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Theater (2007) 37 (3): 17–25.
Published: 01 November 2007
...Joe Kelleher Yale School of Drama/Yale Repertory Theatre 2007 Tragedia Endogonidia, M.#10, directed by Romeo Castellucci, Les Bernardines with le Théâtre du Gymnase, Marseilles, 2004. Photo: Luca Del Pia Joe Kelleher “It’s so beautiful here. Come, you come too...
Theater (2010) 40 (3): 116–127.
Published: 01 November 2010
..., I come to praise him!” Theatre Is More Beautiful than War: German Stage Directing in the Twentieth Century by Marvin Carlson 2009: University of Iowa Press During my tenure at Yale I frequently noticed students in the drama school’s library leafing through issues ofTheater heute...
Theater (1986) 17 (3): 63–88.
Published: 01 November 1986
... there was initially a question whether actors or musi• cians should perform the roles of Ma's band members. (We cast actors.) A musical quality Lloyd Richards and August Wilson on th~' set ofJoe Tamers Come and Gone, 1986. can be found in the language of all of August's plays, and music is very much a part of his...
Theater (1969) 2 (1): 113–116.
Published: 01 February 1969
...Ronnie Johnson Copyright 1969 by yale/theatre 1969 It's where you're coming from by Ronnie Johnson The following conversation took place on- Student: There were four hundred fucking stage at the Yale Theatre during the Fri- Yalies around a cop car. Now when have day night...
Theater (1981) 12 (2): 72–75.
Published: 01 May 1981
... a model in the plays of Johann Nestroy. From the time he began writing plays in 1822 Comes to until his death in 1862, Nestroy wrote numerous farces and satires...
Theater (1990) 21 (1_and_2): 120–123.
Published: 01 February 1990
... to be doing on March 1, 1988 included reading a series of Hasidic stories like this one to a group of student designers and directors at Yale. In previous years Hirsch had come to New Haven to lead - with host Ming Cho Lee's hospitable assistance - three-week explorations of Pericles and King Lear. This time...
Theater (1994) 25 (2): 24–41.
Published: 01 May 1994
...? Was it true? At that time, John Fuegi's Brecht & Company had not yet come out, though its claims were generally known by academic Brechtians (and had been prefigured in his own earlier publications). Other research on Elisabeth Hauptmann inter alia had already appeared, in the Brecht Yearbook...
Theater (1986) 18 (1): 42–51.
Published: 01 February 1986
... on one evening in the life of a working woman. She comes home from work, goes through her daily routine, and commits suicide. If the “explosive energy” of this action could be used by oppressed people against society rather than themselves, Kroetz believes that we would have a “revolutionary situation...
Theater (1978) 10 (1): 15–30.
Published: 01 February 1978
... of their profession. The responses printed here come from many though not all of the resident theaters which have literary staffs. These statements do not necessarily represent the views of theaters mentioned in them. Dramaturgs in America: Eleven Statements Last winter...
Theater (1978) 10 (1): 31–36.
Published: 01 February 1978
... thirty-three weeks. A.C.T. has a staff of over 200 with a yearly budget of $4,000,000.00; only 28% of this figure comes from grants and foundations. The position of “dramaturg” at A.C.T. evolved as the pragmatic “literary” needs of the company made themselves apparent over the years. Dennis Powers has...
Theater (1973) 4 (3): 94–101.
Published: 01 November 1973
... you'll give me threequarters of a million and that will make it successful, well, you're deluding yourself. People will not come for the scenery. They never say, ''The scenery is terrific and therefore you should go." This just doesn't happen. One hundred...
Theater (2000) 30 (3): 37–61.
Published: 01 November 2000
... in the pit, and large come here in order to see your wealth, but in order to learn of chorus onstage your customs.” Thereupon they guided him to the market, where their King was holding court. Place of action...
Theater (1985) 16 (3): 36–67.
Published: 01 November 1985
... infom his sensibilities and the choices he How come you got all whites driving and the and sit near the house at right to complete the har made in his life. colored lifting? He told me to take it to the setting. Of the two m, BONO is obuiourly...
Theater (1990) 21 (3): 81–94.
Published: 01 November 1990
... was that the world was flat. They BLACK WOMAN WITH FRIED write it down because if you dont thought the world was flat. Back then DRUMSTICK: Didn’t see you. I saw write it down then they will come when they thought the world was flat thuh worl. along...
Theater (1975) 6 (2): 35–44.
Published: 01 May 1975
... area into two rooms - room 7 stage right, room 2 stage left. The Mother sits in a rocking chair in room 2, the Boy next to her. The Teacher, in room 7, comes to the door. Teacher I am the teacher. I have a group of students...
Theater (2006) 36 (3): 43–80.
Published: 01 November 2006
... you come from? boy c You’d better give it back to me right away, please. boy c Hellohello. boy b What? boy b Disgraced. boy c The hair. You see, I thought...
Theater (1988) 19 (3): 35–68.
Published: 01 November 1988
... with his niece, Berneice. Pittsburgh, ACT ONE - SCENE I Setting by 1936. E. David Cosier, Jr. The lights come up on the Charles Copyright 1988 by August Wilson household...
Theater (1992) 23 (1): 71–82.
Published: 01 February 1992
.... teaching people how to read or Bill come up stock still, stretched up Since they didn’t have to spend all spreading news they did not want to his full height and hollered out the time working like all the other spread. But still and all, they said, something loud in African. A bolt...
Theater (1991) 22 (1): 40–72.
Published: 01 February 1991
... MEMPHIS: Don’t bring up that might take me a little while. Her Chops $2.50. Beans and mu.s 65$. woman to me. I ain’t heard from her. I wants might be too big for my pocket The lights come up and MEMPHIS, the know where she at. She up her but I work it out and come up...
Theater (1999) 29 (1): 92–112.
Published: 01 February 1999
..., on Twelfth Night, they get a chance to come SCENEONE ashore and take off their sealskins. Then they look just like everyone else. HARTWIG (In black alone on stage) She was named after an old ship. Ellida. Not a name fit...