...A.M. Nagler 89 Don Giovanni in Our Century A.M. Nagler This "opera of all operas" (E.T.A. Hoffman), looks back on a sun-gilt palace facade against an intense blue sky. In front of it, stage career (first smooth, then rough) of 200 years...

...Kristin Johnsen-Neshati Copyright © THEATER 1991 1991 MYTH AND HISTORY IN EDUARD RADZINSKY'S DON JUAN'S SEQUEL KRISTI N JOHN SE N -NESHATI n a recent...

... sing: Don Juan Dudgeon JANE that curmudgeon You always get your way. This time you’re not. People like you, people who end all killed his wives their arguments with the word “because”. .. his...

... around women and the presentation of the female body: Eve Ensler's The Vagina Monologues , Janet Jackson's “wardrobe malfunction” at the 2004 Super Bowl, Don Imus' defamatory comments about the Rutgers women's basketball team, and the play My Name is Rachel Corrie , compiled from the late activist's...

.... travestied Don Giovanni to France,2 as if in The unexpected lightness propels the arm of pugilistic response to critic Catherine the innocent grabber uncontrollably up- Cle‘ment’s lament that opera has always and wards...

... good time for anybody. mal What was your time? mar Oh, no. mal C mon. mar 7:30. mar There are several things you don t realize today. Like how you re angry at a 15:07 time. mal aaagh! Why d you bring it up again? mar Because it s hanging. It s hanging up there, Malcolm. You didn t drop it. mal...

.... Already present is the cafe’s owner, Don Alfonso. So are two cafe regulars, Guglielmo and Ferrando, who are sing- osi Fan RLtte...

... and actors. Lean into the magical and lean into how you interpret it. Don t think you need to somehow create exact physical representations of it all. Hundreds of colors meld into a lightshow that lives and breathes. It s soft and lovely. The voice takes on a seriously epic tone. I always imagine the voice...

...Daniel Alexander Jones © 2021 by Daniel Alexander Jones 2021 Aten music video collaborators film in Los Angeles, 2021. Courtesy of Daniel Alexander Jones Daniel Alexander Jones The Heal ing R o om Walk together children Don t you get weary Walk together children Don t you get weary Oh, talk...

... don t get funded in the way that predominantly white organizations do, we had to think about who is the funder who would come in to allow us to get back up to capacity. So we wanted to make sure we kept our staff because they mean a lot to us as individuals. They are part of the family that we have...

... isgiving way . . , Not with pills, not with I.U.O.s, not with and . . . it's crashing! It is crashing to the abortions. pavement leaving a gutted ruin. We will have a slow motion instant replay of that THIEF: Oh, bitch, oh bitch . . . don' prat. for you, folks. Be sure...

... than the Trade Towers collapsing. We in theater can choose to engage with the great issues I don t mean civil defense issues, I mean ethical and spiritual issues or to withdraw and schedule conso- lation pieces for our audiences. The theater has often done well in twentieth-century America trying...

... for This shouldn t sound so formal, Hector. I don t want to scare you or anything. The project here is, well, it seems you know a whole lot. We d like to help put that knowledge to use. I d like to help. You can reach me at Please, find me when you can. A voicemail message tone. Audio Transc r ip t 1 An interlude...

... was the youngest and could escape. I hid Editor s note: behind a pair of fern bushes. Yes. I am a Compassion We hear the sound of rain. consolate sipérius witness. I saw how my parents were gunned addresses sensitive is sitting at a desk with a sound board on the far down by machine guns. I don t remember themes...

... Moliire and Brecht to the Brecht Company’s audiences. Every performance is followed by a post-play discussion for all those interested in pursuing issues or The Brecht Company’s poster for Don Juan shows Molihe stan- thoughts raised by the play. The programs provide a generous ding alert, gazing...

..., the listening and responding and readjusting is essential. May we never get so busy again that we don t make time for necessary conversations. May we never get so comfortable that we don t keep checking in with each other. May we never forget that working together is vulnerable and intimate and requires care...

.... Again. Drifting off any minute now . . . Long nights like this. Weeks. Months. Insomnia, he learns, has many causes. Night becomes a sad hallucinogenic roller coaster. Something is very lost. A younger person enters (hw). He is high winds s dream- image of himself. hw Maybe I don t need sleep. Maybe don...

... in order to really live and create in a way that is generative and just. nomy lamm I love everything that you re saying. I was thinking about how we don t use the term care work that often in Sins community, but it is a term that s getting used in the Disability Justice community. I usually just think...

... 22 Feel free to intervene and re- direct the conversation to what you re interested in. susan exits stage as though ‡ddling with light switches. susan Because I don t know you. You can interrupt to tell me you want more of this, less of that . . . stop me. Where did you get those shoes? How did we...

...: For the audience After a little while, one appears. Their manner is very direct, casual, simple. one Hello. Welcome. My name is X. I ll be the first person you meet today. My friends will join me a little while later. We re a good bunch, overall. You don t need to worry. We know what we re doing most of the time...