...Stuart Sherman Copyright © Theater 1994 1994 Charles Ludlam Stuart Sherman Long ago (1968)and far away (San Francisco), I went to my friend Debbie’s to meet her friend 7 Charles, Charles Ludlam. I opened the door and there he...

... Copyright © THEATER 1978 1978 Charles Marowitz on Artaud: An Interview Charles Marowitz is the founder and artistic director of the Open I did a radio program on Artaud for the BBC in 1966, and for Space Theater in London. He has adapted six Shakespeare plays that program I went...

...William Hauptman Copyright © by yale/theatre 1975 1975 CHARACTERS Carroll Prine Harley Otis Tina Charles Druns Rhona...

... happy? Thuh looks BLANCA SAXON we look look so. CHARLES MISS FAITH US-SEER They like smiles and we will like what they will like. A. A double-frame slide show...

...Charles McNulty Copyright © THEATER 1992 1992 THE RIDICULOUS THEATRICAL COMPANY: STILL MOCKING AFTER ALL THESE YEARS CHARLES...

...Janice Paran Copyright © THEATER 1978 1978 Marowitz at Rodez Janice Paran Artaud at Rodex, by Charles Marowitz. Marion Boyars Publishers Ltd, London, 1977 $4.95 Artaud le Mdmo. Artaud the Madman.’It is a well-known, much- battle lines are clearly drawn: Artaud at Rodez...

... rarely appeared in costume before reasonably close replica of a stage situa- French actors were considered more the lens. The most important exception tion. (Insufficient lighting and bulky fluid than the English and Americans, is Charles Kean and his wife Ellen nee, equipment prevented on-stage...

... board    James Bundy, Victoria Nolan, Catherine Sheehy contributing editors    Mark Bly, Una Chaudhuri, Liz Diamond, Jill Dolan, Elinor Fuchs, Shawn-Marie Garrett, Richard Gilman, Gitta Honegger,   Jonathan Kalb, Dragan Klaic´, Renate Klett, James Leverett, Mark Lord,   Charles McNulty, Joseph...

... of the Sun, in Famous Utopias of the Renaissance. de Salignac de la Mothe Fenelon , Francois . The Adventures of Telemachus, in French Utopias, 74 . Fourier , Charles in French Utopias, 316–319. Also see Beecher, Jonathan, and Richard Bienvenu, eds. The Utopian Vision of Charles Fourier...

...Joel Schechter Copyright © THEATER 1983 1983 A FARCE BY DARlQ FO TRANSLATED BY DALE McADOO AND CHARLES MANN Preface to About Face Lloyd Richards...

..., Minn.: University of Minnesota Press, 1984 . Newman , Charles . The Post-Modern Aura: The Act of Fiction in an Age of Inflation . Evanston, Ill.: Northwestern University Press, 1985 . Simard , Rodney . Postmodern Drama: Contemporary Playwrights in America and Britain . Landham, Md...

... there is without soon feeling the pressure to respond on Charles Ludlam in the last issue of Theater. He has mainly to personalities and trends.” Rogoff is one of the few translated and adapted Marivaux and Enzensberger for the critics, like his mentor, Eric Bentley, seeking new standards stage and teaches...

... there is without soon feeling the pressure to respond on Charles Ludlam in the last issue of Theater. He has mainly to personalities and trends.” Rogoff is one of the few translated and adapted Marivaux and Enzensberger for the critics, like his mentor, Eric Bentley, seeking new standards stage and teaches...

..., Arthur H. Scouten, George Winchester Stone, Jr., and Charles Beecher Hogan, eds. The London Stage 1660-1800, Parts 1-5, 11 vols. (Carbondale, Ill., 1960-1968). John Genest, Some Account of the English Stage from the Restoration in 1660 to 1830, 10 vols. (Bath, 1832...

.... Grisanti Associates, a publishing CRITICISM AND DRAMATURGY firm in New York, and he continues to co-translate Fo’s plays with DESIGN Charles Mann. DIR€CTING...

... for the night, as an old Oxford friend by the name of Charles Wetherby. Spooner readily ac- And in a sense the people in Hirst’s albpm are quiesces in the fiction and becomes this Charles alive, untouched by time. Photographs, like Wetherby...

... of rumors to the contrary, God is alive and well, par- ticularly on the American stage? In his magisterial study A Secular Age, Charles Taylor poses what he calls the Peggy Lee response, an inquiry he sees as a reaction to the flatness emblematic of Theater 50:2 doi 10.1215/01610775-8154777 © 2020...

... down from the upper tax bracket. bobrauschenbergamerica, Charles L. Mee’s play, takes artist Robert Rauschenberg’s col- lages as a template for America, with the heartland as its nucleus, radiating out. Wellman’s landscape of the ruling class is improbably white—clothing, hair, snow, skin...

..., adapted from the Chinese original by David Greenspan; Snow in June, adapted by Charles L. Mee Jr.; and now Peach Blos- Peach Blossom Fan, som Fan, adapted by Edward Mast. His blockbuster version of Peony Pavilion in 1999 Center for New...

...: The Orphan of Zhao, adapted from the Chinese original by David Greenspan; Snow in June, adapted by Charles L. Mee Jr.; and now Peach Blos- Peach Blossom Fan, som Fan, adapted by Edward Mast. His blockbuster version of Peony Pavilion in 1999 Center for New...