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Journal Article
Theater (1991) 22 (1): 6–13.
Published: 01 February 1991
... thinking about history, mostly theater critics and theoreticians - that we get tradition and culture. It’s what obsesses me; it’s what I closer to the heart or the origin of the play by going around spend most of my time reading about, and it’s the way I to the back door and by shaking up something...
Journal Article
Theater (1975) 6 (3): 3–11.
Published: 01 November 1975
...Robert Auletta Copyright © by yale/theatre 1975 1975 (There are four doors facing the audience. John: Pardon me, Miss, but are you a They are: LADIES, CLOSET, EXIT, prostitute? MEN.) Patsy: No. I’m a clerk typist...
Journal Article
Theater (1992) 23 (2): 36–40.
Published: 01 May 1992
...Susan Jonas Copyright © THEATER 1992 1992 IRONDALE: OPENING DOORS AND WALKING ITHROUGH THEM SUSAN JONAS ulti-culturalism...
Journal Article
Theater (1988) 19 (2): 5–20.
Published: 01 May 1988
..., and the driver who has spent eight hours at the wheel. When they reach another village, the maestro is guided to a rest house, which is actually no more than a room. He says, ‘Thank you very much,’ and shuts the door behind him. The Indians are left staring at the door, wondering where they will sleep that night...
Journal Article
Theater (2004) 34 (2): 73–103.
Published: 01 May 2004
... the entrance hall The crane silent, their faces empty. The stairway comes to an is here. end. There is a door in front of maksim. It is open; a felt boot stuffed in the crack keeps it ajar. There is The woman in the black shawl goes over to the a mirror hanging inside opposite the door. A red window...
Journal Article
Theater (1984) 15 (3): 61–65.
Published: 01 November 1984
... idol; Nora kneels to beg help from ample, call for a box set with four doors and sionary and gripping. The full-bloodedness Torvald, and is spurned into a balletic an atticful of furniture and knicknacks. Bar- of this performance feels precisely true to the posture like that of a rejected...
Journal Article
Theater (2012) 41 (3): 69–99.
Published: 01 November 2012
... walks. Of course, that would be the way he would take. In the middle of the road, right opposite our windows, there was a small house. Something would always howl and bang rhythmically over there . . . and it would never stop — night or day. The rusty metal doors leading to the interior...
Journal Article
Theater (1973) 5 (1): 66–107.
Published: 01 February 1973
.... At the back, center stage, a double door which opens onto the stage (the right leaf is secured by an exte- rior fitting). This door leads to a vestibule, at the back of which, facing front, is the front door leading...
Journal Article
Theater (1975) 7 (1): 30–55.
Published: 01 February 1975
..., FANTOMAS and HELENE squeezed into a small room) MAX: Thank you for paying my hotel bill. FANTOMAS: I hope you've enjoyed your stay. (A door opens and M. GASTON crosses.) VOICE: (tape 3) The gentleman criminal, Monsieur Gaston, and his well-known whirling walk of terror. MAX: (pause...
Journal Article
Theater (1993) 24 (3): 49–60.
Published: 01 November 1993
... face floats above the entryways: a funhouse door and a turning barrel. As you are about to enter, the Angel changes into a Devil: leathery claws emerge from the wings, the eyes spin into red spirals, a great tail rises up behind the head, and a black forked...
Journal Article
Theater (1970) 3 (1_Film): 50–59.
Published: 01 November 1970
... wall, ceiling, furniture). There is a large banging on the door. She fluffs hair, puts window, and through it a full moon can out cigarette, checks her watch, tidies up, be seen, beaming on a distant riot. There turns down T. V. She turns the door han- is noise. All...
Journal Article
Theater (1996) 27 (1): 35–64.
Published: 01 February 1996
... waist and a revolver in his A telephone. hand. He checks it is loaded andputs it A large bouquet ofjowers. under his pillow. Two doors - one is the entranceporn...
Journal Article
Theater (2003) 33 (2): 27–47.
Published: 01 May 2003
... large warehouse. yahoo Yes, you will. shy boy ( pointing toward a side door ) It’s over They both laugh nervously. there . . . cool. Hey, look, you stay here, see ifthe security guy...
Journal Article
Theater (1969) 2 (2): 31–39.
Published: 01 May 1969
... Could. But I guess he's doin' some crawl- against the wall.) in' if he's a roach with any sense. (Silence. The sound of a door opening, You stay over there! You can scratch shutting; then the close crack of gun- your...
Journal Article
Theater (1986) 17 (3): 63–88.
Published: 01 November 1986
..., 1911. A boardinghouse in Pittsburgh. characters have. BERTHA isfive years hisjunior. Artistic Director At right is a kitchen. Two doors open off the Marriedfor over twenty-fiveyears) she has learned houi presents kitchen. One leads...
Journal Article
Theater (1969) 2 (2): 40–55.
Published: 01 May 1969
... at a table eating breakfast): Keep the door closed. You're letting all the warm air out. MARGARET: Oh, she's adorable. BERTHA: Close the door. You're letting all the warm air out. Come here, Martha. MARGARET: That's my name. BERTHA: Martha! Come here...
Journal Article
Theater (2005) 35 (2): 27–29.
Published: 01 May 2005
... also a member of a small coven of women who regularly communicate with the holy family, mainly through what the surrealists used to call “automatic writing.” When my Mom says she spoke to “Mary” the other day, I really don’t know if she means the nice woman who lives next door, my dead step...
Journal Article
Theater (1975) 6 (2): 35–44.
Published: 01 May 1975
... why they say yes Many will never confront the question, and many More will say yes to the wrong thing. Therefore: What you must learn above all else is why you say yes. Curtain up. Stage center is a door, which divides the playing...
Journal Article
Theater (2022) 52 (1): 5–13.
Published: 01 February 2022
... arrived at our door. Covered in dirt and twigs, leaves were hanging from her skirt and her hair stuck out in every which direction like some kind of Another one of those near and faraway sounds. tituba clocks it but continues. And, um . . . when she made it to our door I open my eyes because I hear...
Journal Article
Theater (1999) 29 (1): 26–43.
Published: 01 February 1999
... of entrapment spreads throughout the painting. The garden wall is long and high, broken only by a small black door, which presumably opens onto another enclosed space. A ladder can be seen on the other side, leaning against an adjacent building, but it seems to lead nowhere and is almost squeezed out...