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chorus

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Journal Article
Theater (1993) 24 (3): 9–13.
Published: 01 November 1993
... and leader of the chorus for Alkestis, the boy in Godot); Jasna Huseinovic (second chorus leader); Emina Muftic (Alcestis 1); Irena Mulamuhic (Estragon and a servant in Alkestis). Copyright © Theater 1993 1993...
Journal Article
Theater (2000) 30 (3): 37–61.
Published: 01 November 2000
... Gottfried von Herder has been Choruses utilized in the opera’s middle section: Act 1: small chorus in neutral position, outside “Once upon a time, Alexander of Macedonia visited a distant...
Journal Article
Theater (2005) 35 (1): 43–55.
Published: 01 February 2005
...Jonathan Kalb Jonathan Kalb Gulliver’s Choice An adaptation of Heiner Müller’s Mauser Characters chorus, a military tribunal, answerable only to the commander-in-chief, its rules, procedures, directives, and the identity of its membership secret from the public g, Captain...
Journal Article
Theater (1968) 1 (1): 102–105.
Published: 01 February 1968
... intention right at the beginning: he the strings of his harp and never played will fight (" I'll post six generals, again." with myself as seventh, to the qates When, later on, the Chorus insists...
Journal Article
Theater (1968) 1 (1): 51–63.
Published: 01 February 1968
..., and is the space on aim of the production, to alter one's which the Chorus moves.. .. I have normal involvement with a play , is raised the outer downstage edges of muddled. Presenting it in proscenium this space into a gradual ramp up so staging would separate the play too far...
Journal Article
Theater (1989) 20 (2): 58–84.
Published: 01 May 1989
... a line, a paragraph of blue appears. Theseus Earl Hindman figure.1 This is a story of lovers. Chorus: #1 Mary Mara Does the bird suggest an umbrella? But lovers do not praise, they itemize. #2 Susan Knight...
Journal Article
Theater (1997) 27 (2_and_3): 64–86.
Published: 01 May 1997
... forgot to tell Mister Williamson about an OLD WOMAN, also African-American those horses.” a CHORUS of Slaves on the Williamson estate, six Main Musical Theme is introduced in miles from Selma, Alabama, in July 1854,and the pause. WITNESSES at the Inquest shortly thereafter...
Journal Article
Theater (2000) 30 (3): 33–35.
Published: 01 November 2000
... responsibility—of falling short of the spirit of a “pledge”—that start a process of degradation that ultimately spreads to include a whole society and leads inexorably to catastrophe. Throughout the opera, a small chorus comments...
Journal Article
Theater (1968) 1 (1): 72–74.
Published: 01 February 1968
... Peace is set free celebration is an excess which has been by Trygaeus and the Chorus permitted or even ordered. It is the solemn violation of a prohibition. " We Trygaeus: Okay, men, let's break it up. present below Aristophanes in both his I want to seethe area...
Journal Article
Theater (1986) 18 (1): 19–35.
Published: 01 February 1986
... of appearance) me exactly what you want. Athena ALETA MITCHELL ODYSSEUS: Athena! Oh, Athena! It’s Odysseus CHARLES BROWN you, isn’t it? I can’t see you but your Ajax HOWIESEAGO voice comes to me like a musical instru- Chorus...
Journal Article
Theater (1980) 11 (3): 23–28.
Published: 01 November 1980
... thirty extant translations of the text. Six of these were before the stage, where the chorus will dance. The theater remains selected as representatives of vital trends: Denniston/Page for its primarily in its own darkness, illuminated in areas by small proximity to the Greek, Ebener...
Journal Article
Theater (1980) 11 (3): 64–71.
Published: 01 November 1980
... rigor that distinguished Arrowsmith's version of Thesmophoriazousae) , the members of the Kott's productions from such chaotic experiments as Schechner's chorus wiggled, shimmied, and kicked their legs like dancers on Dionysus in '69. Kott chose to focus on the political reality of Orestes. Broadway...
Journal Article
Theater (1968) 1 (2): 53–65.
Published: 01 May 1968
..., Voland Guerard (Moses). ACT II SCENE 4 Fatty: You're taking on Trinity-Moses? (The Men are building a boxing ring under Fatty's supervision. Chorus & Fatty: Jesus! Poster: "BOXING." Fatty: Leave town...
Journal Article
Theater (1980) 11 (3): 55–58.
Published: 01 November 1980
.... The that the tent would stand up under any conditions. It had been music accompanying and characterizing the chorus is developed erected on a lawn between a church and a hospital in the middle of during rehearsal, and makes use of classical Bengali instruments. Calcutta. Truckloads of dirt were brought inside...
Journal Article
Theater (1969) 2 (2): 53–65.
Published: 01 May 1969
.... Chorus & Fatty: Jesus! Poster: "BOXING." Fatty: Leave town while you still have A Brass Band to one side. Enter Joe breath! Listen, kid, with Jim and Bill) Fatty & Chorus No kidding. Joe...
Journal Article
Theater (1973) 5 (1): 131–138.
Published: 01 February 1973
... with shrieks and leaks and lamentations?Do you know anything that I can do and have not done? Chorus of the Oedipus, King of our country, we all stand here Sceptics...
Journal Article
Theater (1975) 6 (2): 35–44.
Published: 01 May 1975
... Chorus The chorus is onstage, half at each side of the playing area, which at first is concealed from the audience by a curtain. Chorus What you must learn above all else is why you say yes Many answer yes, but they still do not know...
Journal Article
Theater (2007) 37 (3): 27–35.
Published: 01 November 2007
... of staging tragedy in the contemporary world. In classical tragedy, one could read the onstage chorus as a stand-in for the off- stage spectators, displaying a socially appropriate reaction and interpretation and vis- ibly offering an identifiable middle ground between the individual characters...
Journal Article
Theater (1980) 11 (3): 18–22.
Published: 01 November 1980
... too early? approach to Greek tragedy would have to start with reduction in You are right. My guess was that after the decline of the Theater of the setting, the chorus, and anything else which may not .be the Absurd, theater of violence and existential theater, the natural necessary...
Journal Article
Theater (1974) 5 (2): 120–127.
Published: 01 May 1974
.... The choruses would be comprised of everyone except Eteocles-all actors were to emerge from the chorus. The Messenger speech was divided among three of the men, the chorus between four men and the five women. We each chose the chorus speeches...