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Journal Article
Theater (1982) 14 (1): 32-40.
Published: 01 February 1982
...Russell Vandenbroucke Copyright © THEATER 1982 1982 Athol Fugard: The Director Collaborates with His Actors Editor’s note: The following essay is exerptedfiom Truths the Hand Can Touch: The Theatrical World of Athol Fugard...
Journal Article
Theater (1979) 10 (2): 117-122.
Published: 01 May 1979
...Jan Kott; Barbara Krzywicka, translated by Copyright © THEATER 1979 1979 Theater Abroad Prospera or the Director: Giorgio Strehler's The Tempest (Piccolo Teatro di Milano) Jan Kott Right in front of the foot...
Journal Article
Theater (1979) 11 (1): 4-63.
Published: 01 February 1979
... Copyright © THEATER 1979 1979 Misanthrope rehearsal, 1973. 4 INGMAR BERGMAN AS THEATER DIRECTOR A RETROSPECTIVE BY LISE-LONE MARKER AND FREDERICK J. MARKER 5 PREFACE Ingmar Bergman’s long and richly productive ship to Strindberg...
Journal Article
Theater (2002) 32 (3): 13-16.
Published: 01 November 2002
... Kott—peace to his soul and honor to his memory—outlived all his worst enemies. Now only friends are left to threaten him. —Translated by Alice Rebecca Moore Daniel Gerould Kott As Director The least known of Jan Kott’s theatrical activities is his work as a director. Perhaps this is because...
Journal Article
Theater (1984) 15 (2): 4-5.
Published: 01 May 1984
...Jonathan Kalb; Kim Powers; Joel Schechter Copyright © THEATER 1984 1984 AMERICAN DIRECTORS THE...
Journal Article
Theater (1983) 14 (2): 27-31.
Published: 01 May 1983
...Rustom Bharucha; Janice Paran; Laurence Shyer; Joel Schechter Copyright © THEATER 1983 1983 Directors, Dramaturgs and War in Poland: An Interview with Jan Kott Rustorn Bharucha, Janice Paran, Laurence...
Journal Article
Theater (1980) 11 (3): 55-58.
Published: 01 November 1980
...Hansgünther Heyme Copyright © THEATER 1980 1980 Antigone in Calcutta: A Director's Notes Hansgunther Heyme Why art in hell, or more precisely, in Calcutta, where social A directing workshop is held concurrently with...
Journal Article
Theater (2000) 30 (2): 75-81.
Published: 01 May 2000
... Valeria Vasilevski On Concert Theater A Director’s Notes Pioneering a new form or putting a dress on a tree? A group of solemn players disguised as Lutheran ministers enters and takes their seats. The...
Journal Article
Theater (2000) 30 (3): 33-35.
Published: 01 November 2000
... D IE B ÜRGSCHAFT Director’s Notes A pledge, or bond, in the sense of the title of Weill and Neher’s opera, presents an inter- esting combination of relationships. It starts with the premise that something has gone...
Journal Article
Theater (2001) 31 (1): 35-39.
Published: 01 February 2001
... 5/2/01 10:50 AM Page 35 Thomas Irmer Collateral Damage on the German Mind, or, How Young German Directors Became More Involved with the Issue of War During the Gulf War the old means of...
Journal Article
Theater (2002) 32 (1): 72-85.
Published: 01 February 2002
...Robert Brustein; Gregory Boyd; Larry Eilenberg; Laura Eason; Chris Coleman; Peter DuBois; David Herskovits © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Artistic Directors on Criticism Theater invited artistic directors from across the country to examine the state of theater...
Journal Article
Theater (2006) 36 (1): 131-149.
Published: 01 February 2006
.... Photo: Viktor Sentsov Art Is Not for Fear Russia’s New Directors in Conversation Dmitrii Chernyakov, Nina Chusova, Yelena Gremina, Mindaugas Karbauskis, Viktor Ryzhakov, Kirill Serebrennikov Interviewed by Tom Sellar and Yana Ross Translated by Yana Ross The following interviews...
Journal Article
Theater (2007) 37 (3): 87-115.
Published: 01 November 2007
... Yale School of Drama/Yale Repertory Theatre 2007 Compiled and Introduced by Jacob Gallagher-Ross Ibsen Our Contemporary Contemporary Directors on the Playwright’s Centenary Compiled and Introduced by Jacob Gallagher-Ross The year 2006 was the hundredth anniversary...
Journal Article
Theater (1972) 3 (3): 91-93.
Published: 01 November 1972
...Tom Haas Copyright © by yale/theater 1972 1972 A Director's Notes After a Performance of WOYZECK by Tom Haas Woyzeck is meant to be a hallucinatory nightmare. The terror of a concentration camp is where trapped people-like rats-turn on each other to rip, tear, and eat each...
Journal Article
Theater (1999) 29 (1): 4-25.
Published: 01 February 1999
...Gitta Honegger Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 GITTAHONEGGER BEYONDBERLIN, BEYOND BRECHT Ofen bad, Ho r vath,Jelinek, and Their Directors After seeing my sixth Brecht production-Arturo Ui at...
Journal Article
Theater (2015) 45 (3): 89-107.
Published: 01 November 2015
... form an archive of debates. When I stopped working for wnyc, The Performance Club stopped with me, but I was approached by two former members, Inverse Theater’s artistic director Kirk Bromley and the performance artist Leah Schrager, and we...
Journal Article
Theater (1979) 10 (3): 33-39.
Published: 01 November 1979
... in 1971, and the British director Michael Langham succeeded him. Under his artistic direction, the Guthrie Theater stabilized and flourished. When Langham announced he would resign at the end of the 1977 season, an international search for his successor commenced. For the first time during the...
Journal Article
Theater (2008) 38 (2): 9-29.
Published: 01 May 2008
...Andrea Tompa Retracing the movements of Hungarian theater over the past ten years, Andrea Tompa details the rise of Hungary's two most influential independent and contemporary theater directors, Árpád Schilling and Béla Pintér. With the collapse of the Soviet Union, an emergent, internationally...
Journal Article
Theater (2008) 38 (2): 31-69.
Published: 01 May 2008
...Árpád Schilling In this manifesto, Hungarian independent director Árpád Schilling, artistic director of the renowned ensemble Krétakör, articulates his ideas on directing, acting, and Hungary's theatrical tradition and producing structures. He gives examples of theatrical exercises used by...
Journal Article
Theater (2008) 38 (2): 71-75.
Published: 01 May 2008
... In 2006, after nearly two decades of creating distinguished productions, Attila Vidnyánszky, an ethnically Hungarian director from Ukraine, became artistic director of the Csokonai Theatre in Debrecen. Theater critic and historian Nina Király spoke with Vidnyánszky in September 2007. In this...