Search Results for european

...Gherardo Vitali Rosati © 2014 by Gherardo Vitali Rosati 2014 Crossing the Theatrical Continent Spring Theatre Tour European Theatre Convention April 2013: Stuttgart, Germany; Karlsruhe, Germany; Liège, Belgium; Zurich, Switzerland; Prato, Italy; Maribor, Slovenia; Bratislava, Slovakia...

...Dragan Klaić Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 . DRAGANKLAIC CLOSEENCOUNTERS European Internationalism During this time of intense- though fuzzy- discourse on European political and economic...

...Martin Esslin Copyright © THEATER 1978 1978 • The Role of the Dramaturg In European Theater Martin...

...Bernd Stegemann Ten years after the original German-language publication of Hans-Thies Lehmann's Postdramatic Theater —a book that altered the critical discourse about contemporary theater practice—Bernd Stegemann weighs the ramifications of Lehmann's book as European theater artists struggle...

...Andrew Friedman In this article, Andrew Friedman profiles the work of European choreographer and performance maker Mårten Spångberg, which he suggests trades in a radically expansive understanding of choreography in order to play with its perceptual experiences of “contemporaneity” and complicate...

...Andrea Tompa Andrea Tompa traces how rising state nationalism has manifested in contemporary Eastern European performance. She contends that “consensus” art constructs national identities through dualistic roles of “us” against “the threatening Other” and national histories stripped...

...Peter M. Boenisch; Lise Sofie Houe Peter M. Boenisch and Lise Sofie Houe survey the 2018–20 tenure of Swiss director Milo Rau as artistic director of ntg ent, the city theater of Ghent, Belgium. Contextualizing his role and actions within the European city theater system, the authors also examine...

...Vegard Vinge; Ida Müller In this article, Andrew Friedman profiles the work of European choreographer and performance maker Mårten Spångberg, which he suggests trades in a radically expansive understanding of choreography in order to play with its perceptual experiences of “contemporaneity...

... in public debate about the airplanes, in many European cities, keeping it in Maastricht treaty, the ecological and economic my travel bag. Besides literary reviews and articles, wounds of four decades of Central and Eastern it has a series of letters...

... by Ireneusz Iredynsky, translated by Michal W.B. Yeats: Dramatist of Vision by A.S. Knowland, Barnes & Noble, Kobialka, Institute for Contemporary Eastern European Drama and New York, 1983 (cloth). Theater, New York, 1982 (paper). Conuersations with the Executioner by Kazimierz...

... by Ireneusz Iredynsky, translated by Michal W.B. Yeats: Dramatist of Vision by A.S. Knowland, Barnes & Noble, Kobialka, Institute for Contemporary Eastern European Drama and New York, 1983 (cloth). Theater, New York, 1982 (paper). Conuersations with the Executioner by Kazimierz...

... and research she and Rau did in Congo and in European refugee camps, Sipérius s monologue seems to be autobiographical in a more traditional sense. She delivers an account of her youth in a (predominantly white) Belgian environment that treats her, the Black girl, as the Other. 100 affective dynamics...

..., Croat, Serb-but for some German audiences, it wants to expand and of us the Yugoslav identity is irreplaceable. Yet deepen its European network of contacts and we too feel a need to rework the past and turn partnerships by organizing seminars and work- to the future. A rather painful operation...

...Daniel Gerould Eastern European Theater after the Iron Curtain edited by Kalina Stefanova, English-style editor Ann Waugh 2000: Harwood Academic Publishers © 2001 by Yale School of Drama/Yale Repertory Theatre 2001 11-Books 5/21/01 3:24 PM Page 126 Books...

...Martin Esslin Copyright © THEATER 1978 1978 New Playwrights in America: An Outsider’s View Martin Esslin is practically non-existent. In most Western European countries Let me begin...

... the Netherlands and across Europe, the continent’s mind- boggling diversity captures my imagination. The notion of a common “European” cultural identity, so often taken for granted in the unification debates of recent years, looks rather arbitrary when one actually experiences the vast differences among...

...Ossie Onuora Enekwe Copyright © by yale/theatre 1976 1976 Theatre in Nigeria: The Modern vs. The Traditional Ossie Onuora Enekwe Traditional Nigerian theatre has received scant atten- tion compared with the modern one that is European in impulse and ideology. The audience...

... the European performing arts community are taking shape outside the boundaries ofthis game board. These challenges are as international as they are economic. BBC Radio recently announced the merger of the two largest pharmaceutical companies at the expense of some 13,000 jobs that will be lost...

...Kopano Maroga Alessandra Seutin s Mimi s Shebeen, kvs, Brussels, Belgium, 2023. Courtesy of kvs Kopano Maroga Disruptive Dramaturgies White Institutions, Black Agendas, and the Pursuit of Dramaturgical Agency The limited possibility that institutions in the European arts and cultural sector may...

... of performances around the globe. Major festivals, retracing the tra- jectory of the composer’s career, have been held in Dessau, Berlin, London, and New York. American and European premieres, new recordings and books, a traveling exhibi- tion...