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dura

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Journal Article
Theater (1994) 25 (2): 56–66.
Published: 01 May 1994
...Gabrielle Cody Copyright © Theater 1994 1994 Works Cited Costaz , Gilles “La Littérature est illégale ou elle n'est pas.” Le Matin, November 14, 1986 . Duras , Marguerite “Le Scandale de la verité.” Les Cahiers du Cinema , 374 , July-August 1985 . Duras...
Journal Article
Theater (1999) 29 (3): 85–95.
Published: 01 November 1999
...Gabrielle Cody Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 GABRIELLECODY ENDWORLDS WITHOUT ENDSIN BECKETTAND DURAS When all is said, what remains to be said is the disaster. Ruins of words, demise...
Journal Article
Theater (1976) 7 (3): 1urang–21-durang.
Published: 01 November 1976
Journal Article
Theater (1976) 7 (3): 1urang_innaurato–35-durang_innaurato.
Published: 01 November 1976
Journal Article
Theater (1988) 20 (1): 18–21.
Published: 01 February 1988
... ~ laude Roy once said of Marguerite Du- remembrance until they exhaust the necessity of speech. ras’s novel Moderato Cantabile, that Duras extends the pain of recollection beyond all thresholds and makes the retelling...
Journal Article
Theater (1998) 28 (3): 92–97.
Published: 01 November 1998
.... The Malady of Death Yet while Wilson - who has long insisted Thkiitre Bobigny, Paris, Fall 1997 that his work is not interpretative - seems per- haps inexplicably drawn to Duras’ fantasmatic Robert Wilson originally staged The Malady...
Journal Article
Theater (2014) 44 (3): 1.
Published: 01 November 2014
... with fluid edges. But the artists and projects in this issue — otherwise unthemed — are expanding and redefining its essential properties. The Danish per- formance maker Mårten Spångberg offers true object lessons in perception and dura- tion, challenging the mechanisms of spectating. The resourceful...
Journal Article
Theater (2014) 44 (3): 2–3.
Published: 01 November 2014
... with fluid edges. But the artists and projects in this issue — otherwise unthemed — are expanding and redefining its essential properties. The Danish per- formance maker Mårten Spångberg offers true object lessons in perception and dura- tion, challenging the mechanisms of spectating. The resourceful...
Journal Article
Theater (1999) 29 (3): 176–178.
Published: 01 November 1999
..., Chekhov Theatre:A Century of the Pluys in 34-43. Performunce],no. 2, 159-61. Fuchs, Elinor, “The Apocalyptic Century,” Cody, Gabrielle, “End Worlds without Ends no. 3, 7-39> in Beckett and Duras,” no. 3, 85-95...
Journal Article
Theater (1993) 24 (2): 12–20.
Published: 01 May 1993
... Text 33 . Durham: Duke University, 1993 . de Jongh , Nicholas . Not In Front of the Audience . London: Routledge, 1991 . Diamond , Elin “Refusing the Romanticism of Identity: Narrative Interventions in Churchill, Benmussa, Duras.” In Performing Feminisms: Feminist Critical Theory...
Journal Article
Theater (2003) 33 (1): 73–76.
Published: 01 February 2003
..., and are not always as linear or reliable as clockwork. Marguerite Duras, as well as contemporary In The Notebook, The Proof, and The Third Flemish writers. In the process of adaptation, Lie—her “twins trilogy”—she shifts among De Onderneming explodes...
Journal Article
Theater (2003) 33 (1): 77–78.
Published: 01 February 2003
..., and are not always as linear or reliable as clockwork. Marguerite Duras, as well as contemporary In The Notebook, The Proof, and The Third Flemish writers. In the process of adaptation, Lie—her “twins trilogy”—she shifts among De Onderneming explodes...
Journal Article
Theater (2003) 33 (1): 79–83.
Published: 01 February 2003
..., and are not always as linear or reliable as clockwork. Marguerite Duras, as well as contemporary In The Notebook, The Proof, and The Third Flemish writers. In the process of adaptation, Lie—her “twins trilogy”—she shifts among De Onderneming explodes...
Journal Article
Theater (2021) 51 (1): 9–21.
Published: 01 February 2021
... across symbolic, site- specific, dura- tional, and action performance forms. It places art in direct confrontation with borders. However different in form and technique, these works set at borders about borders create a unique opportunity to challenge these frontiers. Borders bully us into acting within...
Journal Article
Theater (1994) 25 (1): 14–22.
Published: 01 February 1994
... sumption, especially in rural areas where strength for my work from touching this soil women do not yet have escape routes, that’s I’ll stay here. But it doesn’t have to be forever. everywhere. Duras wrote about it too. I have the feeling if I got to New York I’d...
Journal Article
Theater (2019) 49 (3): 5–19.
Published: 01 November 2019
... that we refashion that passage to bolster an impression of the self. From out of nowhere Gunn o©ers us two memories of being in a car with her parents as a child, feeling she must keep talking to her mother on a long car ride to keep her awake and to prevent a car crash some primal version of a dura...
Journal Article
Theater (2006) 36 (2): 95–102.
Published: 01 May 2006
... Duras’s Moderato Cantabile in 1960, among others), and twice to the Metropolitan Opera (Faust in 1954 and Eugene...
Journal Article
Theater (2006) 36 (2): 103–110.
Published: 01 May 2006
... Duras’s Moderato Cantabile in 1960, among others), and twice to the Metropolitan Opera (Faust in 1954 and Eugene...
Journal Article
Theater (2016) 46 (2): 35–53.
Published: 01 May 2016
... durationals not despite the mediated con- ditions of reception but because of them. This is, I think, a distinctly contemporary response, one that suggests that ontological redefinitions of theater and performance like Bay-­Cheng’s are more than warranted. Of course, performances of extended dura- tion...
Journal Article
Theater (2013) 43 (2): 5–25.
Published: 01 May 2013
... Make It through the Night). Lasting from 10:00 in the evening until 4:00 in the morning, this self-­billed dura- tional performance invites the audience to lie down (beanbags and sleeping bags were Gob Squad’s Room Service...