...Karen Lordi Copyright © THEATER 1992 1992 EDUCATION IS THEATER’S CORNERSTONE KAREN LORD1...

...Michael John Garcés; Sonja Arsham Kuftinec In this interview, playwright Michael John Garcés discusses Los Illegals , his 2007 play about undocumented workers in Los Angeles. He describes Cornerstone Theater's process of working collaboratively with local immigrants to develop the play as well...

...Karen Lordi Copyright © THEATER 1991 1991 IAN INTERVIEW WITH BILL MUCH KAREN LORDI nterviewing Cornerstone’s artistic director means...

... © 2001 by Yale School of Drama/Yale Repertory Theatre 2001 Theater 31.3-08 McCauley.sh 10/16/01 11:32 AM Page 108 The House on Walker River, Cornerstone Theater Company’s 1988 adaptation of Aeschylus’s Oresteia, at the Walker River Paiute...

...Sonja Kuftinec; Tim Miller; Bill Rauch; David Román © 2003 by Yale School of Drama/Yale Repertory Theatre 2003 Cornerstone Theater and Touchstone Theater’s coproduction of Steelbound, by Alison Carey, an adaptation ofAeschylus’ s Prometheus Bound . Bethlehem, Pennsylvania, 1999...

... of Lengths: Seven Works of Marathon Theater Cornerstone Theater Company. He is a will be published by University of Michigan recipient of the Princess Grace Statue and the Press in fall 2011. Alan Schneider...

.... of the University of The book’s structure draws from the authors’ proposed framework for “strate- Chicago Press gic design,” which lives in the tension or alignment among four cornerstones: mission, community, funding, and operational capacity. Arts organizations often seek facil- ity projects to advance...

... skills that come from training and practice. In response, a major strategy has been to create a strong vessel for the communal expression. Cornerstone Theater’s Alison Carey, for example, adapts classical plays to reflect...

... of Galileo’s lifc’s work and a cornerstone of rational science, a cornerstone, that isj of the modcrn worlc!. It is a very Rrechtian irony. The audience sits through three and a half Howard Brcnton...

... of theaters and Chicago. NYU’s Creative Arts Team addresses social schools. The result: individuals and groups are bringing the problems, such as AIDS, through improvisational shows in mountain to Mohammed. city schools; and Cornerstone Theater travels the country...

... as managing Shakespeare Festival. He is currently director of Cornerstone Theater Company, translating Goethe’s Faust for Target Margin associate producing director of the Acting Theatre in New York. In addition to his Kleist Company, and artistic director of Great Lakes translations, he has also...

... Language of Martha Graham,” no. 1, 54-57. Siege, Julie, “The Rise and Fall of Cabaret at Theatre de la Jeune Lune,” no. 3,30-38. -“Education is Theater’s ‘Cornerstone no. 2, 58-60...

... Cornerstone Theater (“Our aesthetic is community-specific, contemporary, multilingual, innovative, and joyful”) or a largely volunteer group like the Ukiah Players Theatre in northern California, which has mounted a series of participa- tory, oral history...

..., and civilization. "As your painting progresses, you're going to be a marvelous proof of the truth of my theories of art," the father was to write to his sixteen-year-old The cornerstone of these theories was the Father's belief in the creative powers...

... even if the critical scrutiny is limited to theater. and its precepts is hitting the performing arts. The European Community’s principle of subsidiarity, Beyond Euphoria the cornerstone of its...

.... Cornerstone Theatre, In practice, focusing on the contemporary means using the sociohistorical context Los Angeles, 1998. of a performance as a starting point for interpretation. Although this is not a new idea, Photo: Román argues that “live performance involves so much more than simply...

.... Cornerstone Theatre, In practice, focusing on the contemporary means using the sociohistorical context Los Angeles, 1998. of a performance as a starting point for interpretation. Although this is not a new idea, Photo: Román argues that “live performance involves so much more than simply...

.... Cornerstone Theatre, In practice, focusing on the contemporary means using the sociohistorical context Los Angeles, 1998. of a performance as a starting point for interpretation. Although this is not a new idea, Photo: Román argues that “live performance involves so much more than simply...

.... Cornerstone Theatre, In practice, focusing on the contemporary means using the sociohistorical context Los Angeles, 1998. of a performance as a starting point for interpretation. Although this is not a new idea, Photo: Román argues that “live performance involves so much more than simply...

.... Therefore the ability to find within oneself the correct motivation for every statement is the cornerstone for any working method; it is also the only guarantee to avoid memorizing'. Only this motivation makes it possible for the performer to exert the essential musical leadership, without which...