challenging, NOTE: after path now that I know one. And again a man non-traditional production - perhaps even *All quotes...
Theater (1 November 2008) 38 (3): 67–83.
Published: 01 November 2008
... theater's critique of broken government promises. Even though the Censorship Board demands scripts be registered, Zimbabwean theater artists have found creative ways around censorship throughout these three eras, implementing underground performances and “hit and run” political guerilla theater. Zenenga...
Theater (1 November 2008) 38 (3): 5–21.
Published: 01 November 2008
... to fade quickly from public view. Houchin argues the swift proliferation of internet and cable communication has protracted these debates, placing even greater pressure on artists, producers, and regulatory agencies. Houchin explores the impact of censorship vis-à-vis four events, events that all...
Theater (1 May 2014) 44 (2): 21–29.
Published: 01 May 2014
... discourse” in the presentation of contemporary performance, he points to the affinities that performance curation maintains with dramaturgy and criticism, even as the role stakes a claim to greater institutional and creative power. © 2014 by Yale School of Drama/Yale Repertory Theatre 2014 Truth Is...
Theater (1 February 1986) 18 (1): 42–51.
Published: 01 February 1986
... focuses on one evening in the life of a working woman. She comes home from work, goes through her daily routine, and commits suicide. If the “explosive energy” of this action could be used by oppressed people against society rather than themselves, Kroetz believes that we would have a “revolutionary...
Theater (1 May 2019) 49 (2): 88–103.
Published: 01 May 2019
... interprets his Satanic approach to the hells of contemporary existence in Miltonic terms: suffering can be fleetingly transfigured through dream, ritual, and desire. For Findlay, claims Friedman, the theater proposes a redemptive power in which even “Lucifer is a love angel.” Copyright © 2019 Yale School...
Theater (1 February 1976) 8 (1): 72–73.
Published: 01 February 1976
...Fredrick Morgan Copyright © by yale/theatre 1976 1976 Woyzeck A poem by Fredrick Morgan Woyzeck 1: It wasn’t my woman’s infidelity or even the visions of blood that did me in but the damned assurance of the educated ones. Captain: I...
Theater (1 May 1971) 3 (2): 90.
Published: 01 May 1971
... You'll understand and enjoy the theatre even more after you read The Contemporm-y Theatre -with its penetrating insights and...
Theater (1 February 1973) 4 (1): 7.
Published: 01 February 1973
... the Continent indicate that ensemble work is flourishing as never before. Playwrights are hardly even mentioned in the program of the World Theatre Festival at Nancy, nor is the playwright crucial in the work of Jean-Marie Patte and Jacques Lecoq. This crisis in playwriting is the central...
Theater (1 May 1973) 4 (2): 54–57.
Published: 01 May 1973
... else, be it coaching, full-time teaching, political activism, or even-should it come to that-movie reviewing. And since at the moment there do not appear to be any young prospects on the scene with anything like the ability, credentials, and most important, desire of their elders, the field of...
Theater (1 November 1981) 12 (3): 77–80.
Published: 01 November 1981
... Pandora’s Box - is an in- of Vladirnir such evaluation misses Albee’s larger, more domitable dignity throughout rejection and theatrical intent. The drama at best uses obsessive love. Even in her insanity, she Nabokov...
Theater (1 November 1998) 28 (3): 39–47.
Published: 01 November 1998
...Gordon Rogoff Copyright © Theater 1998 1998 GORDONROGOFF LEGACIESAND THEIRDISCONTENTS Oh, please, ye gods and hurricanos, bring back the Cold War! Surely, even 30 years ago, it was kinder to our digestive slime than...
Theater (1 May 2001) 31 (2): 106–107.
Published: 01 May 2001
... explanatory narratives (and even my sartorial metonymies!) coming back to plague me. For I must own that I agree with most all of my respondents’ points: yes, I was oversimplifying the genealogy of poststructuralism; yes, performance studies has...