... within their own collaborative processes and how theaters might cultivate a culture grounded in care work. Reflecting on the lack of support for queer, POC, and disabled artists in US commercial theater, they discuss the ways that Sins Invalid’s work challenges those institutional paradigms. Finally...

...Jessica A. Watkin Jessica Watkin works out her definition of Disability Dramaturgy and explains her artistic practice, which is rooted in personal care rather than professional extraction. As a Blind/Disabled artist, Watkin describes her relationship to Blind artist Alex Bulmer. Watkin reflects...

... believe will remain invaluable and central to our curatorial ethos moving forward, and ones we share with the hope they will catalyze others thinking about care as part of the creative process. One: Collaboration Is Care We have been working together as a curatorial team since 2009.4 Ann is a longtime...

... be a form of care work. As a performance artist, I circumambulate a question regarding the energy sources that make my actions possible. And this means I have to talk about devotion. And I have to ask for your participation, fellow travelers, to think about what we are devoted to and how this shapes what...

... act of solidarity and care. When I think of the work I saw in I wanna be with you everywhere, I think about the love that was granted to each and every one of us in the audience through the productions and events 139 access we were given. Access to a space of potential in which physical and systemic...

..., Bibliothèque nationale de France, httpark.bnf.fr/ark:/12148/cb38709649v. 14. Leah Lakshmi Piepzna-S­ amarasinha, Care Work: Dreaming Disability Justice (Vancouver, BC: Arsenal Pulp, 2018), 13. 15. Béjart n avait que quarante ans, et la troupe risquait de payer longtemps la pension, mais que pouvait...

.... The political dimension to their thinking? Apart from artists that I’m working with also care; they sheer survival? have a deep concern with how they can actu- ally encourage or deepen a capacity for empa- Not so much in a way...

... ex- White Sea Canal: Levin cites one- half million ample of white-washing, full of half-truths as the total number of people conscripted for and lies of omission, a blot on Gorky’s care- work on the canaI,l9 although the working fully self- cultivated “biography.” force...

.... The writers in these pages consider you, the reader, as they write. Some ask you to participate in their experiments, to join in their acts of creation. Others call for you to explore ways to prioritize care in your own life and practice giving the artists you work with, and yourself, the time...

... careful of fireworks could stand on the same platform as these work, the display of that work — it’s all done Reckless Sleepers: other forms. I was trying to unravel that idea behind closed doors, and then the big reveal. A String Section...

... do not want to be curated: they do not want to be taken care of; they have no need to be taken care of and actually live and thrive and insist on existing without care. Furthermore, I started to think that the objects and works...

... Considerations The following essay is the written version of my lecture/performance Collective Dancing to Stay Alive. This lecture is configured as an incarnated historiography of works created by Latin American female artists and intellectuals who discussed patriarchy, coloniality, violence, and female...

..., given the significant role they have long played in determining which performances are commissioned and seen — and how they are presented and to what public. But in the past decade, independent curators have embraced new models, beyond selecting, slotting, and championing works on behalf...

... arrival, partnered with grassroots organizers throughout the country, one of them being our dear Ty Defoe, who is here today, to create the qtpoc Liberatory Aesthetics, which are as follows: Whol ene ss, Emot ional Risk, and Tender ne ss This is how the spell works. We take care of ourselves, we take care...

... of a loved one, About a body unable to recognize itself after childbirth, And a dog sitter getting in trouble for allowing an animal in their care to take a shit in the lobby of a condo building . . . Some failures were entirely comical, while others were emotional reckonings with tinges of regret but big...

... associate with people whom she respects, and people who in turn respect her, and she is not in a rush to show her work to people whose only good point is that they may advance her career; rather, she shows her work mostly to people who care about her and have some intelligence. She may attend...

... or friends, and I felt like I had to nav- because this artist does not care, or they care igate them into the space to a good place to but in a private place that I can’t penetrate, so watch the work. So it’s this larger caring that what do I do? That was interesting, you know, was sort of beautiful...

.... 5 THE FOOT MEN: Hard work. Text and drawings by Peter Schumann WOMEN: Hard work. (This street show consists of two choruses standing on either (The two curtain holders flip first banner ouer to reveal side of a set of three banners...

... it in the together and bite your tongue? You, little girl, sky, people shout it in the streets, it’s all over where do you work? newspapers. Win the war. But how? Do you...

... of himself with which to work. He has a piano; he has a violin; he puts things down on paper; he has a picture that he paints; he has a novel that he writes, and so on. That means he is able to evaluate what he does with a certain amount of objectivity...