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eckert

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Journal Article
Theater (2001) 31 (2): 116–118.
Published: 01 May 2001
... idealism and self-delusion. In those works Eck- Amazing Grace: Rinde ert gently teases out canny ironies from his liter- Eckert’s And God Created Great ary substructures, sidestepping the pitfalls...
Journal Article
Theater (2000) 30 (2): 83–91.
Published: 01 May 2000
...Rinde Eckert The30.2-09 Seller idiot's.ak 5/24/00 2:02 PM Page 82 Rinde Eckert. Photo: Michelle Clement. The30.2-09 Seller idiot's.ak 5/24/00 2:02 PM Page 83 Idiots’ Paradise Rinde Eckert, Interviewed by Tom Sellar...
Journal Article
Theater (2000) 30 (2): 93–103.
Published: 01 May 2000
...Rinde Eckert Photographs: Rinde Eckert in Romeo Sierra Tango. Photos: Amina Meyer. Rinde Eckert With Additional Text by Shakespeare Romeo Sierra Tango Lights come up on a raised platform covered in masquerading as a lover. Romeo is no good to crumpled brown paper. Wads of brown...
Journal Article
Theater (2000) 30 (2): 105–111.
Published: 01 May 2000
...Rinde Eckert The30.2-11 Eckert idiot.ak 5/24/00 2:02 PM Page 104 Photographs: Rinde Eckert in The Idiot Variations. The30.2-11 Eckert idiot.ak 5/24/00 2:02 PM Page 105 Rinde Eckert The Idiot Variations...
Journal Article
Theater (2000) 30 (2): 113–127.
Published: 01 May 2000
...Rinde Eckert Rinde Eckert The Gardening of Thomas D. Digging is heard. A square of light appears in center stage. In square of light stage right there is a pair of black overshoes. thomas’s voice-over...
Journal Article
Theater (2007) 37 (3): 1–2.
Published: 01 November 2007
... techniques or aesthetics. Few other U.S. theaters would have com- missioned world premieres based on classic texts from author-composers like Rinde Eckert, Philip Glass, and Bang on a Can’s Evan Zaporyn. He opened a second space...
Journal Article
Theater (2007) 37 (3): 3–5.
Published: 01 November 2007
... techniques or aesthetics. Few other U.S. theaters would have com- missioned world premieres based on classic texts from author-composers like Rinde Eckert, Philip Glass, and Bang on a Can’s Evan Zaporyn. He opened a second space...
Journal Article
Theater (1999) 29 (1): 44–53.
Published: 01 February 1999
... institution, but directly. I am talking directly that is only authentic in theater. to the audience, not through an institution- not through Theater Communications Group Who are Rinde Eckert andAaron Johnson? or Humana or some development...
Journal Article
Theater (2000) 30 (2): 3–7.
Published: 01 May 2000
.... Pamela Z and Rinde Eckert, both from the United States, performed recent works (discussed elsewhere in this issue), while others presented video and audio clips. Thomas Désy (from Vienna) showed his version of Beckett’s How It Is (created with zOoN...
Journal Article
Theater (2000) 30 (2): 9–23.
Published: 01 May 2000
... ten for Roy Hart, continues today with Joan LaBar- singing to the point of allowing actors to perform bara (music of Morton Subotnick), Rinde Eckert singing roles in rhythmic speech. With microphones, it (music of Paul Dresher), Theo Bleckmann (music...
Journal Article
Theater (1990) 21 (3): 62–65.
Published: 01 November 1990
... Leonard Pitt, Rinde Eckert, triggers that multiplicity of John Duykers, and Hitomi Ikuma) meanings from the different and designers; he’s also teamed up individuals in the audience...
Journal Article
Theater (2005) 35 (1): 57–65.
Published: 01 February 2005
... as well? As artistic director of the American Repertory Theatre, are you generating it? I know this is a tremendous cop-out, but I feel it’s all new. I think it’s fi nding the right door. Rinde Eckert, the composer and librettist, is a great source of inspiration for me. We asked Rinde...
Journal Article
Theater (2018) 48 (1): 33–53.
Published: 01 February 2018
...Big Art Group Big Art Group Opacity System, installation, sound, and text by Caden Manson and Jemma Nelson Developed with the Digital Devising Lab at the Carnegie Mellon University School of Drama: Caitlin Ayer, Stephen M. Eckert, Philip Gates, Rachel Karp, Sara Lyons, Kevin...
Journal Article
Theater (2003) 33 (1): 44–57.
Published: 01 February 2003
...? For theatrical innovators in America—and I’m thinking of people like Bill Talen, W. David Hancock, Rinde Eckert, Dare Clubb, or the numerous creative offspring of Richard Foreman—critical pay dirt today con- sists of a single, forcibly abbreviated article in the Voice. Innovative foreign artists are even...