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Journal Article
Theater (2012) 42 (2): 99–117.
Published: 01 May 2012
...Nick Salvato Nick Salvato examines the collision between “old” and “new” media staged by the actorless performance piece Bonanza , produced by German multimedia collective Berlin. © 2012 by Nick Salvato 2012 Berlin’s Bonanza, Marseille, 2010. Courtesy of Berlin Nick Salvato The New...
Journal Article
Theater (1985) 16 (2): 104.
Published: 01 May 1985
... the latter bonanza that he was awarded a MacArthur Prize Program at the Yale School of Drama. He was the production dramaturg for Fellowship. He previously served as Artistic Director of the Boston the Yale Repertory Theater’s world premiere of A Play of Giants. Shakespeare Company, and he has...
Journal Article
Theater (1985) 16 (2): 104.
Published: 01 May 1985
... the latter bonanza that he was awarded a MacArthur Prize Program at the Yale School of Drama. He was the production dramaturg for Fellowship. He previously served as Artistic Director of the Boston the Yale Repertory Theater’s world premiere of A Play of Giants. Shakespeare Company, and he has...
Journal Article
Theater (2012) 42 (2): 1–2.
Published: 01 May 2012
... Berlin’s Bonanza — a piece that juxtaposes screens with nineteenth-­century–style diorama to evoke local com- munity in the globalized age — provide particularly fertile examples of how technology itself can perform, bringing different modes of spectatorship into stereoscopic relief...
Journal Article
Theater (2012) 42 (2): 3–5.
Published: 01 May 2012
... into the vexed situation of events where newer media confront or conflict with older theatrical modes. Actorless events like Hello Hi There, or the art collective Berlin’s Bonanza — a piece that juxtaposes screens with nineteenth-­century–style diorama to evoke local com- munity in the globalized age...
Journal Article
Theater (1985) 17 (1): 45–50.
Published: 01 February 1985
... to be in the business. Tipton: Yes, many times. Clark Kelley: I’ll never forget on Bonanza Bound! [1947] when somebody broke the talk-hack. I could hear the electricians, but they Do you prefer to work in “teams...
Journal Article
Theater (2002) 32 (3): 69–85.
Published: 01 November 2002
... because he was the minister of agriculture in the Videla military junta in the early 1980s. Everywhere kitsch displays of orange dynastic decorations, flowers, pictures of the groom and bride and saccharine slogans, an avalanche of bad taste and trivia, a tourism bonanza and a security paranoia because...