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Search Results for clov
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Journal Article
A Theatre of Final Games
Available to Purchase
Theater (1968) 1 (1): 88–92.
Published: 01 February 1968
..., Hamm and Clov, playing the
Andre Gregory's visiting production final game of their life together, namely,
of Samuel Beckett's Endgame, starring dying. Endgames, final games, posit
David Hurst and Ron Leibman, was earlier...
Journal Article
THEATER IN Brussels: Beckett After the Deluge
Available to Purchase
Theater (1984) 15 (3): 54–57.
Published: 01 November 1984
... that the spectator experiences is the thematic blind and crippled. Nagg and Nell, who are
Beckett’s Endgame for the Group Animation intent that lies behind Marcel Delval’s use of Hamm’s parents - Hamm was also the name
Thestre last June in Brussels, his choice of the building. When Clov (‘John Dobrynine...
Journal Article
THEATER IN Combridge: The Underground Endgame
Available to Purchase
Theater (1985) 16 (2): 87–92.
Published: 01 May 1985
... at
top volume during all of Clov’s initial activi-
ty, which John Bottoms performs frenetical-
ly, bare-chested, like a primitive dance...
Journal Article
End Worlds without Ends in Beckett and Duras
Available to Purchase
Theater (1999) 29 (3): 85–95.
Published: 01 November 1999
... in Clov’s pants is enough to send Hamm into
fits of rage: “But humanity might start from there all over again! Catch him for the love
of God!” (33). Clov is urgently dispatched to the kitchen in search of insecticide. Simi-
larly, Hamm will call for the extermination of a lone house rat. But Beckett’s...
Journal Article
The Good and the Faithful at the Place of the Skull: Notes for a Theory of Translation
Available to Purchase
Theater (1986) 18 (1): 70–73.
Published: 01 February 1986
...
tion, the three of us will languish there Hamm asks Clov for “a few words” to insistence on constantly weakening
on the hillside. Is translation possible? sum up at the end of Endgame, Clov himself (he claims the French language
In whom can we place our faith? responds with a sarcastic...
Journal Article
THEATER IN NEW York: The Critical Beckett
Available to Purchase
Theater (1985) 16 (3): 81–84.
Published: 01 November 1985
.... last! *
The titles are subtly ironic: one might ex-
pect a play called Thedre I to resemble a late Unlike Hamm and Clov, A and B have never
work such as That Tim, but both Thater I met before and we watch their first...
Journal Article
DANCE IN NEW York: Anniversary Waltz: Maguy Marin's May B
Available to Purchase
Theater (1986) 17 (3): 95–96.
Published: 01 November 1986
... understandably
tion with overt reference to Beckett's work. overlooked some aspects of his writing. The
In it, characters from the plays group around production's stylistic achievements are solid
the stage: Pozzo and Lucky in one corner, and satisfying if a trifle self-absorbed; Marin
Ham and Clov...
Journal Article
THEATER IN NEW York: Acting Beckett: Two Versions of Ohio Impromptu
Available to Purchase
Theater (1984) 15 (3): 48–53.
Published: 01 November 1984
... away from a companion, probably a
Lucky and Clov for New York audiences in lover, who may or may not have died. Sub-
48
Rand Mitchell (left) and David Warrilow in Samuel Bcckett’s Ohio Impromptu, directed by Man Schncider, New York, 1983...
Journal Article
Clowns Before Beckett
Available to Purchase
Theater (1998) 28 (2): 100–102.
Published: 01 May 1998
... of events in the plays and events outside the theater was articulated by the gallows humor of Leais Fool, Beckett s Hamm and Clov. The clowns to whom Rtmy devoted his attention lived in a world simpler and more elegant than the postwar Europe for which Becke t t wrote Waitingfor Godot - the play Jean...
Journal Article
The Last Biography?
Available to Purchase
Theater (1998) 28 (2): 98–100.
Published: 01 May 1998
... by Shakespeare and Beckett amounted to a new Book OfJob performed by clowns. T h e madness of events in the plays and events outside the theater was articulated by the gallows humor of Leais Fool, Beckett s Hamm and Clov. The clowns to whom Rtmy devoted his attention lived in a world simpler and more elegant...
Journal Article
Dramaturgy at the Court and Wisdom Bridge
Available to Purchase
Theater (1986) 17 (3): 51–55.
Published: 01 November 1986
...;' he says, "is
in the play, it's generational: Clov is still alive, and maybe the little to put the director in contact with what I think the playwright's
boy will come in and serve him. At which point a little girl in the original intention is or was; I try to communicate what the play means
front...
Journal Article
The Apocalyptic Century
Available to Purchase
Theater (1999) 29 (3): 7–40.
Published: 01 November 1999
... on the horizon?
CLOV (exasperated): What in God’s name could there be on the horizon?
-Samuel Beckett, Endgame
I recently saw Leni Riefenstahl’s The Triumph of the Will and Claude Lanzmann’s Shoah
in near succession. The vertical axis of the former was composed of soaring church
spires, flying...
Journal Article
Quality in Theatre
Available to Purchase
Theater (1969) 2 (2): 8–21.
Published: 01 May 1969
... guest production, Fall, 1966): Ron Leibman and David Hurst
as Clov and Hamm. 19
In our own time, what would be the status of Waiting for Godot, if we did not believe
it rendered a state of soul which...
Journal Article
THEATER IN Salzburg: A Long Day's Dying: Ingmar Bergman's Dom Juan
Available to Purchase
Theater (1984) 15 (3): 37–48.
Published: 01 November 1984
... a
Lucky and Clov for New York audiences in lover, who may or may not have died. Sub-
48 ...
Journal Article
Theater and Media before “New” Media: Beckett’s Film and Play
Available to Purchase
Theater (2012) 42 (2): 7–25.
Published: 01 May 2012
...], and as such requires that this last extremity of
human meat — or bones — be there, thinking and stumbling and sweating, under
our noses, like Clov and Hamm, but gone from refuge.8
Beckett’s critics have frequently followed him in insisting on the lengths to which he
insisted on keeping “our genres...
Journal Article
JOANNE Akalaitis's LEON AND LENA (AND Lenz): A LOG FROM THE DRAMATURG
Available to Purchase
Theater (1990) 21 (1_and_2): 81–95.
Published: 01 February 1990
...) as the
these exercises to create a common JoAnne suggests that he try the speech ’Ibtor (Morgan Duncan) checks off each
vocabulary for the actors, to encourage as if he were doing some of Clov’s lines item: pants, coat, etc. JoAnne describes
them to perform as a unit, and to in Endgame: dead, emotionless...