...Marc Robinson Copyright © THEATER 1990 1990 BREAKING THE BOND WITH EDWARD BOND Something is rotten in this age of hope. - HEINER MULLER ONE CASUALTY OF THE THATCHER REVOLUTION...

...Edward Bond Copyright © THEATER 1981 1981 The Romans and the Establishment’s Fig Leaf Edward Bond Edward Bond Over the past 20 years English playwriting has been good. critics...

... In this century day after day or setting; more than any other contem• Many have gone to hell porary interpretation, Bond's reading In war or prison represents a manipulation...

... belligerent Jimmy Porter onto the postwar British stage, Sarah Kane brings an explosive reality into our theater that the larger culture would rather deny. Just as Osborne tapped an angry national psyche of class resentment in the 1950s - and as Edward Bond made fierce characters and language speak...

... have to fi gure we ever met you,” and then Evan added a out what the symbol is—you have to invent. musical section inspired by anthropological In the second half of the twentieth century, sound. (He called it pygmy music.) There was beginning with Edward Bond, violence has a great release...

... But that’s not the only reason. (Oh, no!) account, Connery had multiethnic sex how complicated it is to buy with half a dozen of the best Bond girls. Maltese Bermuda shorts and a polo shirt if (And . . . yeah.) you don’t have cash...

... of magnificent political themes, as was proven in the six• search for one's own clown is a process of failures, Avner met with an expression of ties by the San Francisco Mime Troupe. discovering one's basic failing and, rather genuine astonishment, as though that was One New York commedia group, the Bond...

... desk policy, and asked whether they would advise him to buy Chinese railroad bonds from 1905. Kitman: I still own those bonds...

... the night, and blows up Eddy’s rig; the play new play would have something to do with and May are half-brother and haif-sister. ends in a glow of flames from outside. the relationship between “realism” and “fan- Thus the bond that links them is also one of Foolfor Loue, then, comes across as a kind...

... begins. a mn purports to examine a gritty social When we ask what in Arthur Miller’s case, and in an age that knows Brecht and Dedh of a salcsmcm still holds and urges Bond, to name two...

...~CKE/2 GEGENST~CKE(poems), Robinson, Marc, BREAKING THE BOND pp. 81-95. Number 3, pp. 21 - 25. WITH EDWARD BOND (essay), Numbers 1 -THE SONG-LINES OF KEVIN KLING...

.... Perhaps Edward Bond captures the predicament of the Foster, Hal, ed. The Anti-Aesthetic: Essays on Postmodern contemporary artist best in his ‘notes on postmodernism.’ Culture. Port Townsend, Wash., Bay Press, 1983. Bond defines the postmodern as a threefold relationship Hassan, Ihab...

...: stars, stripes, circles, cres- like in that James Bond movie.” For her, the cents. Basically he played with the borders and Buddha was strangely associated with the with the way travel often leaves us stuck at the Goldfinger of the James Bond movie. She borders, because we need a visa...

...; in those scenes the actors “write” while they’re pdonning. Sometimes I’U use a sMipted scent that a playwright has written, but the emphasis is always that thc two actors establish a contract, a bond between them. It’s the nature of that energy and the spontaneaty...

... Bly is on the ,staff of the Arena Stage Literary Department, and is a Royal Shakespeare Company 31 contributor to Theater Journal and Theater. Arnold Weissberger 82 Snoo Wilson 28 Edwkrd Bond...

... Constance Fenimore Woolson, Walter Pater and women together - which Castle terms and Vernon Lee, Virginia Woolf and E. M. “binary portraits” - offer a moving symbol of Forster, Lytton Strachey and Dora Carrington, the cultural bond between gay men and lesbians Ethel Smyth and E. F. Benson, Gertrude...

... to begin her M.F.A. at the Yale School of Drama after obtaining her B.A. in French and German from Trinity College Dublin. Framji Minwalla is a free-lance dramaturg, who, for want of work, teaches English and Theater at Yale College, and is vainly pursuing a dissertation on Edward Bond’s plays...

... to begin her M.F.A. at the Yale School of Drama after obtaining her B.A. in French and German from Trinity College Dublin. Framji Minwalla is a free-lance dramaturg, who, for want of work, teaches English and Theater at Yale College, and is vainly pursuing a dissertation on Edward Bond’s plays...

... Today Brecht’s theater practice lives in the extensions and reinter- plays and poems; or so it may seem to his English-language readers. pretations of his work by Pina Bausch, Augusto Roal, Alan Bolt, Ed- New volumes of Brecht’s writings are translated every year. New ward Bond, Howard Brenton...

.... It is the fact of their bond, the ridiculous necessity of their partnership and their belief in the importance of their fruitless...