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conductor

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Journal Article
Theater (1981) 13 (1): 12–21.
Published: 01 February 1981
...- sees conductor, greets himlher in a Low uoice): KARL: Oh. Well I came from Market mains closed. 7he violinist and two other musi- Good evening. (70 Valentin:) Come...
Journal Article
Theater (1973) 4 (3): 69–81.
Published: 01 November 1973
... their careers in the theater. In the program of a current Broadway musical show, there is a note that its musical supervisor was the first black conductor on Broadway. When we mentioned this to Noble Sissle, he laughingly told us that it was probably correct...
Journal Article
Theater (1975) 6 (2): 9–17.
Published: 01 May 1975
... the dramatic credibility cannot be accom- plished and the audience cannot participate. And what does musical leader- ship mean? Not just knowing the music well enough to become independent from the conductor, but motivating the instrumental portion. 'Specifically, Felsenstein is campaigning against...
Journal Article
Theater (1979) 10 (2): 117–122.
Published: 01 May 1979
... of a tradition and its deliberate Later he decided not to show it. Only at opera conductor's baton; the book of repetition. Strehler's spectacular Tempest rehearsal - and this was one of the most magic spells from the Renaissance library was performed almost precisely in accor• beautiful "theatrical moments...
Journal Article
Theater (1981) 13 (1): 6–11.
Published: 01 February 1981
...-Ellen , , Case . . . as he thought on his young life, war played the conductor and Valentin the first and death . . . he portrayed, in the simplest violin is t . Karl...
Journal Article
Theater (1994) 25 (1): 72–77.
Published: 01 February 1994
... stance. Staging clichks are repeated ad nause- the troubled new opera house on Amstel am. Obsession with bigness and a pathology around and, working with an international of power, ostentatiousness, and narcissism league of singers and conductors, consistently...
Journal Article
Theater (1973) 4 (3): 15–19.
Published: 01 November 1973
... that the first duty of a professional critic was to respect the instincts of creative genius. It was also the critic's duty to expose performers who lacked this respect. After a bad rendition of Beethoven's Eroica by Sir Charles HalIe, Shaw criticized the conductor's lack...
Journal Article
Theater (1999) 29 (2): 108–129.
Published: 01 May 1999
... dirty to them wasn’t a cloud in the sky. or, what was worse, invisible. Only the conductor moved, handing her a ticket with- MOTHER Ah yes, the weather. out waiting for instructions, and said lethargi- SON...
Journal Article
Theater (1999) 29 (2): 159–161.
Published: 01 May 1999
... to “the Galician-born guru’s’’ of Chekhov’s characters. Thus the book‘s anal- Three Sisters and Geraldine Page’s Olga, com- ogy of “an orchestral piece to be interpreted by pared by one reviewer to Lear. This Olga was so a conductor” doesn’t work so well for a play by discomfited by Natasha’s meanness...
Journal Article
Theater (2016) 46 (3): 108–114.
Published: 01 November 2016
.... In the stilted exchange that follows, Kidwell (who is black) plays a woman escaping from slavery, dis- covered in a barn by Sheppard (who is white) in the guise of a conductor on the Underground Railroad. Their performances feel like school assem- bly fare, and before long Kidwell and Sheppard...
Journal Article
Theater (1973) 4 (3): 102–110.
Published: 01 November 1973
... Director (Rafael Kubelik), and a Principal Conductor (James Levine). Other changes have been made, as well. Now, what I have to say about this matter is my own feeling and it has nothing to do with the fact that there are other ways of running opera houses. Rudolph...
Journal Article
Theater (2005) 35 (2): 73–82.
Published: 01 May 2005
... of the conductor, and I laugh way in his fi lms. He asked the actors to count about it. There are many things to see, and I to ten and then put the raw text and synchro- don’t exclude any of them. Instead I try to be nization above it. It’s a bit like this with my conscious of them. For instance, in Eislerma...
Journal Article
Theater (2000) 30 (2): 75–81.
Published: 01 May 2000
.... The choir stands in place, stoically deaf. Finally the conductor comes in, briskly, like a cocky bridegroom in tails. Wilder applause! The conductor hears this, but it does not make him happy. He turns to the audience and bows an unsmiling crinkle...
Journal Article
Theater (1981) 13 (1): 22–25.
Published: 01 February 1981
... in cardboard shirtfronts; by Above: Berkeley Stage production of TingeLtangeL with George House as Valentin and Helen Hughes as the Conductor. Below left: Conduc- tor (Hughes) and Valentin (House) duel in the flow of footlights at the Berkeley Stage. Below right: Soldiers of the Munich army...
Journal Article
Theater (2005) 35 (1): 98–101.
Published: 01 February 2005
... directed by Walter Bobbie Roundabout Theatre New York April 2004 Design for Living: Alfred Lunt and Lynn Fontanne by Margot Peters 2003: Knopf I. Always trouble with those show people. —The Conductor in Hecht and MacArthur’s Twentieth Century They are like no people we know. Actors have...
Journal Article
Theater (2005) 35 (1): 102–108.
Published: 01 February 2005
... directed by Walter Bobbie Roundabout Theatre New York April 2004 Design for Living: Alfred Lunt and Lynn Fontanne by Margot Peters 2003: Knopf I. Always trouble with those show people. —The Conductor in Hecht and MacArthur’s Twentieth Century They are like no people we know. Actors have...
Journal Article
Theater (1974) 6 (1): 4–7.
Published: 01 February 1974
... bring the people up to Gogol, not Gogol down to the people. Who was going where when a gifted American composer-conductor transformed the Catholic Mass into a rock opera with Tin Pan Alley lyrics and flower-child epiphanies or a Professor of Classics adapted Homey’s Odyssey into a Broadwy...
Journal Article
Theater (1974) 5 (3): 104–108.
Published: 01 November 1974
... become a standard light orchestral work (it is the only Bernstein composition regularly programmed by conductors other than himself), and it has been recorded some half dozen times. After eighteen years...
Journal Article
Theater (1971) 3 (2): 79–83.
Published: 01 May 1971
..., searching for game, and pursuing a mouse. The elephant, in the person of an enthusiastic member of theaudience, enters on cue. His costume is a long bed tied to his back, covered with dark togas. Cholo, using his hunting weapon as a conductor's baton, strikes the ele- phant and waves the audience...
Journal Article
Theater (1973) 4 (3): 8–14.
Published: 01 November 1973
... of a new or unfamiliar opera, the critic's job is to evaluate the production (if it is new), including scenery, costumes and lighting, and the performance, including the work of the conductor and that of the singers. For this task he should have musical sensibilities...