...Charlotte Canning Copyright © THEATER 1992 1992 EDUCATION AND POLITICS AT SEATTLE ICHILDREN’S THEATER CHARLOTTE CANNING f a theater...

...Barbara Salisbury-Wills Copyright © THEATER 1992 1992 ARTS EDUCATION SHAKEN UP BARBARA SALISBURY-WILLS hree short years ago, I had occasion to write an or communication. I will briefly address...

...Lisa Diamond Copyright © THEATER 1992 1992 to evaluate their interactive roles. In this final decade of THEATER AND the century our “Education President” has issued goals...

...Charles McNulty Copyright © THEATER 1992 1992 IAIDS EDUCATION THROUGH THEATER: NYU'S ICREATIVEARTS TEAM CHARLES...

...Karen Lordi Copyright © THEATER 1992 1992 EDUCATION IS THEATER’S CORNERSTONE KAREN LORD1...

...David Copetin Copyright © by yale/theater 1969 1969 EM PH AS IS Education vs. Theatre Our title for this issue is not a question, Perhaps drama students have always been but a statement of fact. There is ample aware of the shortcomings of their train...

...Allen J. Kuharski Allen Kuharski provides a critical summary and expanded framing of the first neh Institute on transmitting and archiving devised physical ensemble theater in American higher education. Kuharski delineates the goals, structure, and planning of the twelve-day gathering of fifty...

... dramatic canon since modernism. She advocates for a renewed emphasis on “religious literacy” in education so that academics and critics may better understand these works and their successors. 5Dana Tanner- Kennedy America s Postsecular Stages In a 2018 keynote address to the Association for Theatre...

...Sharon Grady Copyright © THEATER 1992 1992 SOURCES Aronowitz , Stanley , and Henry Giroux, Postmodern Education: Politics, Culture, and Social Criticism , Minneapolis: U of Minnesota, 1991 . Babcock , Barbara , “Reflexivity: Definitions and Discriminations”, Semiotica , 30...

... with two THE REFLECTION IN THE GLASS THEATER commitments: one, to involve students in the life of the EDUCATIONAL PROGRAlMlVLING theater by bringing them to see the same full length by Keren Goldberg, Director...

... of the politically correct Irondale was not designed solely as an arts-in-education nineties - all too often pay feel-good program: it is also a producing theater. The company has lip service to goodwill, obscuring the promise behind the essentially been in development since Niesen...

.... - From School Power. by James Comer. School Development Program. Yale Child Study Center Urban Gateways: An Overview schools receiving fully subsidized programs And the Urban Gateways: The Center for Arts in Education organization now boasts a staff of 39...

... Company. She teaches dramatic anthology entitled Stages in Feminism. The Daughters Cycle writing at the Educational Center for the Arts and is by the Women’s Experimental Theater. currently writing a commissioned work on teenage...

... education Jesse ranting of a self-appointed oracle with missionary zeal. Helms had. The Great Theatrical Chain of Being Darwin’s Law of Natural Selection: Adapt or Die Classism among...

... Guide to Ken Goldberg, Keren, “East and West: Outreach Campbell: An Interview,” no. 3,39-46. Outlined,” no. 2,48-50. Canning, Charlotte, “Education and Politics at Grady, Sharon, “A Postmodern Challenge: Seattle Children’s Theater,” no. 2, 25-29. Universal Truths Need Not Apply,” no. 2,15...

...) of a major university is perfectly divided. He is squeezed between academic demands and those of production, between education and art, art and showbusiness, amateur and professional standards. Half of his being he gives to scholarship and therapy, half to theatre practice. He dies between. His...

... Copyright © yale/theater 1971 1971 LETTER In our "'Education vs. Theatre"' issue (Vol. 2, No. 3) we published an article by David Copelin, formerly an editor of yaleftheatre, called "Yesterdays Festival," about the First Annual American College Theatre Festival at Washington, D.C...

... the three degree programs. This was not a union of professional theatre and academic theatre; it was academic theatre using people from the world of professional theatre in their educational pro- grams. Which is not to say in any manner that this is wrong or inadequate. It is simply not a resident...

...Lisa Diamond Copyright © THEATER 1992 1992 THEATER AND EDUCATION: PART II IF MOHAMMED WON‘T GO TO THE MOUNTAIN: EIGHT OUTREACH...

... . . . -B rec ht , Mahagonn y The ten plays produced under the aegis of the American Educational Theatre Associa- tion (AETA) in Washington could have been selected and presented in exactly the same manner ten years ag0.l This, in a nutshell, expresses the plight of the American university...