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christ

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Journal Article
Theater (2012) 42 (3): 1–2.
Published: 01 November 2012
...Gloria Pastorino © 2012 by Gloria Pastorino 2012 On the Concept of the Face in the Son of God, directed by Romeo Castellucci, Opéra-Th­ éâtre, Avignon, 2011. Courtesy of Opéra-Th­ éâtre. Photo: Klaus Lefebvre Up Front The Face of Christ, Looking at Us Gloria Pastorino...
Journal Article
Theater (1978) 9 (3): 70–71.
Published: 01 November 1978
... considered a The letter to Henri Parisot is a metaphysical cry of pain in which concluding statement, reveals the poet’s identification with Christ Artaud amalgamates his being with that of Christ, while pro- whom he believed to have stolen into his being. In the asylum of testing that it is Christ who...
Journal Article
Theater (2012) 42 (3): 3.
Published: 01 November 2012
...Jacob Gallagher-Ross © 2012 by Jacob Gallagher-Ross 2012 On the Concept of the Face in the Son of God, directed by Romeo Castellucci, Opéra-Th­ éâtre, Avignon, 2011. Courtesy of Opéra-Th­ éâtre. Photo: Klaus Lefebvre Up Front The Face of Christ, Looking at Us Gloria...
Journal Article
Theater (1980) 11 (3): 108–112.
Published: 01 November 1980
..., and the extension of began entertaining exaggerated ideas about Christianity to a rock phenomenon and its Argentinian influence in South America. stardom. Superstar proved a liberating work star subverted, questioned. The work did In Jesus Christ Superstar, Tim Rice and in a minor way. It was a small...
Journal Article
Theater (1972) 3 (3): 94–98.
Published: 01 November 1972
... is a summary of the debate. All of Pietro Aretino except the title is now lost. Weber suspects nothing more 1. The Theme According to Schmid: than the title was ever written.' "I do Aretino as Anti-Christ not doubt," concludes Weber of Pietro Aretino, "that it was left unfinished...
Journal Article
Theater (1984) 15 (3): 77–80.
Published: 01 November 1984
... Coppenger did not count on this response to his work - in his own day his plays were either liked or Gos-pel (fr. god good spell tale) 1:The good news tive synthesis of two diverse presentational loathed for their sahicaf stance. Just as surely concerning Christ, the kingdom of God, and sal- genres...
Journal Article
Theater (1999) 29 (3): 47–70.
Published: 01 November 1999
..., chief representative of the Russian eschatological mode, proclaimed “the approaching End of Universal History” and called for the spiritual transformation of the world. He saw himself sometimes as a Christ figure, sometimes as the “white horseman”- offspring of the “Woman Clothed with the Sun...
Journal Article
Theater (1974) 5 (3): 79–86.
Published: 01 November 1974
... are, psychologically speaking, living out a shadow existence, not yet able to experience life in terms of themselves as individuals. They are followers or off-shoots of their priest-guide. The priest possesses certain Christ-like attributes: he is a self-sacrificing figure who had tried to help the blind...
Journal Article
Theater (1981) 12 (3): 51–52.
Published: 01 November 1981
..., those freedoms are haughtily revoked - the philosophy of Stanislavsky, or Brecht , and we hear, “Yes, but the Framers of the or Shaw, were effete musings, and in- Constitution (or Christ, or Lincoln, or tended...
Journal Article
Theater (1987) 19 (1): 35–44.
Published: 01 February 1987
... to Christ. The cameras take care to capture simple expressions at the right moments in Swaggart's script: interest / assent / tears / ecstasy. If an audience member's face changes to boredom or a smile, if someone begins to pick at her ear or cry too early in the show, the camera...
Journal Article
Theater (1984) 15 (3): 74–77.
Published: 01 November 1984
... day his plays were either liked or Gos-pel (fr. god good spell tale) 1:The good news tive synthesis of two diverse presentational loathed for their sahicaf stance. Just as surely concerning Christ, the kingdom of God, and sal- genres to create a unified event...
Journal Article
Theater (2007) 37 (3): 73–85.
Published: 01 November 2007
... Christ. Various strains of bellicose theological revisionism sought to “de-Semitize” the Galilean, as he was known, hypothesizing that Gauls colonized Galilee during the Roman conquest, 76...
Journal Article
Theater (1974) 5 (3): 60–65.
Published: 01 November 1974
... vehicle by which He would descend to earth, could eliminate from himself the Sin that was all Mankind's. This elimination took place in Ireland, where Antonin Artaud returned to the Catholic and Christian Faith of the Church of Jesus Christ, receiving Holy Communion one Sunday morning...
Journal Article
Theater (1969) 2 (2): 58–84.
Published: 01 May 1969
... was my Presi- SESENTI : Every time I look he‘s just dent too. sittin’ there but he must have gone. MAURI E: For Christ’s sakes, he must HARRY: Hey, what‘s the longest you have finished off half a case of rye. He‘ll ever went without...
Journal Article
Theater (1999) 29 (3): 85–95.
Published: 01 November 1999
... and resurrection. The play, set on Christmas Eve, opens with Hamm’s line “it’s finished,” a bald-faced reference to Christ’s last words on the cross. Hamm is part Christ figure and part crucifier. But his prophecies are Nietzschean: “You’re on earth, there’s no cure for that!” (53). Or, when asking Clov...
Journal Article
Theater (2020) 50 (2): 5–19.
Published: 01 May 2020
.... They worry about reality, authenticity, and the Real, particularly where God is concerned, and they transform the theology of medieval sacred drama by baptizing the theater itself rather than the figure of Christ as a divine intercessor worthy of wor- ship, pilgrimage, and praise. Passing Strange...
Journal Article
Theater (1969) 2 (2): 92–101.
Published: 01 May 1969
... near the wall with the tapestry of Christ ha ng ngi & stroke...
Journal Article
Theater (1980) 11 (3): 104–107.
Published: 01 November 1980
... of Christ, the Mother of God, St. Michael and the Devil - and then proceeds to hang them up indiscriminately all over Kingsley Hall. When Mary decides to paint murals on the walls, the community reacts violent• ly, calling for rules that would restrain her and betraying the fact that the collective...
Journal Article
Theater (1975) 7 (1): 66–67.
Published: 01 February 1975
..., or at the medieval mystery playswith Adam and Eve, Satan, the Apostles and Christ's Passion-ceverywhere at the sourcesof drama we find the sphinx of Religion. The theatre was a temple. Even the Shakespearian theatre was nothing but a temple of life, absolved from metaphysical issues, where reason like...
Journal Article
Theater (2023) 53 (3): 22–37.
Published: 01 November 2023
... Pachacabrilla is the travesti version of the one that offered his body to save us. And, in turn, this is the travesti version of the adoration toward the pre-H­ ispanic god Pachacamac. This is the body that is carried every year in one of the most massive processions in Peru: the Purple Christ, the Pachacamilla...