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Journal Article
Theater (1984) 15 (3): 37–48.
Published: 01 November 1984
.... 37 38 A Long Day’s Dying: Ingmar Bergman’s Dom Juan Frederick J. Marker and Lise-Lone Marker At regular intervals, Molsre’s Dom Juan Malmo in 1955, and then ten years later for idea of taking a play and making...
Journal Article
Theater (1980) 11 (3): 73–81.
Published: 01 November 1980
... This psychoanalytical reading - with Moliere the subject of his Femmes, Le Tartuffe, Dom Juan, and Le Misanthrope, which was own plays and women their object - gave Vitez the first working originally created at the 1978 Avignon festival, is the Hernaniofre• title for his project: "Torture by Women and the Triumph...
Journal Article
Theater (2022) 52 (3): 118–127.
Published: 01 November 2022
... essentially rehearsals of Doña Elvire s monologue in act 4, scene 6 of Molière s Dom Juan. In the play, the actress s name is Claudia, whereas in the transcription of the lesson her name is given as Irène. As with Konstantin Stanislavski s lesson books, beginning with An Actor Prepares, student names were...
Journal Article
Theater (2022) 52 (3): 8–19.
Published: 01 November 2022
... they want things to fit and I m interested in what fits and what doesn t fit what makes sense and what doesn t make sense, what s interesting and what s not interesting. Lester Ashley Tata is a lso liv ing w ith Molière. She s in rehearsals for a production of Dom Juan premiering in summer 2022. Ashley...
Journal Article
Theater (2022) 52 (3): 66–79.
Published: 01 November 2022
... to the resounding success of play. She writes for Molière in 1665, at the time of the Dom Juan affair, and she s apparently writes about him in 1672, at the time of The Learned Ladies. She remains the only woman of letters whose composition was performed by Molière s company (aside from Madeleine Béjart and her...
Journal Article
Theater (2019) 49 (3): 119–131.
Published: 01 November 2019
... crimes against reality. To acknowledge reality is to remain reliant on the bedrock of fundamental free- dom that is understood to have formed this nation- state. This is understood by indi- viduals and institutions that help support the reproductions of this idea. But your free- dom may impinge on my...
Journal Article
Theater (1983) 15 (1): 8–11.
Published: 01 February 1983
... ( 1979 ), Sociocritique (Paris: Nathan). Duchet , Claude , and Gaillard François ( 1976 ), “Introduction: Socio-criticism” Sub-stance , (15). Francastel , Pierre ( 1970 ), Etudes de sociologie de l'art (Paris: Doenoël). Giraud , Alain ( 1973 ), “Sur Dom Juan de Molière...
Journal Article
Theater (2022) 52 (3): 128–135.
Published: 01 November 2022
... if MOLIÈRE did not exist? A case in point: when in 1665 Molière staged his own version of the Dom Juan story, Le Festin de pierre, two tragicomedies with the same title and on the same topic (by Dorimond in 1658 and de Villiers in 1659) had been acted in Paris, in addition to an Italian comedy, Il convitato...
Journal Article
Theater (2002) 32 (3): 26–27.
Published: 01 November 2002
... stuttered about the human face of socialist realism.3 The Biennale was in fact completely dom- inated by Russkies and it seemed to me at times as if they were participating in one of the former gatherings of peace pigeons.4 My contact with the Russians was difficult; the ones from Paris spoke only...
Journal Article
Theater (2004) 34 (1): 125–127.
Published: 01 February 2004
.... A major playwright’s place in the general theatrical consciousness sel- dom rests so squarely on the shoulders of a single play as Calderón’s does on Life Is a 125 davis Dream. Rather, an impression of greatness—or at least...
Journal Article
Theater (2002) 32 (3): 27–29.
Published: 01 November 2002
... to be and not to be, and a few young people from the country, who laughed a lot when Czech philosophers stuttered about the human face of socialist realism.3 The Biennale was in fact completely dom- inated by Russkies and it seemed to me at times as if they were participating in one of the former gatherings of peace...
Journal Article
Theater (1998) 28 (3): 108–110.
Published: 01 November 1998
... the moving dance really mean “nothing other than that free- body from society, and reduces dance to an indi- dom and ecstasy depended entirely on the per- vidual expression. Toepfer views choreogra- fect exposure, the unclothing of technical phers, teachers, and dancers as protagonists. He devices...
Journal Article
Theater (1979) 11 (1): 98–100.
Published: 01 February 1979
... that neglects sense of semi-rehearsed, comic anarchy. the immediate, everyday needs of people. Gestures by the actors were far from ran- A few zealous preachers wielding dom, however; every last blissful smile...
Journal Article
Theater (1981) 13 (1): 51–54.
Published: 01 February 1981
... 51 Left: London production of Portrait of Dom, 1979. and accusations leave them unruffled. By play’s end Dora Above: Benmussa’s Albert Nobbs in London. dismisses her doctor; it is January 1, 1900. At play’s end...
Journal Article
Theater (2016) 46 (3): 127–131.
Published: 01 November 2016
... of peripheral societies like South Korea and Japan respond to dom- inant ideologies and value systems that, even if disguised beneath apparently innocuous cultural manifestations such as baseball, are ultimately imposed. Some minutes into the girls’ exposition of their “unacceptable” ignorance, a man...
Journal Article
Theater (2019) 49 (3): 107–117.
Published: 01 November 2019
... a viral video of a black femme in hot pink boots doing ‚ips on the sidewalk. I m tired of the devaluation of femme bodies! I don t want to be gay, I want to be a fag- got! I want femme dom tops! Femme dom bottoms! Versatile Femmes! I want femme as protest! I want faggots as power! Glitter as protest...
Journal Article
Theater (1980) 11 (3): 108–112.
Published: 01 November 1980
..., colorful con• text with "seriousness" written all over it because of the Fascist overtones of the period. The right elements for a successful commercial work about the perils of star• dom are present. An imaginative context, full of the stuff of plays, of musicals in par• ticular, has been...
Journal Article
Theater (2001) 31 (2): 128–131.
Published: 01 May 2001
.... But purpose, nudging artists into a “special wis- the tone changes about midway through, when dom” and toward ever more subtle and distilled Burian introduces his own reminiscences and forms of expression. critiques of productions he...
Journal Article
Theater (2000) 30 (2): 164–168.
Published: 01 May 2000
... Gordon Craig. formality. With him resided all energy, free- Ludwig Tieck was revered in England along- dom, nature itself; with the French, only regu- side Coleridge for his knowledge and insight, lation and restraint. and it was he, together with August Wilhelm...
Journal Article
Theater (2004) 34 (1): 5–9.
Published: 01 February 2004
... to interrupt the plot at a ran- Mayer called “Your Big Entertainment Dollar dom moment and win over an audience with at Work for You.” Louis XIV demanded no less...