...Michael Evenden © 2000 by Yale School of Drama/Yale Repertory Theatre 2000 07-The30.3-Evenden.ak 62-75 10/18/00 11:29 AM Page 62 Bertolt Brecht and Kurt Weill at rehearsal for Die Dreigroschenoper, Berlin, 1928...

...Joel Schechter Copyright © THEATER 1986 1986 Brecht After Brecht Joel Schechter some “new” Brecht - Conversations zn Exile - in this issue of Theater...

... Last spring, we asked a number of critics, scholars, and directors who are concerned with Brecht's work whether they'd been affected by the last few years' spate of articles about the role of Brecht's female collaborators. Did giving new weight to the contribution of a woman assistant or co-author...

...Joel Schechter Copyright © THEATER 1978 1978 Brecht and Other Dramaturgs Joel Schechter Anecdotes about Bertolt Brecht's career as a dramaturg have oc• 1920's, Brecht was by no means opposed to artists' collectives, casionally appeared...

...Eric Bentley Copyright © THEATER 1981 1981 The Back of the Book Correspond- ence with Brecht Eric Bentley KURT WEILLHAD TO GET AWAY...

...Adam Versenyi Copyright © THEATER 1986 1986 Brecht, Latin America and Beyond: Teatro del Sesenta and Alan Bolt dance); and music and dance...

...Jan Breslauer Copyright © THEATER 1986 1986 The Vaudevillian Brecht: An Interview with Bill Irwin and Robert Woodruff __ Accidental Death of an Amrchisl. Together with fellow artists, he...

...Gitta Honegger © 2005 by Yale School of Drama/Yale Repertory Theatre 2005 Books Gitta Honegger Brecht, Switzerland, and the Hunt for the Lost Suitcase Bertolt Brecht und die Schweiz (Bertolt Brecht and Switzerland) by Werner Wüthrich 2003: Chronos Verlag I knew people...

...Gitta Honegger; Joel Schechter Copyright © THEATER 1986 1986 An Interview with Ekkehard Schall, and Comments by Barbara Brecht already answered. The person who asks those doesn’t want...

...Gitta Honegger Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 GITTAHONEGGER BEYONDBERLIN, BEYOND BRECHT Ofen bad, Ho r vath,Jelinek, and Their Directors After seeing my sixth Brecht production-Arturo Ui...

...Mohammad Kowsar Copyright © THEATER 1978 1978 Theater in Washington Brecht in the Arena Mohammad Kowsar In a period when principles of Epic staging emerged as an important structural unit four square platforms of single step eleva- are evolving...

...Eric Bentley Copyright © THEATER 1983 1983 Bertolt Brecht and Eric Bentley in Zurich, 1948. THE E...

...Arnold Weinstein Copyright 1968 by yale/theatre 1968 MAHAGONNY The only North American production of Brecht/Weill/Weinstein Mahagonny to date: Stratford, Ontario, 1965 (director,Jean Gascon...

...Heiner Müller; Marc Silberman, translated by Copyright © THEATER 1986 1986 To Use Brecht Without Criticizing Him Is to Betray Him whether Kafkds parable is not more encompassing...

...Roswitha Mueller Copyright © THEATER 1986 1986 Brecht and His Critics Roswitha Mueller Too many excellent anthologies, article- and working discipline and in his dress, but self- book-length...

...Joel Schechter Copyright © by yale/theatre 1976 1976 On Not Offending the Audience: Brecht at Lincoln Center Joel Schechter The Threepenny Opera By Bertolt Brecht Music by Kurt Weill Directed by Richard Foreman Translation by John Willett and Ralph Manheim Vivian...

... seven- ty percent of our operating budget goes to administrative costs; in- The Brecht novative ways have to be explored. Company DAVIS: And we won’t compromise. If we can’t have the theater we want, we’ll find something else to do. The survival...

...Peter W. Ferran Copyright © Theater 1994 1994 New Measures for Brecht in America Peter W. Ferran Roughly 30 years ago, while the Berlin Wall, just erected, was stimulating West German theaters 9 to renew their call for a Brecht boycott...

...Joel Schechter Copyright © by yale/theatre 1970 1970 Brecht and Godard in Ten Scenes from The Decline and Fall of Aristotlel by Joel Schechter Trial By Fire Only the innocent survive this trial. Miss survives trial by fire. While...

...Howard Brenton Copyright © THEATER 1986 1986 ‘The Best We Have, Alas’: A Note on Brecht Howard Brenton Recently I was talking to a British fricnd who has just finished writing...