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costume

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Journal Article
Theater (2007) 37 (2): 102–109.
Published: 01 May 2007
...Marina Kotzamani Yale School of Drama/Yale Repertory Theatre 2007 Red: An Exhibition of Theater Costumes from the Eighteenth to the Twenty-First Century 
 curated by Christian Lacroix
 Palais Garnier, Paris
 October 2005 - January 2006 P roductions Marina Kotzamani Red...
Journal Article
Theater (1981) 13 (1): 22–25.
Published: 01 February 1981
...Robert Hurwitt Tingeltangel by Karl Valentin was performed Thursday through Sunday, May 13 – June 28 at Berkeley Stage Company, 1111 Addison Street, Berkeley. The four sketches were translated by Sue-Ellen Case and Roswitha Mueller, directed by Case, with set design by Ewald Hackler, costumes...
Journal Article
Theater (2007) 37 (2): 110–116.
Published: 01 May 2007
... roductions Marina Kotzamani Red: An Exhibition of Theater Costumes from the Eighteenth to the Twenty-First Century curated by Christian Lacroix Palais Garnier, Paris October 2005 – January 2006 Always remember that fashion becomes costume, that a theater costume must regain the liveliness...
Journal Article
Theater (2023) 53 (3): 110–120.
Published: 01 November 2023
... changing his long-­time collaborator, Taylor Mac, onstage during their legendary 2016 show A 24-D­ ecade History of Popular Music. As I slip into the group, Machine regales us with the tales of each of the show s costumes, pointing out key details: faded streamers (picked up from the sidewalk in Brooklyn...
Journal Article
Theater (1992) 23 (2): 82–87.
Published: 01 May 1992
... the same eight minutes of choreo- graphed movement three times to original music composed by Scott Gilman: “Part One” in a woman’s outfit, “Part TWO”in a gender-neutral costume (sweat pants and sweat shirt), and “PartThree” in a man’s three-piece suit. Transcending the limits...
Journal Article
Theater (1985) 16 (3): 85–89.
Published: 01 November 1985
... of the “male ideal,” has cunn- was mainly on trying to create and to im- It was out of the answers to this last ques- 86 tion that the overall conceptualization of our the world’s most successful pugilist, costumes, which turned out to be tremen- production evolved. And not just the concept gladiator...
Journal Article
Theater (1978) 10 (1): 63–65.
Published: 01 February 1978
... began in April realistically costumed and moved in the acters, even those usually considered in• with a production of the play at his home...
Journal Article
Theater (1977) 9 (1): 87–90.
Published: 01 February 1977
... chairs lined along the backstage wall. Behind them, run- ning the full length of the wall, stood a rack of costumes. Coats, hats, sashes were changed- in full view of the audi- Danton (Schall, center) gets dressed...
Journal Article
Theater (1992) 23 (1): 54–57.
Published: 01 February 1992
... with the dramatic event to become elements of her playwrights, scene and costume designers, composers, technique. choreographers, actors and pupils. The approach led Graham describes her technique as “that stage planning Graham to a dance production process akin to theatrical...
Journal Article
Theater (1977) 9 (1): 6–49.
Published: 01 February 1977
..., and the costume laborators would take in Berlin. The emphasis was on demo- designer Susanne Raschig. In addition Dieter Sturm joined cratic participation in the artistic and technical processes. him to do the dramaturgical work for The Changeling. The theater work was to be distributed among production...
Journal Article
Theater (1971) 3 (2): 39–47.
Published: 01 May 1971
..., and here again the lavishness of the gestures, the make- Lavelli: I paid particular attention to up, the costumes enhance the ostenta- the text, to the costumes, to vocal tious and lascivious climate. Chastise- intonations, and to the tableaux of ment takes on the form of sickness: course...
Journal Article
Theater (1982) 13 (3): 53–59.
Published: 01 November 1982
...- dience never sees: getting into costume, telling the inevitable backstage stories, etc. We see an actress in the process of becom...
Journal Article
Theater (1987) 18 (2): 5–13.
Published: 01 May 1987
.... from a performance, in full costume and Where a daguerreotypist might sell a make-up? Since the cdv, in its earliest few thousand images a year, the carte- period, presented the subject full- de-visite could be sold...
Journal Article
Theater (1968) 1 (1): 114–115.
Published: 01 February 1968
... Cleopatra was a QUEEEN, I mean, a 00." real, queeenly QUEEEN. Now a QUEEEN wouldn't let her costume get all filthy His Wife (very small voice): Oh. like that. I just couldn't keep my eyes off that cheap little red dress. Why, she Fadeout as the management brings...
Journal Article
Theater (1983) 15 (1): 87–91.
Published: 01 February 1983
... in funny costumes, many of them recognizable as members of the community. The thump of marching bands blots out the white noise of the city. A clown tightrope-walks the dotted white line down the middle of the road; as he teeters and then recovers from a near fall, the gathering crowd...
Journal Article
Theater (1981) 13 (1): 76–82.
Published: 01 February 1981
... Tanya did costumes, with ed to build a building and fit all the offices think we are concentrating more on people, all the appliquCs. and people into it, whether it was painterly on individuals’ relations to each other; and Greenwood: Although I think it may have or sculptural...
Journal Article
Theater (1977) 8 (2_and_3): 66–77.
Published: 01 May 1977
... that otherquuldy was there too. Yes - a bird, a dog, children - . It’s amazing. Did you design the costumesfor the Trilogy and The Good Woman yourself! We’ve been experimenting with costumes, and I finally came up with what you saw. It’s a real question what costumes in the theater should...
Journal Article
Theater (1970) 3 (1_Design): 33–37.
Published: 01 November 1970
... emptied six or seven large black cases until the floor around us was covered with a crazy quilt of his scene and costume designs ranging in time from his first days at Yale, in the mid-fifties, through last summer. They appeared in no chronological or categorical order, a drama school project...
Journal Article
Theater (1983) 15 (1): 64–67.
Published: 01 February 1983
... at the masquerade ball in the her parents, and, as usual, will sit down on a hand into her bosom. Albertine is aroused in castle of Himalay and reveal the terrifying bench. Count Charmant cannot sit down her sleep: from now on she wants nudity. costumes of the past. The rebellious Lackeys next to her because...
Journal Article
Theater (1978) 9 (3): 88–90.
Published: 01 November 1978
... into a central mass of bodies with as Grusche, Halo Wines (in mask) as Natella, and Mark Capponi as Michael. one or two isolated figures positioned in the comers (as in the wedding scene). Again It is in his elaborate costume designs that tion are swamped by the sheer extrava- and again, peril...