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Theater (2007) 37 (1): 90–98.
Published: 01 February 2007
...? doi 10.1215/01610775-2006-014 89 beck Dennis C. Beck A Life of Slaying Dragons and Other Dramatic Business Acts of Courage: Václav Havel’s Life in the Theatre by Carol Rocamora 2005: Smith...
Theater (1993) 24 (3): 71–79.
Published: 01 November 1993
... 1990 when he became, for three years, the Artistic Director of French Theater at the National Arts Centre in Ottawa. His major projects with Repère have included The Dragons' Trilogy (1985), Polygraph (1988), Tectonic Plates (1990), and now The Shakespeare Cycle, consisting of Michel Garneau's...
Theater (2016) 46 (3): 115–121.
Published: 01 November 2016
...Kate Bredeson © 2016 by Kate Bredeson 2016 La mélancolie des dragons Philippe Quesne Time-Based Art Festival, Portland, Oregon September 2015 Kate Bredeson Philippe Quesne’s Quest for Wonder La mélancolie des dragons Philippe Quesne Time-Based Art Festival, Portland...
Theater (1968) 1 (1): 93–97.
Published: 01 February 1968
... and the dragon killed by Cadmus the gods', are further representations of the female And when they will, they take them as a sexual force of unrestrained violence. back again. (II. 554-57) Opposing these female forces is the As a result of immoderacy...
Theater (2014) 44 (3): 5–17.
Published: 01 November 2014
.... Krõõt Juurak. Designed as a “performance for dragons,” the production is a series of Photo: behaviors and gestures that unfold slowly to a constant sound track of pounding tribal- Marika Troili surf-rock drums.31 Dressed in swimsuits, Spångberg and Juurak sprinkle water on the audience...
Theater (1979) 10 (2): 104–107.
Published: 01 May 1979
... Francisco Mime satire. This is hard to fix because satire has no single form, and all Troupe's best satires, A Minstrel Show, or Civil Rights in a comedy contains satiric elements; again the difference comes Cracker Barrel and The Dragon Lady's Revenge, use this techni• down to intention and effect...
Theater (2011) 41 (1): np.
Published: 01 February 2011
... directing with Anatoly Contrast, Green Dragon, and Botsotso. He Efros and Anatoly Vasyliev, and has worked teaches a semester course from time to time in extensively as a director in both Ukraine and arts journalism at the University of Cape Russia. He is the author of more than twenty Town. “remade...
Theater (1990) 21 (3): 81–94.
Published: 01 November 1990
... OF GREASE AND LOTS OF You should write down the past and was flat but the water had in it PORK: Didn’t see you. you should write down the present dragons cf which meaning these BLACX WOMAN WITH FRIED and in what in the future you should dragons...
Theater (1988) 19 (3): 6–11.
Published: 01 November 1988
... brings out a little puppet of Enkidu. It’s like she’s figures and then they break apart into individual pieces and telling him the meaning of his dream which is that the moon form a dragon in the sky. It devours Enkidu who then bursts has fallen out of the sky and he will meet this strange figure...
Theater (1978) 10 (1): 70–76.
Published: 01 February 1978
... to form the shape of a one thousand people a day in revenge. He lumbering dragon. swears to retaliate by creating fifteen hundred people a day...
Theater (1983) 14 (3): 50–54.
Published: 01 November 1983
... and other comradcs formed the “Collective Teatrale Dario Fo was wearing around his neck. ‘Hello, hello. This is Dragon. ‘La Comunc’ ”. Orders from Dragon to move the squad north.’This interrupted Fo’s 3. Ento Teatralo Italiano - the official Italian state-subsidised theater cir- monologue about...
Theater (1999) 29 (1): 54–80.
Published: 01 February 1999
Theater (2015) 45 (2): 23–27.
Published: 01 May 2015
... reaction to Samuel Beckett’s Waiting for Godot; Como cavalgar um dragão (How to Ride a Dragon) (2010), a collective creation; and Symphony Dream (2012), freely inspired by Lionel Shriver’s We Need to Talk about Kevin. Outside of the university, the company performed Concreto Armado (Reinforced...
Theater (1970) 3 (1_Film): 31–49.
Published: 01 November 1970
...: A host of smaller craft skim like dragon-flies over the water, tacking this way and that. A gay sampan approaches Shamien. Sturdy Mai Kuan is pulling on two oars at the prow. The boat shoots forward through the foam like an arrow. Great Tiger Hill rises from the river like...
Theater (1970) 3 (1_Design): 26–31.
Published: 01 November 1970
... is of Hercules tearing a woman colors. Thus the Comedy of €rrors set apart, splitting her legs; another is of a was very Ital ian-w ith surfaces of orange woman, a beautiful Renaissance statue, and terracotta and yellow and white. All which turns into two long dragon tails...
Theater (1975) 7 (1): 93–103.
Published: 01 February 1975
..., and other modern dragons, was to be distri• buted at performances of Det Ora-Ora, a play byEast German poet Wolf Biermann that suggests there is something totalitarian about dragons. The play was postponed by Kipphart's superior (the Intendant, or Managing Director), and many Kammer• spiele actors...
Theater (2012) 42 (2): 1–2.
Published: 01 May 2012
.... “On the flip side, though, we can change a human being into a dragon in two seconds flat!” The perform- ers are aware of being pioneers in a new artistic medium, and their commitment and euphoria are contagious. After all, Ada remembers, “only a few years ago you needed pages and pages of programming...
Theater (2012) 42 (2): 3–5.
Published: 01 May 2012
... for theatrical performance. “We struggle with simple things such as hand- ing somebody a piece of paper,” an avatar named Michelle told me. “On the flip side, though, we can change a human being into a dragon in two seconds flat!” The perform- ers are aware of being pioneers in a new artistic medium...
Theater (1987) 19 (1): 19–23.
Published: 01 February 1987
... the time, the East Village Other, com- dragons, and other antics together or preaching) . . . Then, after this, plained that “too many people showed with their bawdy pipers and . . . they feast, banquet, and dance up looking for a carnival rather than a thundering drummers...
Theater (1981) 12 (3): 86–90.
Published: 01 November 1981
... supplied Siegfried carried swords, Wotan and Hagen spears. The giants were 15-foot- high, caped mujosi, actually singers borne aloft by local musclemen, who later took separate curtain calls; Fafner, a glittering, smoke-belching carnival dragon wheeled about by stagehands...