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Theater (1983) 15 (1): 25–30.
Published: 01 February 1983
...Michael Hays Lincoln Center for the Performing Arts, New York. Lincoln Center and Some Other Cultural Paradigms Michael Hays The Lincoln Center...
Theater (1991) 22 (3): 54–57.
Published: 01 November 1991
...Catherine Sheehy Copyright © THEATER 1991 1991 FILLING THE BILL: A DRAMKRITICAL PIECE ABOUT AN EVENING OF BECKETT AT CENTER STAGE CATH E R I N E SHEEHY...
Theater (1993) 24 (3): 124.
Published: 01 November 1993
... us where he’s headed. Center Jenkin’s fascination with the carnival dominates his writing. In Poor Folk’s Pleasure, Elizabeth Ackerrnan he submits...
Theater (1969) 2 (3): 104–124.
Published: 01 November 1969
...Gordon Rogoff Copyright © by yale/theater 1969 1969 A Natural Formation of Land: Proposal for a University's Performing Arts Center by Gordon Rogoff Introduction In March 1969, I was invited by a graduate-professionalschool associated...
Theater (1976) 8 (1): 74–77.
Published: 01 February 1976
...Joel Schechter Copyright © by yale/theatre 1976 1976 On Not Offending the Audience: Brecht at Lincoln Center Joel Schechter The Threepenny Opera By Bertolt Brecht Music by Kurt Weill Directed by Richard Foreman Translation by John Willett and Ralph Manheim Vivian...
Theater (2015) 45 (3): 89–107.
Published: 01 November 2015
..., On the Boards, Seattle, 2014. Photo: Jazzy Photo Public Encounters and Performance Clubs A Forum Compiled by Josh Goulding, Maria Inês Marques, Lynda Paul, and Gavin Whitehead Following the November 2014 Segal Center panel discussion (see “Can We Talk p. 77, in this issue), Theater...
Theater (2002) 32 (1): 72–85.
Published: 01 February 2002
... for us. Although we wish it didn’t matter, we continue to hope that reviewers will tell readers to see Lookingglass shows. Chris Coleman Portland Center Stage Low Expectations The quality and disposition of criticism vary from city to city, paper to paper, writer to writer. In my experience...
Theater (1976) 7 (3): 1urang_innaurato–35-durang_innaurato.
Published: 01 November 1976
.... No. ALYOSHA: CONSTANCE: I feel that I have no center. The Brothers Karamazov, page 453. At ANAIS: this point Alyosha Karamazov sits at I have a center for you. Djuna, read to us. Madame...
Theater (2016) 46 (1): 15–35.
Published: 01 February 2016
... for, and division among Russian artists. The article also discusses major milestones, such as the opening of the Gogol Center, the closing of Teatr.doc, and provocative productions by Konstantin Bogomolov and Timofei Kulyabin. © 2016 by Yale School of Drama/Yale Repertory Theatre 2016 Russian theater...
Theater (2021) 51 (1): 9–21.
Published: 01 February 2021
... Exchange Rate , which was presented at the Fisher Center at Bard’s 2019 lab Biennial, Where No Wall Remains . El Khoury was a cocurator of the biennial and offers additional reflections on that process, which was her first experience curating an arts festival. Tania El Khoury s Cultural Exchange Rate, lab...
Theater (2022) 52 (2): 67–77.
Published: 01 May 2022
... by nondisabled artists such as Anne Wilson Wangh) and the importance of movement and embodiment in Kuppers’s own work—including a close description of ritual dance reenactments she conducted alongside her archival work at Lincoln Center in New York in 2021. email@example.com © 2022 by David Geffen School...
Theater (2018) 48 (2): 3–19.
Published: 01 May 2018
...Michael J. Kramer Michael J. Kramer reflects on his experience of closer , a contemporary dance performance created by BodyCartography Project, led by the Minneapolis-based creative team of Olive Bieringa and Otto Ramstad and presented by the Chicago Cultural Center. The performance’s two parts...
Theater (2019) 49 (2): 48–61.
Published: 01 May 2019
... this innovative piece within the legacy of cruelty and violence on stage, he finds that the tension between history and heart , between making sense of an act of violence historically and culturally while simultaneously doing justice to the emotional experience of the victim, is not only at the center of Im...
Theater (2020) 50 (2): 41–45.
Published: 01 May 2020
... disbanded ten years before. The 2019 festival continued as a retrospective exhibition, goat island archive—we have discovered the performance by making it , presented at the Chicago Cultural Center. Jeffery describes how the curatorial team paired nine artists/collectives with each of Goat Island’s past...
Theater (1973) 4 (1): 142–151.
Published: 01 February 1973
... your brooches of light have entombed you in walls of feldspar bit of bad luck 147 THE DISINTERESTED badabah badabah badabah gorilla BRAIN MR. SATURNE return to the most interior center...
Theater (1977) 9 (1): 65–71.
Published: 01 February 1977
... of quality, though Washington states could have been supported enough, and it is patronizing to con- is inclined to think so. In fact, at just this with the 20.4 million dollars it cost to tinue to think so. Audiences in Wash- point of the incline, Washington build the Center’s underground park...
Theater (2001) 31 (2): 108–115.
Published: 01 May 2001
... sown in some of these cultural centers, many of Reclaiming Space, which operate without subsidy, in the form of Reclaiming Happiness: community-based theater productions, under...
Theater (1992) 23 (2): 48–50.
Published: 01 May 1992
... as a Learning Tool, guidelines for English, history, social studies and other TAALT, begun in the spring of 1985 when the Los Angeles relevant classes. The study guides quickly evolved into Theater Center was the Los Angeles Actors Theater, was bound booklets of twenty-five to forty pages typically...
Theater (2006) 36 (1): 1–3.
Published: 01 February 2006
...Tom Sellar “Caution: Religion!” exhibit at the Sakharov Center, defaced by protestors, Moscow, 2003. Courtesy of the Sakharov Center Up Front Caution: Russia! The fragility of Russia’s new-won freedoms, and the implications for artists, were on display at the Andrei...
Theater (2022) 52 (3): 8–19.
Published: 01 November 2022
... the dramatist s contemporaries and collaborators, thinking about new geographies mapping Molière s work, understanding displacements that can move us away from Paris as a long-presumptive center of this theater and literary history. Some of the stage artists joining us today have created original works using...