... in a car THE DISINTERESTED oh yes fathers and bills BRAIN honor, nevertheless 142 MR. ABSORPTION i already EAR he alreadys THE DISINTERESTED whistle swollen with loveless BRAIN...

... about 4 ‘ Lacan’s work remains either unheard of or portant, though, is that the message high, shown by attitude alone to be fat- merely a fad. Professor Anthony Wilden, belatedly reach ears - any ears - be it the ing diagonally across stage intent...

...Michael Bertin - -- Book~ Review Ortonesque Michael Berth hick Up Your Ears: The Biography OfJoe Orton by John Lahr Alfred A. Knopf, New York, 1978 Playing tricks with death record. It is also best to record it now; employed laughter...

...Tom Sellar The Theater of the Ears by Valère Novarina, Translated and edited by Allen S. Weiss, 1996: Sun & Moon Press Copyright © Theater 1997 1997 Books TOMSELLAR 1970s.The nine polemical essays, manifestoes...

... Salzman scious working of the mind and ear of a childlike genius is a complete romantic myth and has nothing to do with his real musical landscape or how his contemporaries per- ceived his music. Mozart was a highly eclectic composer who absorbed and reused all the musical styles...

... and cares and dreams and feelings but that Wendy: In the grand and glorious days the more you let them rule you and not of our sweaty excessiveness, you would your fears, the younger you’ll be no always start off by blowing in my ear. matter what it says on your birth...

... Dieumamour? CLARISSE: When you sucked her ear-lobe?You think that's pro per ? VENTROUX: When I. . . . (cluthing his forehead) Oh no! When you want...

... to the original timings and language of the recording, piped in through an in-ear prompter, Anne and Bobby revocalize the speech they hear using “acting techniques employed (or imagined to be employed) by great Shakespearean actors,” like hyper- articulated words and fully executed, breezy “wh” sounds.9...

..., otherwise a stage generation, a program using a Markov chain direction). Each scene restricts stage direction probability function builds the utterances grammars to a subset of several possible from the corpus of tweets.2 The performers grammars contrived for the project. Possible have in-­ear...

... patterns. It does not draw from our image bank or our well of cultural memory, and so cannot be assimilated to visual habit or tamed through visual association. By forcing confrontation with itself and nothing else, it defeats mean- ing. It is just there. It is. EAR...

..., sobbrng. One of the nurses HOFFMAN (The Nurses have massed around Miss picks it up with a towel and gives it to (Covering his ears) Adare who lies on the couch. They cir- Eoctor h‘offman who moves I will not listen to your...

... Theater’s balconies to see a crowd gathered in the orchestra section below. Those seats are already occupied, each claimed by a stuffed black rabbit, roughly human size and more anthropomorphic than not. Each head with its pair of ears stares glassy-eyed at the stage, waiting in silence. We...

... is a product of crossbreeding, designed for preservation under a variety of conditions. Like an ear of corn a female seed- bearing organ the mestiza is tenacious, tightly wrapped in the husks of her cul- ture. Like kernels she clings to the cob; with thick stalks and strong brace roots, she holds tight...

... tonalities of the text, and irritating the ear with the monotony of his uninspiring delivery. That the public acclaimed Irving's visual bombast, and was seemingly oblivious to his interpretative irresponsibility, compelled James in turn to condemn the public for its sluggish indul- gences...

... about to expound he is a trifler, neither doyng, nor thynkyng any wyse acte” this dream . . . . . . The eye of man hath not heard, the (20.20).2But this blind or blindfolded Cupid, associated in the ear of man hath not seen, man’s hand is not able to taste, Middle Ages with personifications...

...- quietly asks: “Will you have nothing, Narrator: Your heart above my ear drines that encases words and lives. He too?” Phaedra: Your heart also gives symmetry to Phkdre’s voice. Egloff s Phaedra is a verbal pirouette, Narrator: Beats Her simple, confidential...

... FOSTER goes over to the chair andgrabs that Michelangelo spent his whole life trying the janitorial un form. He puts it on. Red cursive to get ears right. There are thousands of his lettering on the back of the un form reads: “Mr. sketchbooks in archives at the Vatican with Homer Phinney, J...

.... - moved in and out of attention. Video- which have inspired her work in the past. “I was tired of a proscenium situation,” tapes of the Head Librarian (eeriely per- OPERA IN A DEAD MAN’S EAR Jonas explained in an interview, “and formed by David Warrilow) carried the ‘theater in the round...

...! They've opened that dear thing. These are pleasant sounds in my ears. Theater Satire Stores are wide open. In this generally It is the first apparition. Counters are full. 3 Equally (At the door...

... it from humor’s assault, or, conversely, to preserve humor within.) And then the sound of people, the noise of traffic, fell on our ears, hitting us like a ton ofbricks. Our “little Wednesdays” we called them, after Mme. Verdurin’s “little Tuesdays” in that great...