...Jan Kott; Barbara Krzywicka, translated by Copyright © THEATER 1979 1979 Theater Abroad Prospera or the Director: Giorgio Strehler's The Tempest (Piccolo Teatro di Milano) Jan Kott Right in front of the foot...

... Copyright © THEATER 1979 1979 Misanthrope rehearsal, 1973. 4 INGMAR BERGMAN AS THEATER DIRECTOR A RETROSPECTIVE BY LISE-LONE MARKER AND FREDERICK J. MARKER 5 PREFACE Ingmar Bergman’s long and richly productive ship to Strindberg...

...Russell Vandenbroucke Copyright © THEATER 1982 1982 Athol Fugard: The Director Collaborates with His Actors Editor’s note: The following essay is exerptedfiom Truths the Hand Can Touch: The Theatrical World of Athol Fugard...

... Kott—peace to his soul and honor to his memory—outlived all his worst enemies. Now only friends are left to threaten him. —Translated by Alice Rebecca Moore Daniel Gerould Kott As Director The least known of Jan Kott’s theatrical activities is his work as a director. Perhaps this is because...

...Peter M. Boenisch; Lise Sofie Houe Peter M. Boenisch and Lise Sofie Houe survey the 2018–20 tenure of Swiss director Milo Rau as artistic director of ntg ent, the city theater of Ghent, Belgium. Contextualizing his role and actions within the European city theater system, the authors also examine...

...Jonathan Kalb; Kim Powers; Joel Schechter Copyright © THEATER 1984 1984 AMERICAN DIRECTORS...

...Hansgünther Heyme Copyright © THEATER 1980 1980 Antigone in Calcutta: A Director's Notes Hansgunther Heyme Why art in hell, or more precisely, in Calcutta, where social A directing workshop is held concurrently...

...Rustom Bharucha; Janice Paran; Laurence Shyer; Joel Schechter Copyright © THEATER 1983 1983 Directors, Dramaturgs and War in Poland: An Interview with Jan Kott Rustorn Bharucha, Janice Paran, Laurence...

...Gitta Honegger Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 GITTAHONEGGER BEYONDBERLIN, BEYOND BRECHT Ofen bad, Ho r vath,Jelinek, and Their Directors After seeing my sixth Brecht production-Arturo Ui...

... Valeria Vasilevski On Concert Theater A Director’s Notes Pioneering a new form or putting a dress on a tree? A group of solemn players disguised as Lutheran ministers enters and takes their seats...

... On D IE B ÜRGSCHAFT Director’s Notes A pledge, or bond, in the sense of the title of Weill and Neher’s opera, presents an inter- esting combination of relationships. It starts with the premise that something has gone...

... 5/2/01 10:50 AM Page 35 Thomas Irmer Collateral Damage on the German Mind, or, How Young German Directors Became More Involved with the Issue of War During the Gulf War the old means...

...Robert Brustein; Gregory Boyd; Larry Eilenberg; Laura Eason; Chris Coleman; Peter DuBois; David Herskovits © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Artistic Directors on Criticism Theater invited artistic directors from across the country to examine the state of theater...

.... Photo: Viktor Sentsov Art Is Not for Fear Russia’s New Directors in Conversation Dmitrii Chernyakov, Nina Chusova, Yelena Gremina, Mindaugas Karbauskis, Viktor Ryzhakov, Kirill Serebrennikov Interviewed by Tom Sellar and Yana Ross Translated by Yana Ross The following interviews...

... Yale School of Drama/Yale Repertory Theatre 2007 Compiled and Introduced by Jacob Gallagher-Ross Ibsen Our Contemporary Contemporary Directors on the Playwright’s Centenary Compiled and Introduced by Jacob Gallagher-Ross The year 2006 was the hundredth anniversary...

...Jamil Jude; Sheila Kay Davis; Ty Jones; Guinea Bennett-Price; Ron Himes; Margo Hall; Rebecca Flemister Macbeth, Classical Theatre of Harlem, Harlem, ny, 2016. Photo: Richard Termine Interviews Mor e Than a Spac e Conversations with Artistic Directors of Black Theater Companies Jamil Jude...

...Chela De Ferrari [email protected] © 2023 by Chela De Ferrari 2023 Chela De Ferrari s Hamlet, Teatro La Plaza, Lima, Peru, 2019. Photo: Dante Rossi Chela De Ferrari Our Year of Hamlet A Director s Introduction To speak of our Hamlet, I must introduce Teatro La Plaza, the venue...

...Tom Haas Copyright © by yale/theater 1972 1972 A Director's Notes After a Performance of WOYZECK by Tom Haas Woyzeck is meant to be a hallucinatory nightmare. The terror of a concentration camp is where trapped people-like rats-turn on each other to rip, tear, and eat each...

..., The Performance Club stopped with me, but I was approached by two former members, Inverse Theater’s artistic director Kirk Bromley and the performance artist Leah Schrager, and we relaunched. The Club was always considered open, so that anybody could be a member...

... in 1971, and the British director Michael Langham succeeded him. Under his artistic direction, the Guthrie Theater stabilized and flourished. When Langham announced he would resign at the end of the 1977 season, an international search for his successor commenced. For the first time during the Guthrie's...