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blau

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Journal Article
Theater (1984) 16 (1): 80–85.
Published: 01 February 1984
...W.D. King Copyright © THEATER 1984 1984 BOOK REVIEW~ Blau-Blooded Thought: Recent Writings of Herbert Blau W.D...
Journal Article
Theater (2002) 32 (3): 145–147.
Published: 01 November 2002
...Charles McNulty The Dubious Spectacle: Extremities of Theater, 1976-2000 by Herbert Blau 2002: University of Minnesota Press © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Books Liz Diamond champion a narrative of evolution,” they write...
Journal Article
Theater (2002) 32 (3): 144–145.
Published: 01 November 2002
... Blau Re:Direction itself, particularly when 2002: University of Minnesota Press read straight through, can have a severely desta- bilizing effect on any leftover hopes that a linear Herbert Blau confesses in his new book of narrative describes the history of directing in essays, The Dubious...
Journal Article
Theater (2002) 32 (3): 148–150.
Published: 01 November 2002
... Spectacle: Extremities of Theater, the term meaning in the theater, Parks finally 1976–2000 says, “Stick to the play.” by Herbert Blau Re:Direction itself, particularly when 2002: University of Minnesota Press read straight through, can have a severely desta- bilizing effect on any...
Journal Article
Theater (1987) 19 (1): 90–92.
Published: 01 February 1987
.... This gets him into trouble when he damns Herbert Blau’s opening production at Lincoln Center American actow, oppressed by disorganized and muddled of Danton‘s Death, while admitting that “For most of us, training systems, by their supply...
Journal Article
Theater (1992) 23 (1): 6–14.
Published: 01 February 1992
...Framji Minwalla Copyright © THEATER 1992 1992 SOURCES Baudrillard , Jean . Simulations . Translated by Foss, Paul, Paul Patton, and Philip Beichtman. New York: Semiotext(e), 1983 . Blau , Herbert . The Eye of Prey: Subversions of the Postmodern . Bloomington, Ind.: Indiana...
Journal Article
Theater (1985) 17 (1): 97.
Published: 01 February 1985
..., no. 3, p. 85. Kalb, Jonathan. “The Underground Edgume,” (Review) Vol. 16, no. 2, p. 88; “The Critical Beckett,” (Review) Vol. 16, no. 3, p. 81. King, W.D. “Blau-Blooded Thought: Recent Writings of Herbert Blau,” (Book Review) Vol. 16, no. 1, p. 80; “The Sake of Argument: A New...
Journal Article
Theater (1983) 14 (2): 93–94.
Published: 01 May 1983
...-standing interest in Latin American theater. Bhded 13rougAt, by Herbert Blau, PAJ Publications, New York, 1982 Maya Haddow (translator/adaptor) was born and raised in post-war (paper) $6.75. Poland. She received her M.A. in French...
Journal Article
Theater (2016) 46 (2): 35–53.
Published: 01 May 2016
... ubiquity, rendering all but moot the ontological distinctions between them, we still hear versions of what even his dissenting interlocutor, Herbert Blau, described as the “banalities about ‘living theater.’ ”3 Whether or not those banali- ties (think “magic”) actually persuade contemporary consumers...
Journal Article
Theater (1983) 14 (2): 93.
Published: 01 May 1983
...-standing interest in Latin American theater. Bhded 13rougAt, by Herbert Blau, PAJ Publications, New York, 1982 Maya Haddow (translator/adaptor) was born and raised in post-war (paper) $6.75. Poland. She received her M.A. in French...
Journal Article
Theater (2008) 38 (1): 1–2.
Published: 01 February 2008
... a line of challenging parts, the New York theater has often been drawn to emulate its subsidy-rich European cousins. These quixotic efforts — Irving and Blau’s Lincoln Center in the sixties, BAM’s resident company in the eight- ies — quickly fizzled out, achieving neither the economic base nor...
Journal Article
Theater (2008) 38 (1): 2–3.
Published: 01 February 2008
... of a company of actors moving through a line of challenging parts, the New York theater has often been drawn to emulate its subsidy-rich European cousins. These quixotic efforts — Irving and Blau’s Lincoln Center in the sixties, BAM’s resident company in the eight- ies — quickly fizzled out, achieving...
Journal Article
Theater (1981) 13 (1): 51–54.
Published: 01 February 1981
... performance, In 1905, Freud published several case histories including to the plane of knowing. ‘‘Fragment of an Analysis of a Case of Hysteria,” his three-month, Herbert Blau aborted...
Journal Article
Theater (1995) 25 (3): 5–7.
Published: 01 November 1995
... fanzine instead-produced with as much mon- more neo-bop modernist (Blau plus Gillespie) strous, smelly ugliness as a lack of time and than post-structuralist. Who cares. I’m not so compassion will allow. (Versions are already good with “isms” and we’d all rather work...
Journal Article
Theater (2012) 42 (2): 79–89.
Published: 01 May 2012
.... Indeed, Herbert Blau attri- say, humans can remember not merely one or butes any sense of the liveness that Auslander two things that have been discussed, but the in “Live from Cyberspace” posits bots possess...
Journal Article
Theater (2015) 45 (3): 7–25.
Published: 01 November 2015
... descend. And so, I might be lying when I say that no one gets hurt in the theater. By now it is something of a cliché: in outlining several universals of performance, Herbert Blau suggested that live performance is rooted in the unavoidable fact that the performer is dying in front of the eyes...
Journal Article
Theater (1993) 24 (3): 116–119.
Published: 01 November 1993
...- Wilson’s German production of King Lear, ence was always Beckettian. The world of this Herbert Blau says that even Wilson described Lear, like Beckett’s world, is in a constant state MUFSON of decomposition.” The log, however, doesn’t what it is about the play the two...
Journal Article
Theater (1974) 5 (2): 120–127.
Published: 01 May 1974
.... When the training programs at California Institute of the Arts were crystallized in 1970, Herbert Blau, then Dean of the School of Theatre and Dance, focused his acting program along essentially non-verbal lines, drawing from funda...
Journal Article
Theater (1969) 2 (3): 55–74.
Published: 01 November 1969
... the San Francisco Actor's Workshop, still under the guidance then of Jules Irving and Her- bert Blau, to move to Stanford. The idea was that the Workshop shows would re- hearse, open, and run for a few weeks at Stanford and then move to San Francisco for an extended run. The Workshop was afraid...
Journal Article
Theater (1985) 16 (3): 85–89.
Published: 01 November 1985
... in Berlin, good graces of Herbert Blau, John Schneider, order to perpetuate the race, an Amazon must which was also shown on West German principal director and playwright of Theatre conquer a man on the battlefield, take him to television. X, and his troupe immediately...