... of overwhelming irrationality. She concludes by meditating on the potential power of the digital sublime in art to resist contemporary forms of stuplimity, especially in politics, that threaten to psychic health, public discourse, and civilization at large. Copyright © 2018 Yale School of Drama/Yale Repertory...

... time, media scholars working in interactive art and digital technologies have similarly challenged prior definitions of participation, engagement, and spectatorship. As Katja Kwastek argues in Aesthetics of Interaction in Digital Art, “If presence can be applied both to objects (including...

...Matthew Wilson Smith Smith considers Robert Lepage’s recent high-tech production of Wagner’s Ring cycle at New York’s Metropolitan Opera, as a digital-age extension of the modernist aspiration—incited by Wagner—to create the total work of art. © 2012 by Matthew Wilson Smith 2012 Das Rheingold...

... 2018, with other presentations in Buenos Aires, Mexico City, Edinburgh, and throughout Canada. The final ten-e­ pisode English-­language version of asses.masses premiered in Kingston, Ontario, at the Festival of Live Digital Art in June 2023. In September 2023, asses.masses ran for three consecutive...

... to present work in their exhibition. In collaboration with another digital art collective, sugges- tively titled epidemiC, the duo decided to create a computer virus, which they would unleash from the exhibit hall on the exhibition’s opening day and send coursing through computer networks around...

... on the compound and dancing with John D. Rockefeller Jr., to meeting with the archivists, art collections manager, the preservation and conservation team, the digitization team each person scans three thousand documents a day, stealthily singing Palestinian songs at the delegates hub from behind a mask...

..., photogra- phy, and digital arts, for a more comprehensive view of contemporary art practice. When we started PAJ what constituted the field of theater was vastly more circum- scribed than it is today, and the new arts require forms of critical writing that few are trained for. With all our...

... was designed to compensate for a lack of documentation and to keep perfor- mance art “alive Reperformance, Reenactments, and Documentation These ubiquitous digital displays invited direct comparison with the live reenactments. Viewing a digital video or photograph of the original performance, I...

... and Media Theatre and Performance in Digital Culture: From Simulation to Embeddedness by Matthew Causey 2006: Routledge Entangled: Technology and the Transformation of Performance by Chris Salter 2010: mit Press The theater, if it is to survive, must do what it does best — what only it can...

... genre, as producers large (like National Theatre Live) and small (Yes Let’s Go Productions’ durational The Godot Cycle, 2011) digitally broadcast video to cinemas and arts centers or to websites.35 (Indeed, as mul- tisite telematic and transmedia performance forms proliferate, a single recorded...

... and Differentiations of Mobility,” in Mobile Technologies of the City, ed. Mimi Sheller and John Urry (London: Routledge, 2006), 177 – 78. 5. Critical Art Ensemble explores the generative aspects of digital age hackers in Digital Resistance and Electronic Civil Disobedience (Brooklyn, ny...

..., like a canon. When I got a second when lots of art school dropouts were forming digital delay machine, I wanted both of the interesting bands doing ambient music—back delays to sing together, but I couldn’t get them when it was really ambient...

... People Among People For the protection of good Thrusting Back Evil And putting Virtue On her seat again Lincoln Center, watercolor with digital manipulation, 12 × 28 in., 2019. Courtesy of the artist fischer 64 Mic Check! And who was leading the chant, from the streets, but Glass This is art without...

... to corporations for evermore targeted marketing campaigns — in exchange for sensations of digital con- nection and communion and new forms of self-­knowledge. For some, the intensified scrutiny is productive, even beneficial, allowing us to track steps taken, movies viewed, calories consumed, minutes...

... that’s hap- the help of the nyu digital telecommunica- pening. So our notion of the story of this place 58 it’s the art in concert w i t h is so rich and diverse. The history of music in New Orleans...

... to rigorously document their methods and outcomes in an attempt to present performance as a legitimate player in the knowledge economy. And with changing publics and an ever- expanding digital mediascape, documentation has been an indispensable strategy for artists and arts organizations to experiment with new...

..., London, 2003. Photo: Hugo Glendinning Up Front Digital Feelings Miriam Felton-Dansky­ and Jacob Gallagher-­Ross Like its predecessor, the 2012 “Digital Dramaturgies” issue (Theater 42, no. 2), this spe- cial issue of Theater focuses on new forms of performance arising in response...

... and possibilities of digital publishing and social media on arts writing. Those of us in the practice or profession have heard these debates often, having been told for the past decade that “everyone’s a critic” now that everyone can post their opin- ions online, and that print or “legacy” media face imminent...

... and possibilities of digital publishing and social media on arts writing. Those of us in the practice or profession have heard these debates often, having been told for the past decade that “everyone’s a critic” now that everyone can post their opin- ions online, and that print or “legacy” media face imminent...

... Field (2015) with Jennifer Theater and was a coeditor of Theater’s 2012 Parker-Starbuck and David Z. Saltz. Her “Digital Dramaturgies” issue. His writing has current project is “Digital Historiography appeared in Theatre Survey, TDR, PAJ, and Performance...