... 32 33 Border Border Express, 34 choreographed...

... Opera, 2007. Photo: Vera Éder Directing at the Border Attila Vidnyánszky, Interviewed and Translated by Nina Király In 2006, Attila Vidnyánszky, an ethnically Hun- offers a chance to experience a lot of roles and garian director from Ukraine, became artistic stories. director...

...Daniel Lapenta Copyright © THEATER 1990 1990 JOHN MCGRATH’S BORDER WARFARE DANIEL LAPENTA he scruffy south bank of it has also...

... that paraphrases scenes from the comic classic Three Men in a Boat by Jerome K. Jerome, but now concerning three migrants being smuggled across a border river in a pitch-­ dark night. Only observable with night-v­ ision devices used by border patrol guards. Paper Puppet Poetry (2019), by kart collective...

...Tania El Khoury Live artist Tania el Khoury reflects on the impact borders have had on her art practice since 2005. She references her own As Far as My Fingertips Take Me (2016, with Basel Zaraa) and Nothing to Declare (2013, with Dictaphone Group) and examines in greater depth her work Cultural...

...Emilio Rojas Emilio Rojas s m(O)thers: Hudson Valley, lab Biennial Where No Wall Remains, The Fisher Center at Bard, Annandale- on- Hudson, ny, 2019. Photo: Maria Baranova 63 Arti s t s Journal Emilio Rojas Naturalized Borders (an Open Wound in the Land, an Open Wound in the Body) I came...

... at Bard College in the fall of 2019, and it is that presentation that is documented in the following pages. In 1994, the us Border Patrol implemented the immigration enforcement strategy known as prevention through deterrence (ptd). This was a policy designed to dis- courage undocumented migrants from...

... the nature of present- day borders while simultaneously imagining a borderless future. Collected here are the resulting performance texts, dialogues, exhibition dossiers, and artistic notebooks, introduced by the biennial s cocurator, the Lebanese artist Tania El Khoury. As Thomas Nail stressed in his 2016...

... gathered a company of actors from sixteen countries, the shift something," Squat founder Stephan Balint has written, "but was complete: Brook's International Centre of Theater Re- it is from something, from a given place, from the social and search represents his first attempt to erase borders, to deny...

... from the practice of western theater artists . . . performing well beyond the borders of their own countries,” as Julie Holledge and Joanne Tompkins put it in Women’s Intercultural Performance.1 Though an increasingly wide-ranging and differentiated practice, inter- culturalism came...

... will revisit the borders of your screen as you check the weather, respond to e-­mail, and read the latest news bite . . . but wait, the boots are cheaper on this other site! Thanks to the stalkerlike advertising strategy of data mining, you just saved $21.01. Now you can settle back and watch the new...

... eclipses the borders of religion, race, and gender. It questions the essence of love and the intimacy of existing amid the hate of contemporary societies. It explores the meaning of a body s limits and the curbing of its desires, drawing an emotional map that may punish those who trespass it, just...

... the living, and lives within us and must be accepted fucking United Nations but nobody here the dead are reconciled as well. as we evolve. In many plays by ethnic south of the border!” Near the ending, Benny forces minorities, the conflict is between the At the Bosquet...

... situations and poems that dislocate the borders of what came to be conventionally considered a play. Moreno shows himself to be an author averse to rigid models who prefers to experiment with multiple pathways within the processes of dramatic composition. His writing results in dilution of the speci...

.... It is familiar to anyone who has ever heard Germans talking in private about their neighbors to the east: the untrustworthy Pole, the conspirator, the smug- gler, the black marketeer. All those shady characters hanging around train stations and border crossings and expensive tourist hotels in Poland...

...Alexandra Ripp sellar and ripp Borders are places, but they are also, Nail writes, sometimes processes of cir- culation and sites of in-­betweenness. 3 The frontiers and limits they are intended to embody reveal much about our violent nation-s­tates and about our collective human- ity...

..., war, and trauma beyond American borders. The words of journalist Charlayne Hunter-­ Gault and Black feminist author Rebecca Walker best summarize the collective views behind the quotes excerpted in the performance. Dickerson narrates: Charlayne Hunter-­Gault: Americans have been led to believe what...

...Tom Sellar © 2000 by Yale School of Drama/Yale Repertory Theatre 2000 UC Uurh‡r… AH VƒA…56FQH Qhtr ! Up Front Theaters with Borders An unscientific survey of American Theatre’s annual season preview for 1999...

... during the Festival of International Dance at Yale encap- 15 sulated a phenomenon of our time: the increasing exchange of bodies, ideas, and tech- 16 nologies across national and cultural borders. The encounter, between an influential 17 Kenyan choreographer and a pioneer of American...

... of revisionist history, let’s recall that in-betweenness, borders, boundaries, walls, frontiers, frames, thresholds, contiguous spaces-real and metaphorical-are often very dangerous places to try to inhabit. Of course they’re radically contingent, but they’re also radically...