Search Results for castellucci

...Romeo Castellucci Yale School of Drama/Yale Repertory Theatre 2007 Translated by Joseph P. Cermatori Romeo Castellucci Translated by Joseph P. Cermatori Agamemnon Excerpted from Romeo Castellucci’s Oresteia (una commedia organica?) Darkness. The first sound...

...Romeo Castellucci Yale School of Drama/Yale Repertory Theatre 2007 Translated by Gloria Pastorino Oresteia (una commedia organica directed by Romeo Castellucci, Teatro Fabbricone, Prato, 1995. Photo: Luca Del Pia Romeo Castellucci Translated by Gloria Pastorino...

... in mediated and recorded performances. © 2016 by Yale School of Drama/Yale Repertory Theatre 2016 digital archives television Romeo Castellucci's Inferno Wafaa Bilal telematics Sarah Bay-Cheng­ Unseen Performance Criticism and Digital Recordings A few years ago I attended a talk...

... Repertory Theatre www.dukeupress.edu/journals. ISSN 0161-0775 Contributors romeo castellucci founded the Socìetas joe kelleher is professor of theater and Raffaello Sanzio with Claudia Castellucci performance in the School of Arts at and Chiara Guidi in 1981. The company...

...Joseph P. Cermatori Yale School of Drama/Yale Repertory Theatre 2007 Joseph P. Cermatori Agamemnon: A Translator’s Note Agamemnon is the first third of Castellucci’s Oresteia trilogy, adapted from Aeschylus. It was first performed in April 1995, fourteen years after the Socìetas...

...Rachel Rusch Yale School of Drama/Yale Repertory Theatre 2007 Tragedia Endogonidia: L. #09 
 directed by Romeo Castellucci
 Montclair State University/Peak Performances
 October 2005
 4.48 Psychose 
 directed by Claude Régy
 Brooklyn Academy of Music
 October 2005 P roductions...

... by Romeo Castellucci Montclair State University/Peak Performances October 2005 4.48 Psychose directed by Claude Régy Brooklyn Academy of Music October 2005 There are two ways the heart can stop: It can slow by deliberate steps until the space between beats is infinite, or it can quicken until...

... different European cities, with the first and last episodes located in the company’s home city, Cesena, Italy. According to director Romeo Castellucci, the entire project is “an organism on the run,” a single expansive constellation of images, characters, and events that mutate and shift position...

...Gloria Pastorino © 2012 by Gloria Pastorino 2012 On the Concept of the Face in the Son of God, directed by Romeo Castellucci, Opéra-Th­ éâtre, Avignon, 2011. Courtesy of Opéra-Th­ éâtre. Photo: Klaus Lefebvre Up Front The Face of Christ, Looking at Us Gloria Pastorino...

...Jacob Gallagher-Ross © 2012 by Jacob Gallagher-Ross 2012 On the Concept of the Face in the Son of God, directed by Romeo Castellucci, Opéra-Th­ éâtre, Avignon, 2011. Courtesy of Opéra-Th­ éâtre. Photo: Klaus Lefebvre Up Front The Face of Christ, Looking at Us Gloria...

... staging calamity IV. The question of calamity, as opposed to tragic catastrophe, has always been at the heart of the work of the Societas Raffaello Sanzio, the company run by Claudia and Romeo Castellucci and Chiara Guidi. Since 2002, they have produced eleven episodes of the Tragedia...

...Joe Kelleher Yale School of Drama/Yale Repertory Theatre 2007 Tragedia Endogonidia, M.#10, directed by Romeo Castellucci, Les Bernardines with le Théâtre du Gymnase, Marseilles, 2004. Photo: Luca Del Pia Joe Kelleher “It’s so beautiful here. Come, you come too...

... that are the basis for the invention of tragedy.  — Romeo Castellucci, “System, Functions and Workings for a Tragedy of Gold,” translated by Joe Kelleher and Nicholas Ridout Finally, astonishingly, we see the reconciled community of the future. Here they come, going calmly about their business, making...

... at the most important European performances of the last decade (Inferno by Romeo Castellucci, Hedda Gabler directed by Thomas Ostermeier), analyz- ing trends in contemporary dramaturgy, and recalling his own experiences working with Alain Bézu, Danan asks what has become of those concepts considered...

... Gualtieri, Romeo Castellucci, Brooklyn College, mfa Performance and Lella Costa, and Juan Mayorga. Interactive Media Arts program, and has alexandra ripp is an mfa candidate in the taught in Berlin, Rome, Paris, and Bern. His...

... gloried in the sublime mysteries of Romeo Castellucci s manifesto, The Iconoclasm of the Stage and the Return of the Body, in which he asks, Is Lucifer the nocturnal pastor of art? 6 We tasted the blister- ing critique of Thomas F. DeFrantz s lecture- performance White Privilege : White Privilege...

..., of the Italian director Romeo Castellucci’s Purgatorio (2008) in which a young boy is led offstage by his father and we in the audience are left staring at the hyperrealistic representation of an empty living room. From offstage we begin to hear the sounds of a scene of violent sexual abuse played out...

... Boccarra (opposite): Romeo Castellucci s Inferno, Avignon Festival, Avignon, France, 2008. Photo: Christophe Raynaud de Lage a photographic retrospective 55 stilled lives 56 Toshiki Okada s Current Location, kaat Kanagawa Arts Theater, Kanagawa, Japan, 2012. Photo: Tsukasa Aoki (opposite): Trajal Harrell s...

... of these essays, and it is a regrettable one, is Cau- sey’s reliance on the works of Samuel Beckett and Romeo Castellucci. For a book with broad theoretical ambitions, particularly the ambition to explain developments within postmodern culture, to rely so entirely on one late or exhausted modernist...

..., intense representation of traumatic injury and psychological alienation, and unyielding preoccupation with wounds and tormented ¬esh, a trope extending from Picasso s earliest works of protomodernism all the way to the contemporary theater of director Romeo Castellucci.1 By making visible the longtime...