1-20 of 302 Search Results for


Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Theater (2013) 43 (2): 1–3.
Published: 01 May 2013
...Annie Dorsen Truth Is Concrete, 24/7 Marathon Camp, Graz, Austria, 2012. Photo: Wolfgang Silveri Up Front Truth Is Concrete Annie Dorsen In contrast to the normal business of festivals, there was nothing for sale at Truth Is Concrete, a marathon week of activism and ideas...
Journal Article
Theater (1980) 12 (1): 6–13.
Published: 01 February 1980
... ly, a concrete idea, the translation in volitional terms of that idea relationship with the actors as they were actually there . . . . or thesis. The will is not the idea: it is the concretion of the idea. It As much as we realized this, we equally understood that the is not enough to want...
Journal Article
Theater (1984) 15 (3): 69–73.
Published: 01 November 1984
... and are now engaged by major pretation of the written text, and to en- of Seattle staged a German Festival. The fes- state theaters. Nel began his career as an ac- courage the creation of concrete images on tival began with a production of Brecht's In tor in the radical early days of Peter Stein's...
Journal Article
Theater (2017) 47 (1): 17–37.
Published: 01 February 2017
... of the Impulse Theater Festival in Düs- one side, to a certain practice of programming seldorf, Cologne, and Mülheim, Germany. His that exists: to say, you need to accelerate it, 2012 convening “Truth Is Concrete,” a 24/7 mara- to enhance it, to push it somewhere. On the thon “camp” under the auspices...
Journal Article
Theater (1980) 12 (1): 14–18.
Published: 01 February 1980
... with concrete and immediate problems. It to create your own ‘newspaper-theater‘ in your own was different from now, when self-activation is enough to lead community?” And one of the actors went there, to the union...
Journal Article
Theater (1986) 17 (3): 5–6.
Published: 01 November 1986
... others' ex• A second attitude prevalent among us which ultimately debilitates periences in a concrete way, challenging the accumulated myths about us is the pretense that production dramaturgy in America is a fully• our vocation. developed profession with laboratory-tested ways of working, when...
Journal Article
Theater (1974) 5 (3): 60–65.
Published: 01 November 1974
... in absolute eloquence and absolute eloquence in verbal quiddity, in "concrete" language (concrete being a shibboleth shared, not coincidentally, by Artaud and Marxist critics) or else in something wordless, an inherent quality like Rousseau's born goodness, an att un e me nt ab origine -perfect pit...
Journal Article
Theater (1990) 21 (3): 52–53.
Published: 01 November 1990
... the externals. But the concrete substance.. . . n order to be able to keep writing, we’ve all been I find the present conditions with the opening of the forced to become more familiar with metaphor or, I borders enough for now...
Journal Article
Theater (1991) 22 (3): 4–7.
Published: 01 November 1991
..... . NARRATOR: Produce. MEN AND WOMEN: (Adding theJih to the chord. Louder.) MEN: Produce. La-la-la WOMEN: Produce. NARRATOR: And why not? It's so concrete! (Stamps once...
Journal Article
Theater (2021) 51 (2): 20–23.
Published: 01 May 2021
... now been abandoned by politicians. The first step toward the city theater of the future is therefore to turn implicit into explicit rules and ideological debates into concrete decisions. What does a city theater of the future really look like? Who works in it, how do you rehearse in it, how...
Journal Article
Theater (1968) 1 (3): 32–40.
Published: 01 November 1968
.... (He starts to erase the blackboard) Is it not? (He looks to see if someone replies. He then erases the blackboard) 2. On Poetry Now, poetry is for the most part a waste of time, and so is politics, and history, and philosophy nothing concrete, nothing...
Journal Article
Theater (1983) 15 (1): 8–11.
Published: 01 February 1983
... to the dramatic text. It in fact does not really exist until it is enunciated on the stage, set in place (and no longer served) by multiple systems of signs, (actor, lights, rhythms of speech, scenography, etc This multiplicity is the choice morsel for a socio-criticism that inquires into the concrete...
Journal Article
Theater (1977) 9 (1): 50–57.
Published: 01 February 1977
.... In addition, ing shape to the new Schaubuhne. Though we worked well Botho Strauss and Klaus-Michael GfGber play a role since together, we never participated concretely on one project, you...
Journal Article
Theater (1978) 9 (3): 50–59.
Published: 01 November 1978
... for which there is no true referent in the Western vocabulary. He never attempted a defini- Javanese dancer tion of “sign”; instead, he relied on ecstatic descriptions of the concrete experience of “signs”: “It flows into the sensibility...
Journal Article
Theater (2017) 47 (3): 37–45.
Published: 01 November 2017
... of Carl Schmitt [the crown jurist of the Third labor. Or protective tariffs, that’s nineteenth Reich]. Heidegger is the most concrete in century, the banks will get into the picture. the “Black Notebooks,” regarding the ques- To the king, the wages for human labor are tion of “what is the Jew...
Journal Article
Theater (1984) 16 (1): 68–74.
Published: 01 February 1984
... to believable impression of weightlessness. at the Avignon Festival in July 1985, followed speculate too concretely, this development Their dialogue, in contrast, consists of very by a production of the complete project at the reflects at the very least a fruitfully contradic- earthbound snatches...
Journal Article
Theater (1980) 11 (3): 64–71.
Published: 01 November 1980
... to historical interpretations as of Dionysiac thought. Bodies piled on bodies, limbs intertwined unequivocally as the Oresteia. with limbs, genitals exposed with more genitals - the exhibitionist A more concrete approach to the Greek theater is offered by Jan "ecstasy...
Journal Article
Theater (2016) 46 (1): 37–47.
Published: 01 February 2016
... a bust of Marx, thus positioning himself ironically as “leftist.” Schilling introduces himself as a director of Krétakör. Then, with growing anger, he enumerates concrete examples of today’s political corruption. Finally, in his deep despair, he completely undresses, offering his body as a surface...
Journal Article
Theater (1973) 4 (1): 28–36.
Published: 01 February 1973
... to find in the play but what concrete images & actions are evoked in the performers while they are rehearsing the play. The dis- coveries of the past ten years, the techniques that have helped bring performers to the center of the creative process in the theatre, are not to be abondoned; we...
Journal Article
Theater (1974) 5 (3): 95–102.
Published: 01 November 1974
..., the Belgian and Symbolist playwright Maurice Maeterlinck urged the artist to penetrate beneath the surface of reality-everything concrete and definable is unimportant by comparison with the inner life of man and the universe. And this life is a mystery...