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Theater (1992) 23 (3): 67–69.
Published: 01 November 1992
...Charles McNulty Copyright © THEATER 1992 1992 THE RIDICULOUS THEATRICAL COMPANY: STILL MOCKING AFTER ALL THESE YEARS CHARLES...
Theater (1983) 14 (3): 67–71.
Published: 01 November 1983
..., avant garde Company Frederick Newtriann in Samucl Hcckett’s C‘o tnpa nj. Had you asked me in the first place - as you...
Theater (1985) 16 (3): 28–35.
Published: 01 November 1985
... seven- ty percent of our operating budget goes to administrative costs; in- The Brecht novative ways have to be explored. Company DAVIS: And we won’t compromise. If we can’t have the theater we want, we’ll find something else to do. The survival...
Theater (2004) 34 (2): 105–111.
Published: 01 May 2004
... © 2004 by Yale School of Drama/Yale Repertory Theatre 2004 Four Key Discoveries Merce Cunningham Dance Company at Fifty A discussion with Carolyn Brown, Merce Cunningham, Laura Kuhn, Joseph V. Melillo, Thecla Schiphorst, and David Vaughan The following discussion was held...
Theater (1979) 10 (2): 49–53.
Published: 01 May 1979
...Richard Beacham • Political Satire In Great Britain: The 7:84 Company Richard Beacham The 7:84 Theatre Company is the most prominent and successful comic: of songs...
Theater (1981) 12 (2): 81–82.
Published: 01 May 1981
... Company is a photograph from-John Gielgud’s of each period but fail to create the impres- schooldays, a memento of one of his earliest sion of the living art. The best documents...
Theater (1995) 26 (1_and_2): 112–116.
Published: 01 February 1995
Theater (1968) 1 (3): 69–75.
Published: 01 November 1968
...Michael Feingold Copyright 1968 by yale/theatre 1968 Having Companies by Michael Feingold Hair by Haqni, Rado, and MacDermot. Directed by Gerald Freedman. New York Public Theatre. Ergo by Jakov Lind. Directed by Gerald Freedman. New York Public Theatre. The Memorandum...
Theater (1988) 20 (1): 25–28.
Published: 01 February 1988
...Elise Thoron Copyright © THEATER 1988 1988 LENINGRAD MALY THEATER COMPANY’S BROTHERS AND SISTERS ELISE THORON rothers and Sisters...
Theater (1973) 4 (3): 118–122.
Published: 01 November 1973
...Alan Rich Copyright © by yale/theatre 1973 1973 New York's little Opera Companies Alan Rich 118 During most weeks of the musical season, a New York operagoer can choose his entertainment from among an embarrassment of genuine...
Theater (2005) 35 (1): 92–97.
Published: 01 February 2005
... richter Excerpt from International WOW Company’s The Bomb Conceived by Josh Fox The Bomb, a three-and-a-half hour theater epic contemplating war, love, apocalypse, and American popular culture, was presented at the Flamboyán Theater at the Clemente Soto Velez Cultural...
Theater (2002) 32 (1): 72–85.
Published: 01 February 2002
... works of art is unnatural in the extreme. And yet it has been a historical condition of only one art form: the theater. “This is murder, to be exact,” wrote Clifford Odets, the Group Theatre’s major playwright, after thoughtless criticism left the company to expire of indifference and neglect...
Theater (2015) 45 (3): 89–107.
Published: 01 November 2015
... of experiments in embedded criticism, including an initial project when we were invited to curate a performance series at Exit Art in New York in 2012. In my own practice, I’d had a long relationship with zoe | juniper, a multimedia dance and performance company directed by Zoe Scofield and Juniper...
Theater (1978) 10 (1): 31–36.
Published: 01 February 1978
...William Kleb Founded by William Ball in 1965, the American Conservatory Theatre settled permanently in San Francisco in 1967; it is now one of the largest and most successful regional repertory companies in the nation, presenting a season of nine classical and modern plays in nightly rotation over...
Theater (1981) 13 (1): 22–25.
Published: 01 February 1981
...Robert Hurwitt Tingeltangel by Karl Valentin was performed Thursday through Sunday, May 13 – June 28 at Berkeley Stage Company, 1111 Addison Street, Berkeley. The four sketches were translated by Sue-Ellen Case and Roswitha Mueller, directed by Case, with set design by Ewald Hackler, costumes...
Theater (2019) 49 (1): 6–21.
Published: 01 February 2019
...Chantal Rodriguez Likening Latinx theater to many octopuses with many legs, Chantal Rodriguez reflects on the 2017 Encuentro de las Américas Festival, hosted in Los Angeles by the Latino Theater Company, which included the first international convening of the Latinx Theatre Commons. Rodriguez...
Theater (2020) 50 (2): 41–45.
Published: 01 May 2020
...Mark Jeffery Mark Jeffery introduces the generative process behind the 2019 convening of in>time, an annual festival of Chicago’s tight-knit experimental performance scene. in>time closed the decade by celebrating the history of Goat Island, the ground-breaking company that itself formally...
Theater (2020) 50 (2): 21–39.
Published: 01 May 2020
...Nicholas Lowe Nicholas Lowe, curator of goat island archive—we have discovered the performance by making it , a retrospective held ten years after the twenty-three-year run of the company Goat Island, explains how his concept of archival performance developed in response to Goat Island’s past...
Theater (2021) 51 (2): 4–13.
Published: 01 May 2021
...Lily Climenhaga In this critical introduction, Lily Climenhaga offers an overview of the work and career of director Milo Rau. Climenhaga looks at Rau’s work across his career, beginning with early projects as a playwright working with director Simone Eisenring, through the creation of his company...
Theater (2021) 51 (2): 48–61.
Published: 01 May 2021
...Piet Defraeye Piet Defraeye explores Milo Rau’s work in Central Africa, focusing on 2011’s Hate Radio and 2015’s The Congo Tribunal . Defraeye suggests that while Rau’s interest in Central Africa is not based on any personal connection, it began before the founding of his company, the International...