...Richard Beacham Copyright © THEATER 1978 1978 Literary Management at the National Theatre, London: An Interview with John Russell Brown Richard Beacham John Russell Brown...

...-Not Lane by Peter Nichols, Sizwe Banzi Is Dead and The Island by Athol Fugard, and Spokesong by Stewart Parker. Several Long Wharf productions have been transferred to New York, including Streamers by David Rabe, The Shadow Box by Michael Cristofer, and The Gin Game by D. L. Coburn. Arvin Brown has been...

...Kenneth H. Brown Copyright © Theater 1998 1998 KENNETHH. BROWN RESPONDINGTO THE HEARSEDRIVER In response to unsolicited opinions my father used to say, “The only time you should talk about that is when somebody drives up...

...Robert Auletta; Kenneth H. Brown; Maria Irene Fornes; Rochelle Owens; Jonathan Price; Irving Wardle; Arnold Weinstein Copyright © Theater 1998 1998 1968-1998 THEATERSURVEY Theater submitted thefollowing questions to people who wrotefor...

...Lex Brown; Leslie Elkins; Andrew Friedman; Jasmine Mahmoud; Erica Murphy; Sacha Vega; Sara Freeman [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] © 2024...

...Kenneth H. Brown Copyright 1968 by yale/theatre 1968 For Julian and Judith June, 1963 Kenneth H. Brown the meeting: The heat fell from our backs, and we The shroud fell from his head, and he spoke and were brilliant. smiled and was ashamed...

...Norman O. Brown Copyright 1968 by yale/theatre 1968 EMPHASIS Our Prospectus for This Issue . . . liThe primal scene is the original theatre; the live body over the flatness of the film• parental coitus is the archetypal show; screen? Or will the allowance onstage...

...Frederick Brown Copyright © by yale/theater 1974 1974 A Thirties Harlequinade: Artaud and Jean- Louis Barrault By Frederick Brown In the summer of 1935, Barrault...

... assumptions about gender neutrality in the surveilling eye, and discovering and critiquing surveillance-based art that repro- duces, contests, and complicates it. Simone Brown, author of Dark Matters: On the Surveillance of Blackness offers a kind of parallel analysis. She is concerned that “within...

... as artistic director, dramaturg, and tive spirit, the previous summers’ earnings had been divided up be- musical director, Martin Walsh as a lead actor, Bob Brown as direc- tween the participants. The group’s status as a student organization tor, and Anne Downing as producer. For their inaugural...

... Young enjoyed a friendly relationship with most of his contempo- raries among the drama critics. In his correspondence, he often mentioned approvingly the criticism of such writers as Eric Bentley, Walter Kerr, Louis Kronenberger, George Jean Nathan, and John Mason Brown. The following letter...

... of ideas. thing, and those who know me also know I What I really resent, however, is the have never “succumbed” to pressure in my spreading of falsehoods about my dealings life. As for Brown, I hope he will forgive me with the Living Theater (volume 28, number for everything I ever did...

... into a palpable shift in la toward some relaxation of restrictions, we got to hug. You smell like yourself, I said. And you smell like you, she replied. My friend. Name map created by Daniel Alexander Jones, 2021 Rotations. Brown University. 1991 1993. Evenings near the shimmering end we gathered as usual...

...Zanthe Taylor Copyright © Theater 1997 1997 S elect B ibliography Brown , Lorraine , ed. Liberty Deferred and Other Living Newspapers of the 1930s Federal Theatre Project . Fairfax: George Mason UP, 1989 . Brown , Lorraine , and John O'Connor, eds. Free, Adult, Uncensored...

... But they who stand before me And seen to be weeded Brown like me So that it stays green. Face to the wall don’t know it I agreed to the task And I who do know it That the tribunal gave me Have no other instruction...

...Donald Oenslager Copyright © by yale/theatre 1970 1970 Robert Edmond Jones by Donald Oenslager After graduating from Harvard in 1923, John Mason Brown and I planned a wander- jahr together in Europe observing and studying the theatre from Stockholm to Con- stant inople...

... where the critical drama of Miller’s performance resides. I1 Hang it all Robert Browning, there can be but the one “Sordello.” But Sordello, and my Sordello...

...Sarah Ruhl © 2004 by Yale School of Drama/Yale Repertory Theatre 2004 More Invisible Terrains Sarah Ruhl, Interviewed by Wendy Weckwerth wendy weckwerth Eurydice has been pre- money to have a raining elevator. The set de- sented at Brown University, Vassar College...