...James Leverett © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Productions James Leverett mon up the forgotten female core of himself. She does exactly that, using the magic of U Zaw Model City/Model Art...

...Loren Kruger © 2008 by Yale School of Drama/Yale Repertory Theatre 2008 Jo Ractliffe’s Inner City Works, Tour Guides of the Inner City, Market Theatre Gallery, Johannesburg, 2000. Courtesy of Jo Ractliffe Loren Kruger Letter from Johannesburg Performance and Urban Fabrics...

...Katherine Clarke Katherine Clarke charts the development of Belfast's contemporary theater scene, particularly how it has grown since the Good Friday Agreement in 1998 brought relative stability to the city. She describes an older generation of theater artists whose work chronicles Belfast's recent...

...Aaron Landsman; Mallory Catlett © 2013 by Aaron Landsman and Mallory Catlett 2013 City Council Meeting, DiverseWorks, Houston, Texas, 2012. Photo: David A. Brown Aaron Landsman and Mallory Catlett Introduction to C i t y C ou n c i l M e et i n g The City...

... languages, are strictly reserved. Particular emphasis is laid on the question of readings, permission of which must be secured from Aaron Landsman, 302 W. Illinois St., Urbana, IL 61801, [email protected] . City Council Meeting, Eldorado Ballroom, Houston, Texas, 2012. Photo: Aaron...

...David Bruin © 2017 by David Bruin 2017 The Collapsable Hole Funeral, New York, 2013. Photo: Paula Court Up Front The New York City Performance Space-Time­ Continuum David Bruin Does New York City’s real estate market threaten its presumptive status as the nation’s...

...David Freedlander David Freedlander surveys a variety of performance events designed to reconfigure the relationships between urban space and urban dwellers in New York City. He describes a burgeoning guerrilla performance culture—from kicklines on the steps of the New York Public Library...

...New York City Players © 2010 by Yale School of Drama/Yale Repertory Theatre 2010 Conceived and directed by Richard Maxwell Texts by Christian Nuñez, Rosalie Ann Kaplan, Kate Valk, Ariana Smart Truman, Bob Feldman, Farooq Muhammad, Philip Moore, Nicole, Lou Kuhlmann, Keith Connolly, Rosie...

...Rustom Bharucha This is the second in a series of essays documenting the REQUEST CONCERT PROJECT conceived and directed by Rustom Bharucha and Manual Lutgenhorst. The project involves the adaptation and staging of Franz Xaver Kroetz's Request Concert in approximately nine Asian cities over a period...

...Peter M. Boenisch; Lise Sofie Houe Peter M. Boenisch and Lise Sofie Houe survey the 2018–20 tenure of Swiss director Milo Rau as artistic director of ntg ent, the city theater of Ghent, Belgium. Contextualizing his role and actions within the European city theater system, the authors also examine...

... at the Public Theater in New York. Serban talks about Chekhov and the two stagings in the following interview, which took place in New York City on April 2, 1981. Copyright © THEATER 1981 1981 Andrei Serban Directs Chekhov: The Sea Gull in New York and Japan Laurence Shyer...

...Denis Salter Le Théâtre Repère was founded by the director Jacques Lessard in 1980 in Québec City. A theater of research, not a permanent acting troupe, Repère creates a special company of actors for each project it undertakes. Robert Lepage joined Lessard and Repère in 1983 and stayed until...

...Adam S. Horowitz Adam S. Horowitz offers a travelogue of Colombia's cities and rural towns, surveying the social dynamics of spectatorship for a wide range of Colombian performances. He takes a night walk through the streets of Bogotá, attends a protest performance led by a venerated theater...

... the historical precedents of extended theatrical events, such as those by City Dionysia, Japanese Noh theater, medieval mystery plays, and Wagnerian opera. Kalb considers changes in the theater industry and media culture over the last several decades that may have influenced this sudden proliferation. He also...

...Andrew Friedman Andrew Friedman considers and contextualizes Jim Findlay’s most recent work, Electric Lucifer— an adaptation of Bruce Haack’s rock-opera concept album from 1970. Against the backdrop of a post-9/11 New York City, Friedman elaborates on Findlay’s experimental theatermaking amid...

... performances. Distributed across the city, all nine works arose in answer to one central question: “In endings, what is it to begin again?” 41 Mark Jeffery Nine New Fields Notes on Goat Island and in>time 2019 On September 4, 1996, Lin Hixson, director of the performance group Goat Island, gave me an artistic...

...Jacob Gallagher-Ross Jacob Gallagher-Ross introduces the text of Big Art Group's SOS , a piece recently staged at the Kitchen in New York City. He analyzes and situates the company's mediatized aesthetic within the context of contemporary consumer culture and the economic implosion of 2008. ©...

... a Green candidate for a Green Party candidate for the New theater career was born with excellent office that fall, I knew I had little chance Haven Board of Aldcrs. (Some city politi- advance notice, and it remained pri- of winning against an incumbent cians insist on calling it the "Board...

...Joseph Roach Theatre, Court, and City, 1595–1610: Drama and Social Space in London by Janette Dillon 2000: Cambridge University Press © 2000 by Yale School of Drama/Yale Repertory Theatre 2000 13-The30.3-Books.ak 124-133 10/18/00 11:32 AM Page 128...

... by Shakespeare, Chekhov, lbsen and Brecht, among others, until, quite by accident, Sills met David Shepherd. Shepherd, who had a Master's Degree in Theatre from Columbia University, had become disillusioned with the state of theatre in New York City. He had...