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Theater (2013) 43 (1): 9–39.
Published: 01 February 2013
... Stage Company, New York, 2011. Photo: Joan Marcus What’s Up, Doc? The Ethics of Fact and Fabulation in Documentary Performance: A Forum Compiled and Introduced by Alexis Soloski Toward the close of each performance of Mike Daisey’s The Agony and the Ecstasy of Steve Jobs...
Theater (2016) 46 (2): 55–67.
Published: 01 May 2016
... in which sensuous components—sight, sound, smell, and so on—affect ethical decisions and attitudes in a mediated experience. © 2016 by Yale School of Drama/Yale Repertory Theatre 2016 transmediation trolley problem virtual reality video games Meg Stuart/Damaged Goods’ Built to Last...
Theater (1986) 17 (3): 59–62.
Published: 01 November 1986
...Mark Lord The following article is part of a series of essays on the ethics of play production. In search of statements of aesthetic and ethical purpose, the author has frequently found it necessary to analyze theaters' advertising, for it is only in their advertisements that most of our theaters...
Theater (2018) 48 (2): 3–19.
Published: 01 May 2018
... the responsibilities and intimacies of spectatorship, asking “What does it mean to watch dance-based movement, aesthetically, ethically, politically?” contemporary dance audience participation spectatorship ethics site-specific Chicago Links Hall Copyright © 2018 Yale School of Drama/Yale Repertory...
Theater (2019) 49 (3): 5–19.
Published: 01 November 2019
... them. Sack sees in Gunn’s work the creation of heterotopias, places that open out onto an elsewhere, toward realities that simultaneously exist outside of the world and connect its disparate cultural manifestations together, from identity to ethics, politics to performance. Nicola Gunn s In Spite...
Theater (2021) 51 (2): 62–73.
Published: 01 May 2021
...Andreas Englhart Andreas Englhart examines the aesthetics of evil, particularly extreme evil, in the work of director Milo Rau, focusing on Five Easy Pieces . Englhart considers the ways in which postmodern aesthetics are beginning to turn once again toward the ethical and how this turn is both...
Theater (2017) 47 (1): 3–15.
Published: 01 February 2017
... of a dynamic engagement with existing communities and publics. He calls for a recentering on minoritarian forms, a shift that would embody a new ethics and reflect new American demographic and cultural realities. © 2017 by Thomas F. DeFranz 2017 performance curation black arts movement...
Theater (2017) 47 (1): 116–136.
Published: 01 February 2017
..., poetics, and the ethical compass that guides them, with the demands of integrated worldwide capitalism and its contemporary power in the field of art. © 2017 by Suely Rolnik 2017 performance curation colonial-capitalistic unconcious postcolonial studies knowing-body Lygia Clark Caminhando...
Theater (1995) 25 (3): 5–7.
Published: 01 November 1995
... be stituent part of one’s life-rather, it is a way of weakest when together, strongest when apart. seeing or behaving; it is an ethic. An ethic is Our purpose, then, is tactical over not a business, and the unlimited growth aesthetic. Too much attention is paid to aes...
Theater (2001) 31 (3): 119–125.
Published: 01 November 2001
... connection; now those of us who practice theater that engages with people’s accounts of violent events must articulate the nature of that contact. I want to explore how theater operates as an ethical space in which a relationship between detachment and contact...
Theater (2021) 51 (2): 84–95.
Published: 01 May 2021
... presented under Rau s tenure since 2018 at ntgent has thus attempted to insert a variety of gaps into the so-called real life in the city of Ghent. At the same time, his poetics have presented a substantive ethical challenge, since the theater insti- tution cannot hide itself behind the art it produces...
Theater (1988) 19 (3): 92–95.
Published: 01 November 1988
... virtues firm- interpolated battlefield. And at the Or- that of the shoemaker Simon Eyre who ly line the tacit ethics of the play, they’re pheum Theater Off Broadway the same ascends in wealth and position to discouragedfrom public expression and year, it was presented as an honest- become...
Theater (1993) 24 (1): 43–51.
Published: 01 February 1993
... with our political and aesthetic shibbo- leths: that aesthetic and ethical givens inform all art, indeed inform the more basic categories of coherence and identity upon which all higher human endeavors are based. 6 delta Disorder occurs in all the arts. And the argument against an “organic...
Theater (1981) 12 (3): 51–52.
Published: 01 November 1981
... to presses the through-line, he creates in all except women, racial minorities, himself the habit of moral turpitude. And homosexuals, the poor, opponents of the the play, which is a strict lesson in ethics...
Theater (2008) 38 (3): 85–109.
Published: 01 November 2008
... the cantata must wrestle with extremely complex issues about ethics, especially in rela- tion to the victims.66 One person who testified before the TRC, Yazir Henry, took great exception to the way his words were used by Antjie Krog in her book Country of My Skull, which is a hybrid genre...
Theater (1999) 29 (2): 10–15.
Published: 01 May 1999
... and precision. And in fact his actors did consistently demonstrate a conviction and a technical mastery in performance previously unknown in Western theater. The appeal of the work was irresistible: a marriage of ethics and virtuosity that promised to renew and redeem the frivolous and increasingly...
Theater (2012) 41 (3): 5–35.
Published: 01 November 2012
... (king) and a new woman (queen) are growing toward a destiny of unison awaiting them in the future. . . . On the Actor’s Ethics 16:16 10 – 29 – 96 I am supposed to talk about the actor’s ethics tomorrow. It is hard to find a more twisted topic. There are people, even among actors themselves...
Theater (2009) 39 (3): 91–105.
Published: 01 November 2009
... to depict thus enter into a stream of ethic of personal responsibility very deeply, but Theater 39:3 doi 10.1215/01610775-2009-006 © 2009 by Caridad Svich 91 svich I couldn’t put that onus on my...
Theater (2013) 43 (3): 5–23.
Published: 01 November 2013
... of surveillance technologies as tools of communication, commerce, and entertainment often obscure the connections between consumer and military markets and shroud ethical questions regarding these connections in the shadowy balance between commercial benefits and martial costs. Civilian surveillance...
Theater (2016) 46 (1): 37–47.
Published: 01 February 2016
... has any moral boundaries and crosses ethical borders in a most horrific way. As a public, Árpád Schilling’s middle-class, liberal-leftist figure, he represents the ruins of the standard Hungarian intellec...