...John O'Neal; Ron Castine; Glenda Lindsay Copyright © THEATER 1992 1992 DON’T START ME TO TALKING OR I’LL TELL EVERYTHING I KNOW SAYINGS FROM THE LIFE AND WRITINGS OF JUNEBUG JABBO JONES by John O’Neal...

...Alexandra Ripp © 2017 by Alexandra Ripp 2017 Teatro de Chile’s Cristo, Sala Patricio Bunster, Santiago, 2008. Photo: Álvaro Benitez Alexandra Ripp Don’t Feed the Animals Manuela Infante and Teatro de Chile’s Zoo Before they had even graduated from university, Manuela...

...Georges Feydeau; Christopher Ostergren, translated by Copyright © by yale/theatre 1973 1973 Don't Walk Around Stark Georges Feydeau Translated by Christopher Ostergren...

...Fred Rue Jacobs Copyright © by yale/theatre 1970 1970 DON'T KNOW SIC'EM FROM SOOEY A Drama in One Scene by Fred Rue Jacobs (for Robert Graves) Cast see it now. . . the burning. . . it looks American...

...Rustom Bharucha THE MAESTRO IS TIRED. HE'S MILDLY ANNOYED that there's no air-conditioner in the car, but his Indian friends don't seem to notice. They are used to the heat. They take him to a remote village, but the maestro is not impressed by the dances performed specially for him...

.... Her characters do tend to drive each other to emotional extremes; they do put their sexuality up front. But they are basically trying to understand their own identities in a world where they don't have a place. In 1990, Hughes was touring in World Without End, a monologue inspired by the death of her...

.... CATE You all right? IAN Aye. Spaz. IAN It’s nothing. CATE No he’s not. Hepours himselfanothergin, this time with IAN Glad my son’s not a Joey. tonic, ice, and lemon, and sips it at a more Don’t c- call...

... MEMPHIS: Don’t bring up that might take me a little while. Her Chops $2.50. Beans and mu.s 65$. woman to me. I ain’t heard from her. I wants might be too big for my pocket The lights come up and MEMPHIS, the know where she at. She up her but I work it out and come up...

...Robert Patrick Copyright © by yale/theatre 1969 1969 SEE OTHER SIDE by Robert Patrick See Other Side was first performed at the Old somebody else's game. I know you don't Reliable Theatre Tavern, New York, in March, want me to be that, Mom, that's why I 1968. The production...

... with houses. ain't seen it yet. All that old mumbo jumbo Ethan Ruber From the deep and the near South the sons and nonsense. I don't know why I put up with it. Production Stage Manager daughters of newly freed African slaves wander...

..., marko Yes, she was, I know. there is dirt in the street, in and around the dumpster, around the parked cars, expensive with zoran And I know she wasn’t. temporary plates. The garbage men have been on So why don’t you go and ask her. strike for a week, the dogs are wild but some are Where is Mama...

... me, he wouldn’t take his hand out of me. I was stuck on his wrist like a puppet. amber Here, take him. I ate all the fur off He made me do little fi nger dances and bad when I was little. I don’t need him any more. magic tricks. Finger language of the dead, he He’s naked. called it. Th e vomit...

... don't have skin. Dogs have fur. Dogs don't have skin. MARGARET: Of course dogs have skin. I had one once. That‘s how much you know. I can feel the skin under her hair. BERTHA: Humans have hair. Whatever you feel, it’s under her soft fur, not under her hair. MARGARET: I...

.... I’m overtime. Don’t say that. What? Overtime is when you make time and a half. 110...

... thought I’d let you know. boy b You’ll sleep tonight, chief, you’ll see. boy a Oh, no. boy a I don’t sleep anymore. boy b Because you can’t bear to see blood. boy b...

.... Playwright: Well, for one thing, it reads like fiction. "I'll die without them," repeated a second-year actress who had learned their Critic: What do you mean by that? kind of loving. Playwright: I mean, I don't...

..., a pile of lumber, and other fence engqed in conversation. TROY isjiy-three yens ting? Told him, What’s the matter, don’t I building equipriwnt set off to the side. Op- old. A large man wih thick, henvy had, it u thk count? You think ordy white fellows got posite is a trec from which hangs a ball...

... of thousand dollars on a weekly basis. I frankly don't want to do musicals. From an administrative and managerial point of view, they're always fun because there's so much activity. But the economics of it are just too appalling. The waste is outrageous. So much...

.... 67 calderón carla I don’t know. I think we should have francisca I’m sorry, (to macarena) had more of a debate. Alejandra, but you can’t expect us all to think the same. That’s mind control. francisca Debate...

... got, Doakef? Where Willie. that funny. your bottle? Me and Lymon want a DOAKER: Berneice don’t like all that LYMON: They don’t need fixing. All you drink. hollering now. She got work in the got to do is pump them till...