Search Results for constance
1-20 of 33 Search Results for
Theater (1 November 1976) 7 (3): 1urang_innaurato–35-durang_innaurato.
Published: 01 November 1976
...Christopher Durang; Albert Innaurato Copyright © by yale/theatre 1976 1976 The Idiots Karamazov by Christopher Durang & Albert Innaurato CAST OF CHARACTERS CONSTANCE GARNETT, translator ERNEST, her butler ALYOSHA KARAMAZOV, the monk...
Theater (1 February 1982) 14 (1): 90.
Published: 01 February 1982
... silence, but it is far more political than Blackstone Studios 47 Beckett has ever been, as it condemns a Constance Brown 78 brutal prison system. DanaDuke 69 The stillness and intensity...
Theater (1 February 1986) 18 (1): 104.
Published: 01 February 1986
... ADMINISTRATION Harold Pinter: Critical Approaches, by Constance Clark, Peter Lang, NY, edited by Steven H. Gale, Fairleigh 1986 (cloth) $35.00. CRITICISM AND DRAMATURGY Dickinson University Press, Cranbury, DESIGN NJ, 1986 (cloth...
Theater (1 February 1976) 8 (1): 86–87.
Published: 01 February 1976
... own quiring an identity and orienting oneself in the speech. (This accounts in part for the continuous world: disintegration of dialogue in Lab Constance.) Handke suggests that the idea of “self-expression...
Theater (1 May 1980) 11 (2): 83–87.
Published: 01 May 1980
... 1961 where he served as an assistant to Across La1ce Constance and Kas/KJr. Has Brecht, and as a director, actor and your work with the Berliner Ensemble, dramaturg. While with the Ensemble, he particularly...
Theater (1 May 1977) 8 (2_and_3): 174–175.
Published: 01 May 1977
...’’ whose genius thrilled an enormous are often touted: The Ride Across Lake Constance audience and will do so as long as great music (Handke), Boesmun and Lenu (Fugard), Older continues to matter. Suffice it to say that, after People (Noonan), Subject to Fits (Montgomery). reading...
Theater (1 May 1982) 13 (2): 63–69.
Published: 01 May 1982
.... It is all very well to read Constance Besides, how can one even conceive of the contrary, they were made primarily to De Jong’s libretto in English translation, ~atyagraha without accepting Gandhi’s undzfluentiute himself from other men. Just but this can only be done before or after the...
Theater (1 November 2001) 31 (3): 31–45.
Published: 01 November 2001
... observed in black churches on they do need a certain privacy and constancy New Year’s Eve, when they have midnight ser- and regularity in order to create. They can’t just vices, and it dates back to December 31, 1862, be out there...
Theater (1 November 1998) 28 (3): 103–106.
Published: 01 November 1998
... Constance Fenimore Woolson, Walter Pater and women together - which Castle terms and Vernon Lee, Virginia Woolf and E. M. “binary portraits” - offer a moving symbol of Forster, Lytton Strachey and Dora Carrington, the cultural bond between gay men and lesbians Ethel Smyth and E. F. Benson, Gertrude...
Theater (1 February 1982) 14 (1): 87–90.
Published: 01 February 1982
... political than Blackstone Studios 47 Beckett has ever been, as it condemns a Constance Brown 78 brutal prison system. DanaDuke 69 The stillness and intensity of Rame’s...
Theater (1 February 1977) 9 (1): 6–49.
Published: 01 February 1977
... gave way quickly to Peter Handke’s eminently Schiller), were rejected by the very class that spawned the bourgeois play, The Ride Across Lake Constance, which Enlightenment and paved the way for such a progressive was anything but meaningful for a socialist revolution if it theater. has...
Theater (1 February 1994) 25 (1): 23–31.
Published: 01 February 1994
...Una Chaudhuri Copyright © Theater 1994 1994 Works Cited Benjamin , Walter Illuminations . Translated by Zohn, Harry. New York: Schocken Books, 1968 . Chekhov , Anton Four Great Plays by Chekhov . Translated by Garnett, Constance. New York: Bantam Books, 1958...
Theater (1 May 1974) 5 (2): 56–65.
Published: 01 May 1974
... members of the audience stage their Constance Carr, Sydney own improvisation. They will invent the theme, cast it, play all the Johnson, Louva Irvine, Tina Bowden, and roles themselves and direct each other. Cards are distributed which many others. say, "If You Don't Like Your...
Theater (1 May 2010) 40 (2): 114–120.
Published: 01 May 2010
... life led toward outward expression. Self-consciousness had perhaps been induced early in the American by the critical scrutiny abundantly accorded him by the older races; and theatrical tendencies in the American character were heightened by a long intimacy with the stage. — Constance Rourke...
Theater (1 November 1985) 16 (3): 85–89.
Published: 01 November 1985
... been staged Theatre X, Milwaukee. Directed by John domination of women (Penelope waiting for recently by several German theaters, the most Schneider, with Constance Mayer as Ulysses at home, knitting) and cannot tolerate Penthesilea, and Tim Hansen as...
Theater (1 February 1993) 24 (1): 87–92.
Published: 01 February 1993
... of a figure who was crucial to Handke’s innovative dramaturgy from the beginning: Ludwig Wittgenstein. Handke’s early plays, notably Oflending the Audience (first staged in 1966), &spar (1968) and The Ride Across Luke Constance (i970), can be seen as dramatic models of...
Theater (1 May 1984) 15 (2): 14–19.
Published: 01 May 1984
... constantly travel all over the world at the 1983. (Photo by Constance Brown) drop of a hat to go to the theater. Maybe it’s for the wrong reasons, but what does it matter? It’s up to theater people to cap- a real way. At first there was just horror on the part of the com- ture that excitement...
Theater (1 February 1984) 16 (1): 68–74.
Published: 01 February 1984
... structure of words and phrases. actors were all miked, and speaker place- fairy-tale figures provide a kind of constancy Although his work has often been discuss- ment separated their rather metallic- within the visual and acoustical scores of this ed as predominantly visual, Wilson himself...
Theater (1 May 1977) 8 (2_and_3): 147–151.
Published: 01 May 1977
... Constance (1973)the characters are known by the “finds the character in himself.” At some point, names of the actors who play them.) then, the role approximates apersana. But in representational acting (and drama) of this kind, A presentational style of acting and produc- the process also...
Theater (1 May 2007) 37 (2): 117–120.
Published: 01 May 2007
... media surreality. Although they have names, the characters, like the setting, are similarly anonymous. Eno deﬁnes them by their rela- tionships to the news program and their proximity to the media mechanism: Frank in the Studio, John in the Field, Constance at the Home, the Witness, and Michael...