...Jessica A. Watkin Jessica Watkin works out her definition of Disability Dramaturgy and explains her artistic practice, which is rooted in personal care rather than professional extraction. As a Blind/Disabled artist, Watkin describes her relationship to Blind artist Alex Bulmer. Watkin reflects...

...Anna R. Burzyńska New Dramaturgy: International Perspectives on Theory and Practice edited by Trencsényi Katalin and Cochrane Bernadette New York , Bloomsbury : 2014 © 2016 by Anna R. Burzyńska 2016 burzyńska Anna R. Burzyńska Diagnosing the Condition...

... Copyright © THEATER 1986 1986 Dramaturgy at the Mark 'Iaper Forum: An Interview with Russell Vandenbroucke by Mark Bly Russell. Vandenbroucke is Associate Producing Director...

... Copyright © THEATER 1986 1986 Dramaturgy at the Magic and the O'Neill: An Interview with Martin Esslin by Mark Bly Martin...

... Copyright © THEATER 1986 1986 Dramaturgy at Second Stage and the Phoenix: An Interview with Anne Cattaneo by Mark Bly...

... Copyright © THEATER 1986 1986 Dramaturgy at Large: An Interview with Arthur Ballet by Mark Bly Arthur Ballet is professor emeritus in theater, University of Minnesota; the former...

... Copyright © THEATER 1986 1986 Dramaturgy at the Yale Rep: An Interview with Gitta Honegger by Mark Bly Gitta Honegger received her Ph.D. in Theaterwissenschaft from...

... Copyright © THEATER 1986 1986 Dramaturgy at the Brooklyn Academy of Music An Interview with Richard Nelson by Mark...

...David Moore, Jr. Copyright © THEATER 1986 1986 Dramaturgy at the Guthrie: An Interview with Mark Bly David Moore, Jr. Mark Bly is currently Dramaturq...

...Linda Walsh Jenkins; Richard Pettingill Copyright © THEATER 1986 1986 Dramaturgy at the Court and Wisdom Bridge Linda Walsh Jenkins...

... of reformulating the ways Production in which plays are created and produced in this country. They are not simply redefining their own roles, they are reevaluating the pur• Dramaturgy poses of American dramatic literature and the institutions which pro• duce the literature. As a community, they share...

... Copyright © THEATER 1986 1986 Dramaturgy at the Eureka: An Interview with Oskar Eustis by Mark Bly Oskar Eustis was born and raised in Minnesota. He studied and worked...

...David Copelin Copyright © Theater 1998 1998 DAVIDCOPELIN DOGMA,DREAMS, AND DRAMATURGY Back in 1968, we called Theater Magazine yaldthatre. We told the world (ourselves and whoever else would listen) that we were producing a “lower-case...

... been chiefly responsible for this development and during the 1975–1976 season he first officially assumed the title. What follows is an edited record of an interview conducted in February 1978. Dramaturgy at A.C.T.: An Interview with Dennis Powers...

...Henning Rischbieter; Sam Guckenheimer, translated by Dramaturgy in Berlin: An Interview with Ernst Wendt Henning Rischbieter For seven years Ernst Wendt worked as a dramaturg in close collaboration Rischbieter: Back to dramaturgy...

...Reinhardt Stumm; Sam Guckenheimer, translated by Dramaturgy in Stuttgart: An Interview with Hermann Beil Reinhardt Stumm Hermann Beil is Chief Dramaturg at the Stuttgart State Theater. Last at his desk and stage spiritual...

... Francisco, 2009. Photo: Richard Downing. Courtesy of Sins Invalid Against a black background, a thin naked white man is perched in a clawfoot tub, his head thrown back, with beads of water suspended in an arc over him. There are roses beneath the tub. Up Front Dramaturgies of the Bodymind Tom Sellar Theater...

...Michael Evenden MICHAELEVENDEN “No FUTUREWITHOUT MARX” Dramaturgies of “TheEnd ofHistory” in Churchill, Brenton, and Barker Those schooled in dialectical theory are reluctant to indulge in positive images of the proper society, of its members...

...Michael J. Kramer Dramaturgy in Motion: At Work on Dance and Movement Performance by Profeta Katherine Madison : University of Wisconsin Press , 2015 © 2017 by Michael J. Kramer 2017 Books Michael J. Kramer Dancing across the Proscenium Dramaturgy in Motion: At Work...

... but that conversation with him still careens around in my head. one would surely have to kill them In the intervening four years, production dramaturgy has grown. Rudolph, Eve of Retirement We now hold elaborate...